Level Cross

The film takes us to a desert where time and place become unrecognizable.

A railway track passes through the desert. Although there's no road crossing it, there is a level crossing.

In this desolation, a gateman and his donkey exist... and as each scene unfolds slowly, we are drawn into the story environment of 'Level Cross'.

Beautiful frames... Appu Prabhakar's cinematography allows us to enjoy three-quarters of 'Level Cross'.

The long shots, the slow pace of storytelling, the lack of dialogue, and the absence of many characters make the first half-hour a bit dull, but the film picks up as the train starts moving.

The film becomes engaging through predictable yet flawless interval blocks.

The director manages to confuse the audience by narrating the story of the three characters from different points of view.

Even though the film stands out for its technical excellence and unique narrative style, 'Level Cross' is not for everyone.

If you look closely at Asif Ali's performance as the gateman Raghu, you'll find shades of Mammootty's Putturumis and Mada. However, it's no small feat that Asif Ali managed to carry off the role so effectively.

Although Sharafuddin and Amala Paul handle their roles well, they are not given as challenging roles as Asif Ali's.

Vishal Chandrasekhar's background score blends magnificently with the film's mood. There are minor flaws in the set design, especially in the house near the level crossing, but they don't take away from the overall experience.

The twists in the second half enhance the enjoyment of the level crossing scenes.

In the end, I was convinced that the ghost story-the one about a spirit walking with its head turned around-was not just a subplot but an integral part of the narrative. The director doesn't hesitate to let the audience guess who the ghost really is.

Leaving aside the slow-paced storytelling and the overly dramatic dialogues, Arfaaz Ayub's 'Level Cross' is an experimental film with technical brilliance that deserves appreciation.