Hisaab Barabar

Some stories are written films made to recharge fading hopes of the few who uphold values niti nyay justice GreaterGood. Dead men walking may suddenly awaken join hands for shreyas overwhelming the natural self preserving preyas. Most are part of the system of injustice corruption themselves .They might join in anonymously momentarily before sinking back to quagmire of greeds and needs .Jag Utha Insaan type idealistic utopian dream we all love to watch. Nation runs because very few do live like the protagonist Ticket Collector played by Madhavan. Add another such honest face in pretty sub inspector lady travellings by train played by Kriti Kullari. Drop by drop even tank can leak away its precious water so does money .The system Truth fights against is our inactivity against the evil even anonymously. Imagine if Most of us pick up phone dial100 or support hold hand against the so called powerful for a cause? To expose smallest wrong doing ,raise a finger or more ? See how i forgot to write about film making but floated up in hope after watching the movie ? Who cares about the technical imperfections or critics awards here story telling sparks a hope against endemic corruption by one of our own.

Hisaab Barabar movie has a simple story and has all the abilities to become an eye opener of the common man.

The movie script becomes loosened in following cases: 1. The hero character (Radhe) picks the oranges for Rs.100 from old lady and distributes them to train passengers and says 'Hisaab Barabar' (Account is settled). In this case, the account is settled between Radhe and old lady, but the account is not settled between Radhe and the passengers who took the oranges from him. Each orange may cost around Rs.10, but Radhe did not take that money from passengers.

2. In one scene, Radhe bathes his son. But the specs was still on his son's face during bathing. Nobody wears the specs while taking bath.

3. The character called Kuku Kejriwal openly holds a credit card to sell it to customers coming to the bank. None of the banks open any credit/debit cards before customers fills the application form for the card. Also, showing the credit/debit card in front of everybody is a security breach. This is not mentioned in the movie.

Other than these 3 points, the movie is great and the script is tight in every minute.

The performance of R. Madhavan is really great that too immediately after the character made in 'Shaitaan'. Coming out of that character and making a role of simple common man is impossible to any other actor.

Overall the movie is very close to real life and every citizen can get to know how his/her small amount and fraction amounts are stolen by banks.

Madhavan's Railway to Redemption Has Delays, But Reaches Its Destination!

Ashwni Dhir's Hisaab Barabar starts brilliantly, with Madhavan delivering a cracking performance as a ticket collector who accidentally becomes a corporate whistleblower. The chap's got that everyman charm down pat... think his 3 Idiots days but with more righteous indignation and fewer engineering jokes.

The film's opening act is genuinely engaging, setting up a David-versus-Goliath tale that promises proper thrills. Madhavan anchors proceedings with his trademark blend of bumbling determination and moral clarity, making even the dodgiest dialogue sound almost profound.

Sadly, director Dhir can't quite maintain the momentum. What begins as focused storytelling gradually descends into tonal confusion-part social commentary, part melodrama, with comic relief that lands about as gracefully as a derailed train. Neil Nitin Mukesh hams it up deliciously as the corporate villain, whilst Preity Kulhari remains criminally underused.

The technical elements are workmanlike rather than inspired, but Madhavan's committed performance elevates material that could have been thoroughly mediocre. It's formulaic filmmaking with genuine heart, rather like a delayed train that eventually gets you where you need to go.

Rating: 7/10 (including 1 extra point purely for Madhavan making earnestness look effortless)

The plot is good along with Madhavan's acting as always. The character depth is appreciated in protagonist. (there could have been a monologue maybe of him talking about his marriage)

Kriti's character was never able to establish itself on the screen. It had much scope to play an important role in the plot but it was constructed poorly without any depth and had no influence on the plot.

Same for Neil's character, made poorly, did not have a strong hold on the plot, and lacked the character depth and hence was a poorly made antagonist.

Though the plot had scope the direction was not up to the mark.

The start was good but towards the climax it gets a bit gimmicky and easy. This could have been a much better movie if it was not this filmy and had been more precise and accurate with it's ending.

Hisaab Barabar, directed by Ashwini Dhir, revolves around an honest Ticket Collector (TC) working for the Indian Railways who sets out to expose a massive financial fraud by a banker. While the premise seems promising on paper, the execution falters. The film struggles to find a consistent tone, failing to strike a balance between being hard- hitting or a light satirical take. Though there are a few interesting scenes, they are quickly followed by sequences that feel nonsensical. The overuse of the phrase "Hisaab Barabar" by the lead and in the background score becomes repetitive and annoying, further diminishing the film's appeal.

OVERALL RATING

R. Madhavan delivers an earnest performance as the honest TC, but even his effort cannot salvage the film, especially with the overly dramatic monologues toward the end. Neil Nitin Mukesh, Kriti Kulhari, and Manu Rishi deliver okay performances at best in their poorly written characters. The heavy use of green screen in several scenes further derails the film making the film look amateurish and distracting from the narrative. Overall, Hisaab Barabar wastes its promising premise with inconsistent execution, weak writing, and a lack of focus, offering only a few noteworthy moments and a sincere effort from its lead.

OVERALL - 7/10.