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The movie is as bad as respectable budget film can be... the plot is just ridiculous and uninteresting.

The acting is not bad, far from it, but the characters are not inspiring. John Tavolta's acting is not bad as some reviews says; it's just that his character is a little crazy and goofy.

Hart's plays a version of himself that portraits him as weak and diminished, and that's not a good thing.

The cast made me believe this could be interesting but it's not the case... how can a movie with a cast like this can be so bad??

And the question which is bugging me: how the heck did this got a sequel???...

"All I needed was ... an actor who was afraid of being forgotten". This line makes me doubt this is an action film, and makes it feel like a biopic. Because if, as a serious actor, you are NOT taking a role in drivel like this because you expect it to be a box office success. On the face of it this movie is onanistic narcisism, with Kevin Hart making a movie about Kevin Hart being Kevin Hart in another Kevin Hart movie but now about Kevin Hart. If you start this movie with this in the back of your mind, you are in for a very mediocre movie about making a 'real life' movie. You are _still_ going to see a movie with Kevin Hart about Kevin Hart, mind you. But there'll be other actors too. Briefly. And a plot, passingly. All in all: Not good. Good enough to waste 90 minutes on, bad enough that you'll have forgotten about it before your next drink. Not bad. Just a Kevin Hart movie, in conclusion.

My rating is not going to change anything, but at least Jordan King (Nathalie Emmanuel) is easy on the eyes, she's a beautiful young lady. The scene where they play agents had me in tears, I had to watch it a few times. I lost it with the Karate chop to the throat and when she flipped him across the room was hilarious. That box exploded, and Kevin could have easily fit inside of it at 5'2" tall. Overall, it wasn't a total waste of time, it was actually a decent movie. It's all about the writing, they had a good cast but comedy writing is never easy. I like Kevin, always thought he was funny, so hopefully he can bounce back from this mediocre movie.

Kevin Hart is one of those actors/comedians who does well in the sidekick role, but struggles to lead an entire movie. Die Hart makes fun of this dynamic as well as poking fun at Hart's image and acting abilities. Its also the reason the move doesn't quite work, ironically.

Kevin Hart plays...well, Kevin Hart. He becomes upset with the image of himself as a short sidekick who is just there to be the comic relief. He wants to be seen as an action star. When a guerilla tactics director (Jean Reno) offers him an action role, but only if he agrees to attend an rogue action camp, Hart agrees. The camp is run by Ron Wilcox (John Travolta) who is, lets say, slightly mad. The methods Ron uses to teach Kevin to be the hero are both dangerous and outrageous. Soon, a second actor, Jordan (the lovely Nathalie Emmanuelle) joins the camp and becomes Kevin's classmate. Even Josh Hartnett has a cameo as himself, a former graduate of Ron's acting school. Milana Vayntrub (the AT&T spokesperson) has a small role as a talk show host.

The fun in the movie is that Hart really is thought of as just a comedic sidekick. The fact that he is willing to mock his image is both redeeming and funny. There are some genuine laughs in this film, notably the early scene of Hart melting down during an interview on the live morning talk show as well as the outrageous stunts Ron makes him perform. The problem is the gimmick runs out of steam after a while and only Hart's sincerity and energy hold it together. The "secret" revelation of what is really going on is telegraphed a mile ahead, but its still entertaining. Still, this is a decent 84 minutes of insanity that was well worth the time.

"Die Hart" (2023) is a movie that aims to provide comedic action, but unfortunately, it falls short of its ambitions. The film follows Kevin Hart as a fictionalized version of himself, who wants to break out from his comedy-sidekick stereotype and become a legitimate action hero. It's an intriguing premise, but the execution leaves much to be desired.

One of the major drawbacks of the film is its short runtime of just 1 hour and 18 minutes. Such a limited duration prevents the plot and character development from reaching their full potential. Consequently, the narrative feels rushed and underdeveloped, making the movie resemble more of an episodic content stitched together rather than a cohesive feature film.

Despite boasting a star-studded cast, including the likes of Kevin Hart, John Travolta, Nathalie Emmanuel, and Josh Hartnett, the performances fail to elevate the film to greatness. While there are definitely moments in which the comedic elements provide some chuckles, the humor lacks consistency and may not resonate with all viewers. Additionally, the movie struggles to strike a balance between delivering action-packed sequences and generating laughs, resulting in a somewhat disjointed experience.

Furthermore, "Die Hart" suffers from a clichéd and predictable plotline. The concept of a comedian seeking to prove himself as an action star is not entirely original, and unfortunately, the film brings nothing new to the table. This lack of novelty prevents the movie from distinguishing itself and detracts from the overall enjoyment of the viewing experience.

While some viewers might find entertainment in the blend of action and comedy, others may be disappointed by the lack of fresh content and unfulfilled potential. Additionally, the episodic structure of the film and the perception that it is a condensed version of a TV series rather than a fully-realized standalone film contribute to its mediocrity.

In conclusion, "Die Hart" (2023) struggles to live up to its comedic action aspirations. With a rushed plot, inconsistent humor, and a lack of originality, the movie receives a rating of 4/10. Although it might still appeal to fans of the cast or those seeking a lighthearted action-comedy, it fails to deliver a memorable cinematic experience.