No início dos anos 2000, as vidas dos alegres gêmeos Mallikarjuna e Padmavati mudam no 25º aniversário devido a eventos inesperados.No início dos anos 2000, as vidas dos alegres gêmeos Mallikarjuna e Padmavati mudam no 25º aniversário devido a eventos inesperados.No início dos anos 2000, as vidas dos alegres gêmeos Mallikarjuna e Padmavati mudam no 25º aniversário devido a eventos inesperados.
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I dont watch Telugu movies much.. But I saw this on TV and read description and was intrigued to watch it.
Movie started out well but within few minutes it leave you with "facepalm".
Im not sure what exactly director tried to achieve here.. Is he supporting both sides stories? Because i couldnt connect to one side at all.
When you are discriminated, atleast focus on sympathizing narrative. But plot goes in a way that villain felt reasonable because the main actors are pain in the a.. for everyone and bought problems on themselves. While i was waiting for my turn to root for the oppressed but most of the oppressed elements dont even make sense.
Lead actor felt bland and i couldnt connect to him, atleast he was great in villain roles even if they are silly.
Leads sister had more villainish vibes than the Villain. Like wth bro! Overly aggressive and goes full blown for simple arguments making situation worse.. If as a writer, if i want to portray her in a way people will hate the character... This is exact characterization i would do.
Movie started out well but within few minutes it leave you with "facepalm".
Im not sure what exactly director tried to achieve here.. Is he supporting both sides stories? Because i couldnt connect to one side at all.
When you are discriminated, atleast focus on sympathizing narrative. But plot goes in a way that villain felt reasonable because the main actors are pain in the a.. for everyone and bought problems on themselves. While i was waiting for my turn to root for the oppressed but most of the oppressed elements dont even make sense.
Lead actor felt bland and i couldnt connect to him, atleast he was great in villain roles even if they are silly.
Leads sister had more villainish vibes than the Villain. Like wth bro! Overly aggressive and goes full blown for simple arguments making situation worse.. If as a writer, if i want to portray her in a way people will hate the character... This is exact characterization i would do.
No matter what negative comments are,
It's a definite watch movie.
Very clean engaging narrative.
Suhass, his sister and the villain charectors (and ofcourse suhas sister) are centre of attraction. They have carried the movie on their shoulders.
Initial few minutes, you will start slowly drowning into the movie and will keep you engaged until the end.
Now a days it is easy to get provoked when it comes to caste, religion etc. Even though the movie is around the caste based ego centric play, The director, screenplay team, suhas and villain managed to exhibit it extraordinary. And the movie team managed so well that the core values of each other's are maintained well.
It's a complete package of emotions, action, love.
Please watch it along with your family.
(H+)
Very clean engaging narrative.
Suhass, his sister and the villain charectors (and ofcourse suhas sister) are centre of attraction. They have carried the movie on their shoulders.
Initial few minutes, you will start slowly drowning into the movie and will keep you engaged until the end.
Now a days it is easy to get provoked when it comes to caste, religion etc. Even though the movie is around the caste based ego centric play, The director, screenplay team, suhas and villain managed to exhibit it extraordinary. And the movie team managed so well that the core values of each other's are maintained well.
It's a complete package of emotions, action, love.
Please watch it along with your family.
(H+)
The narrative weaves together a blend of few compelling and many mundane elements.
Influenced by Rangasthalam, Uppena and Dasara.
The script shines during the sequences leading up to the interval and again before the climax.
The romantic subplot involving the protagonists lacks spark, yet it manages to elicit a few chuckles along the way.
The film thoughtfully addresses themes of caste discrimination and the importance of self-respect.
Suhas delivers a commendable performance as expected, while Shivani holds her own quite well.
Sharanya, in the role of Suhas's sister, delivers a standout performance that arguably overshadows the rest because the character itself is over the board.
Nithin Prasanna excels as the antagonist, adding a notable depth to the film's conflict.
Jagadeesh, Swarnakanth and other supporting cast also delivers decent performances, each contributing to the film's overall texture.
The production values are noteworthy, especially when compared to Suhas's recent projects, indicating a thoughtful investment in quality.
Both the cinematography and the musical score complement the film's ambiance well.
Dushyant's direction is a bit Amateur and traditional.
Influenced by Rangasthalam, Uppena and Dasara.
The script shines during the sequences leading up to the interval and again before the climax.
The romantic subplot involving the protagonists lacks spark, yet it manages to elicit a few chuckles along the way.
The film thoughtfully addresses themes of caste discrimination and the importance of self-respect.
Suhas delivers a commendable performance as expected, while Shivani holds her own quite well.
Sharanya, in the role of Suhas's sister, delivers a standout performance that arguably overshadows the rest because the character itself is over the board.
Nithin Prasanna excels as the antagonist, adding a notable depth to the film's conflict.
Jagadeesh, Swarnakanth and other supporting cast also delivers decent performances, each contributing to the film's overall texture.
The production values are noteworthy, especially when compared to Suhas's recent projects, indicating a thoughtful investment in quality.
Both the cinematography and the musical score complement the film's ambiance well.
Dushyant's direction is a bit Amateur and traditional.
Suhassss killed it!!! All the actors lived up to their expectations A good great cinema loved itttt. Sharanya is the main role she nailed it. Apart from all of these the story is really engaging. Director dushyanth extracted beautiful performances from the actors. The opted cast and crew is dream team which has given solid outcome. Shivani heroine of this cinema, this cinema is her debut film. She performed very well. Choreography by gouse is good it looks more natural. Suhas made most of it he is natural nature gifted actor. Villan character is written impressively. Songs are big plus to this cinema. Gumma song is great song with great lyrics. Who else feel the same hit the like button:)
What a heartfelt movie , mostly I love the screen presence and script writer . Which I can't imagine how much struggle could take director sir and screen play team . And suhas , Saranya both gave 200% effort . Suhas anna ne closeup shots aithey chusi mottam edupu,kasi,kannellu Anni vachesay.probably heroine have a bright future .and I feel my self down sometimes , why can't good directors and other film intellectuals encourage them . It is such a clean and complete package movie which is definitely get lots of lots of applause. In the whole film I mostly love the dialogue " Aina goppollu champithey nyayam mana lantollu champitey murder antarra " what line sir , from bottom of my heart ' chetuletti abinandana sir '
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 31.665
- Tempo de duração
- 2 h 24 min(144 min)
- Cor
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