72
Metascore
37 avaliações · Fornecido por Metacritic.com
- 91IndieWireChristian ZilkoIndieWireChristian ZilkoA throwback character study that invokes the kind of mid-budget hits that kept the lights on at Warner Bros. for 50 years, Juror #2 both enriches our understanding of the Hollywood icon who made it and stands on its own as one of the best studio films released in 2024.
- 80VarietyPeter DebrugeVarietyPeter DebrugeAs always, Eastwood respects our intelligence. And yet, Juror No. 2 registers as something of an anomaly in his oeuvre: It ranks among his quietest films, forgoing spectacle in favor of self-reflection.
- 80Screen DailyTim GriersonScreen DailyTim GriersonThe film builds to a conclusion that is unexpected but surprisingly effective in its understatement, suggesting that this veteran director can still find new ways to explore what everyday courage looks like.
- 80EmpireJohn NugentEmpireJohn NugentIf this is to be a swansong, it’s a fitting one: a thrillingly watchable legal thriller about truth, justice and (for better and for worse) the American way, as told by an all-American icon.
- 80Time OutDan JolinTime OutDan JolinSure, Juror #2 appears to be yet another polished, predictable courtroom drama; the kind we got a lot of during the ’90s. But thanks to Eastwood and first-time screenwriter Jonathan A Abrams, it’s a deeply involving and thought-provoking new spin on the genre, which serves up a ripe moral quandary that goes deeper than anything John Grisham ever managed.
- 63Slant MagazineGregory NussenSlant MagazineGregory NussenJuror #2 casts a morally inquiring side-eye at the American legal system, questioning whether it’s reasonable to convict anyone on the basis of something so fallible as memory.
- 60Arizona RepublicBill GoodykoontzArizona RepublicBill GoodykoontzJuror #2 isn’t quite forgettable, but it’s also not the movie we’ll remember Eastwood for.
- 60Rolling StoneDavid FearRolling StoneDavid FearAs for whether this is the last film Eastwood gets the opportunity to make, the jury is still out on that. But you can’t accuse him of resting on his laurels. Artists half his age couldn’t come up with a cinéma du airport read this intriguing.
- 60ColliderJeff EwingColliderJeff EwingIt's considerably elevated by strong performances and some excellent directorial and cinematographic choices, but it ultimately is undone by details and narrative pivots that don't work.
- 60The GuardianRyan GilbeyThe GuardianRyan GilbeySuspense is kept on a low flame but the film offers cosy pleasures, not least in the jury-room wrangles.