Good Fortune boasts impeccable casting, a hysterical script, and more heart than most films dare to offer. Its sharp wit and understated dialogue shine throughout, delivering moments of genuine introspection without ever feeling heavy-handed.
In an era saturated with existentialist films, Good Fortune distinguishes itself by refusing to take life-or itself-too seriously. It invites viewers to step back, laugh in the face of adversity, and find levity in the chaos.
At first glance, the characters may appear two-dimensional or overly familiar. But as the story unfolds, it becomes clear how meticulously Aziz crafted each one. They're fresh yet layered, revealing unexpected depth and nuance as the film progresses. His thoughtful storytelling-something I've long admired-elevates the narrative and spares it from becoming just another formulaic life-swap tale.
The writing, while subtle, often serves the story well, keeping it grounded and cohesive. Still, I found myself wishing it had taken more risks. The film hints at satire-touching on corporate greed and the plight of the working class-but these themes feel underdeveloped. Aziz introduces these ideas but stops short of provoking real conversation or emphasizing their weight. There's no call to action, only a quiet resignation, as if the challenge was too great to fully confront.
That said, Aziz excels in prioritizing the existential elements that make his characters feel relatable. He navigates a familiar plot structure with finesse, infusing it with sharp humor, a seasoned and well established cast that understands the power of good timing, and a charming simplicity that makes the film feel both intimate and universal.
