Adicionar um enredo no seu idiomaThe lives of an American expat and a half Japanese construction worker living in rural Japan are forever changed over the course of three days as they engage in an unexpected romance.The lives of an American expat and a half Japanese construction worker living in rural Japan are forever changed over the course of three days as they engage in an unexpected romance.The lives of an American expat and a half Japanese construction worker living in rural Japan are forever changed over the course of three days as they engage in an unexpected romance.
- Direção
- Roteirista
- Artistas
Anya Floris
- Podcaster
- (narração)
Alexander W. Hunter
- Shadow Customer One
- (narração)
Bob Werley
- Shadow Customer Two
- (narração)
Avaliações em destaque
It was amazing and what a beautiful setting and story. I've wanted to visit Japan in the past but it made me fall in love more.
The story of Luke and Ken is beautiful and they make such an cute and powerful couple, a true example that two people can change the course of their futures.
The Christophers are so compelling and heartfelt. They make it so easy to follow the story and journey of Luke and Ken.
The setting in Japan compliments the love story and family stories lines so well and bridges two cultures in one bucolic masterpiece of a country.
Definitely recommend this to everyone an hour and a half well spent.
The story of Luke and Ken is beautiful and they make such an cute and powerful couple, a true example that two people can change the course of their futures.
The Christophers are so compelling and heartfelt. They make it so easy to follow the story and journey of Luke and Ken.
The setting in Japan compliments the love story and family stories lines so well and bridges two cultures in one bucolic masterpiece of a country.
Definitely recommend this to everyone an hour and a half well spent.
This drama rom-com felt a little bit dry in my opinion. Maybe because there's not enough soundtrack to support the movie? Music can influence a movie greatly if you can pick the right ones. Maybe there wasn't enough budget to hire some musicians? Too bad. Plot wise, it's decent and pretty interesting to watch. It's just that this movie is also about green card fraud. So it's in the grey area with the law. But that's the only thing in the movie that raises some eye brows. Everything else is just good drama and dry humor. It's well directed and the acting was passable. Especially for non-famous actors and actresses.
Trite, self indulgent and bad. Just bad overall.
I won't even begin to voice my opinion after a reviewer (above or below me here), I'll call them double D said the exact same thing I was thinking as I read each of their paragraphs. There isn't even an OUNCE of chemistry between them, nada.
The Japanese lead was incredibly good to look at, I will give you that and he kept my interest for the film. That being said, even in Japanese he couldn't act as way out of a wet paper bag. No offense my friend, I'm not attacking you personally if you read this review...but given what I viewed, you would not have acted your way out a out of a wet, perforated bag.
As for the American lead, it's been a long, long time since I've seen such incredibly poor and self indulgent melodramatic turns, heaped under a pile of what the actor thought he was emoting, emotions, topped by all sorts of VERY stereotypical, "barbie like" head throws and twists and with all KINDS of stomping and swishing going on when they were upset. This is how an adult, who goes to Japan to teach English, carries themselves?
Was this supposed to be a trans film, maybe a lady/boy type of film? I am being dead serious.
I'm hoping that this is just a sophomore attempt and then it gives everyone involved the chance to learn and grow and make better each time you produce and then present. I'd love to give you more than two stars but I'm sorry, the American lead destroyed it for me, it's not even worth the time nor the effort to point out some of the poor camera angles, the lighting, the direction, and how someone, never it seems, took into account sound and how to utilize it. The Japanese lead is soft spoken YET no one in sound took this into account? GOD GRIEF!)
I won't even begin to voice my opinion after a reviewer (above or below me here), I'll call them double D said the exact same thing I was thinking as I read each of their paragraphs. There isn't even an OUNCE of chemistry between them, nada.
The Japanese lead was incredibly good to look at, I will give you that and he kept my interest for the film. That being said, even in Japanese he couldn't act as way out of a wet paper bag. No offense my friend, I'm not attacking you personally if you read this review...but given what I viewed, you would not have acted your way out a out of a wet, perforated bag.
As for the American lead, it's been a long, long time since I've seen such incredibly poor and self indulgent melodramatic turns, heaped under a pile of what the actor thought he was emoting, emotions, topped by all sorts of VERY stereotypical, "barbie like" head throws and twists and with all KINDS of stomping and swishing going on when they were upset. This is how an adult, who goes to Japan to teach English, carries themselves?
Was this supposed to be a trans film, maybe a lady/boy type of film? I am being dead serious.
I'm hoping that this is just a sophomore attempt and then it gives everyone involved the chance to learn and grow and make better each time you produce and then present. I'd love to give you more than two stars but I'm sorry, the American lead destroyed it for me, it's not even worth the time nor the effort to point out some of the poor camera angles, the lighting, the direction, and how someone, never it seems, took into account sound and how to utilize it. The Japanese lead is soft spoken YET no one in sound took this into account? GOD GRIEF!)
I struggled to get through this film and finally gave up about 70 minutes in.
This entire film is apparently a showcase for the (American) lead actor's Japanese speaking ability. As a story, it is predictable and laughable and not really that interesting.
There is a lot of unnecessary dialogue, there are over-the-top screaming scenes (which are de rigueur for Japanese films, even, apparently, ones featuring foreign leads), there are tired tropes (English teachers in Japan), and there are huge miscalculations by the writer/star, mainly about why anyone would care that he can speak Japanese as well as he does.
The entire onsen scene came across as totally unbelievable and bizarre and fake.
The lead actor does tons of mugging and has apparently learned every single Japanese facial expression or reaction, since he has very few of his own.
His character is not developed at all, and as such, I could not care what happens to him.
The Japanese actors all fare better, and the lead Japanese "half" actor is legitimately hot and sexy and has potential in the right story (not this one).
There was tons of unnecessary (and incorrectly chosen) music with singing, played over scenes where the actors were talking -- and yet, how could we understand what they were saying when they were being drowned out by background music?
The two star rating is for the hot Japanese male lead, who gives us a hint of what paradise might be like in the onsen, but it is nearly totally destroyed by the virginal worry-wart first-time-ever in an onsen foreigner who acts like a scared girl on her first date.
I have lived in Japan for a long time and I understand a lot of what was going on, and the idea that we are supposed to care about anyone in this film is one that apparently never occurred to the writer/star, since he spent his entire time on screen being obvious about everything he said and did, all without a soupçon of subtlety.
This entire film is apparently a showcase for the (American) lead actor's Japanese speaking ability. As a story, it is predictable and laughable and not really that interesting.
There is a lot of unnecessary dialogue, there are over-the-top screaming scenes (which are de rigueur for Japanese films, even, apparently, ones featuring foreign leads), there are tired tropes (English teachers in Japan), and there are huge miscalculations by the writer/star, mainly about why anyone would care that he can speak Japanese as well as he does.
The entire onsen scene came across as totally unbelievable and bizarre and fake.
The lead actor does tons of mugging and has apparently learned every single Japanese facial expression or reaction, since he has very few of his own.
His character is not developed at all, and as such, I could not care what happens to him.
The Japanese actors all fare better, and the lead Japanese "half" actor is legitimately hot and sexy and has potential in the right story (not this one).
There was tons of unnecessary (and incorrectly chosen) music with singing, played over scenes where the actors were talking -- and yet, how could we understand what they were saying when they were being drowned out by background music?
The two star rating is for the hot Japanese male lead, who gives us a hint of what paradise might be like in the onsen, but it is nearly totally destroyed by the virginal worry-wart first-time-ever in an onsen foreigner who acts like a scared girl on her first date.
I have lived in Japan for a long time and I understand a lot of what was going on, and the idea that we are supposed to care about anyone in this film is one that apparently never occurred to the writer/star, since he spent his entire time on screen being obvious about everything he said and did, all without a soupçon of subtlety.
10alexit-3
This film took me back in time, as I've experienced similar situations to what it portrays. The two actors played their roles very well, moving the viewer. The ending wasn't predictable, and in fact it was moving. Definitely worth watching again.
And yes, i love Japan and hope one day visit the country!
And yes, i love Japan and hope one day visit the country!
Você sabia?
- CuriosidadesChristopher McCombs wrote the part of Ken specifically for Christopher Nishizawa.
- Trilhas sonorasMary Lou
Written by First Day Lions
Performed by First Day Lions
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- 愛着
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- JP¥ 5.000.000 (estimativa)
- Tempo de duração1 hora 58 minutos
- Cor
- Proporção
- 2.35 : 1
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