Jurado Nº 2

I doubt that this case would ever have gone to trial. The only "witness" supposedly saw the suspect during a dark night, through heavy rain, from a couple of hundred feet away, right? If this case did make it to the courtroom, any halfway decent defense attorney would've knocked down the supposed validity of that witness without much trouble. There's nothing else to go on. The suspect followed her? How far? No one knows, which means that's of no value at all. If she was hit by a car, any autopsy would have shown this to have been the case, i.e. She was hit hard by a very large object... in other words, a vehicle, rather than a hand-held object. In summary, the direction, the actors and the production are all fine, but the whole film is a house built on a foundation that has no strength.

This was not to be expected, especially after the unspeakable 'Macho Man'. So to summarise, Clint Eastwood has once again created a significant work. A high-quality cast and, most importantly, a story that usually really shakes the viewer. From life, this can happen to anyone in a similar form, albeit without the heightened premise of trial involvement. Unconscious becomes cruel reality, everyday life becomes nightmare, ignorant becomes guilty. And suddenly you find yourself at a moral crossroads: be honest and cross the threshold of a legal abyss, including that of your own life model, or double your own guilt. In fact, the film draws the viewer into the imagined maelstrom of putting oneself in it and creates precisely the false relativisation provoked in our minds. Briefly reconsidered, it is only when we distance ourselves from the character again that the behaviour becomes intolerable. Clint Eastwood loves his America, but is always critical of its darker side. Especially the legal system, a well thought-out construct with the usual human flaw. Justice remains a stroke of luck.

Juror #2 directed by the iconic Clint Eastwood, Juror #2 brings together an incredible cast led by Kiefer Sutherland, Nicholas Hoult, Toni Collette, and J. K. Simmons. This courtroom drama explores the complexities of jury deliberation in a murder trial that involves themes of domestic abuse. The story is immediately engaging, setting up a clear-cut case, but it soon dives deep into moral territory, where the right verdict is anything but straightforward.

As a non-U. S. viewer, I found the trial process and jury dynamics especially fascinating. Eastwood cleverly exposes the issues of biased jurors and the impact of personal agendas. The film makes you question how often jurors-pressed by personal motivations outside the courtroom-lose sight of the real deliberation required to reach a just decision. This theme feels disturbingly relevant and is well-executed here.

Though this is Eastwood's 45th directorial work, I'd say Juror #2 isn't his best. At times, it struggles with pacing, which occasionally dampens the tension that should be building. Still, the stellar performances from the cast and the moral questions it raises make it a thought-provoking watch, and it's a worthwhile addition to Eastwood's body of work.

This cast is doing their best, but the material is so incredibly dumb. The elevator pitch of the plot is intriguing, but it's got the silly execution of a CBS crime procedural.

I watched it for the cast, and for the moral dilemma and mystery of the premise, but the trailer had more actual plot clarity than the movie itself. Enjoying this movie requires gazing lovingly at Nicolas Hoult's beautiful face and letting Toni Collette's reliably strong performance distract you from the fact the writers assume no one understands how courts or trials work. And the ending leaves absolutely everything to be desired.

Juror #2 , which may well be Clint Eastwood's last film as a director, is very good. We're not talking Unforgiven, Bronco Billy, Million Dollar Baby good, but it is properly good. Hard to tell you anything without spoiling it, but it's a great courtroom drama with a twist early on that takes it to a whole new place. You can relate to all the major characters, and even when they're doing not great things you can put yourself in your shoes and go I'd really struggle not to do that. Well worth a watch.

We don't have enough one and done dramas in the cinemas nowadays. This is exactly the kind of film we need more of. Very glad I saw it in the cinema.