AVALIAÇÃO DA IMDb
5,4/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaStranded in rural Italy without transportation or language skills, an American couple on the verge of adopting tries to reconnect during a disastrous vacation, as their fears and relationshi... Ler tudoStranded in rural Italy without transportation or language skills, an American couple on the verge of adopting tries to reconnect during a disastrous vacation, as their fears and relationship problems threaten to boil over.Stranded in rural Italy without transportation or language skills, an American couple on the verge of adopting tries to reconnect during a disastrous vacation, as their fears and relationship problems threaten to boil over.
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- Prêmios
- 1 indicação no total
- Direção
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
My sneaking in went unrewarded here. Stars Andrew Rannells and Nick Kroll (Cole and Dom) are a gay couple with a botched adoption behind them. They are on the verge of closing the deal now after ten years, an anniversary they celebrate with an Italian trip. Candace (Amanda Seyfried) does pick them, but they're on a restaurant date and miss getting the news from the horse's mouth. So the chef's son Massimo (Morgan Spector) relays the message in a way threatening their lives. A blood bath ensues. I was done with this black comedy after 70 minutes. But I love Italy and the leads are good comedians, so I reluctantly stayed. This movie stinks something awful. SXSW Festival is a small sample size. Nunzia Shiano as Zia Luciana is good also. The acting overall is fine. The screenplay is preposterous garbage. I enjoyed the Italian setting and language, so that bumps the grade. But this was cringe level bad to sit through otherwise. Seyfried shouldn't even have wasted her time in a nothing role with this tripe.
And that's why we should really do better background checks....
Had its moments but really wish it was a bit funnier in the first half. Takes so long to get going to anything you don't already have spoiled for you in the trailer, and really no memorable jokes or funny moments during the 30 minutes of set up for the film.
It's a funny enough premise and the final act was enjoyable as a what else could possibly go wrong sentimentality, but I just left wanting more.
If you are a Nick Kroll fan, you may still enjoy, but I think you'll find much better comedies and horror films (if I'd even really call it that) this year for sure.
Had its moments but really wish it was a bit funnier in the first half. Takes so long to get going to anything you don't already have spoiled for you in the trailer, and really no memorable jokes or funny moments during the 30 minutes of set up for the film.
It's a funny enough premise and the final act was enjoyable as a what else could possibly go wrong sentimentality, but I just left wanting more.
If you are a Nick Kroll fan, you may still enjoy, but I think you'll find much better comedies and horror films (if I'd even really call it that) this year for sure.
The movie has a rather slow start and takes some time to get used to the characters and the situation they find themselves in, but once it gets going, it is actually quite entertaining. The humor mostly works, using a mix of slapstick elements and one-liners that are quite funny. It really reminded me of The Parenting (2025) and probably makes for a great double feature, since both are horror comedies featuring a gay couple as protagonists and have similarly enjoyable humor.
However, this movie does not fully succeed, and the dragging first act is especially tiresome to get through. The protagonists find themselves in a situation that immediately makes you think about what you would do, and while their actions were frustrating at first, I quickly realized that the film is not aiming for realism. The slapstick humor and silliness are front and center, and trying to apply too much logic would ruin the experience.
The movie also reminded me of Tucker & Dale vs. Evil due to the similar tone and some overlapping plot elements. I do not want to directly compare the two since Tucker & Dale is definitely the stronger film in terms of quality and comedy, but this still felt like a little love letter to that kind of horror comedy, which is rare to see these days.
The chemistry between Andrew Rannells and Nick Kroll is not perfect but still works well enough. I was a bit disappointed that Amanda Seyfried only had a minor role, as I would have loved to see more of her. At first, I was also let down by the lack of gore, and I still think the movie would have benefitted from more of it, but there is enough blood and carnage to satisfy horror fans like me.
Overall, this is a decent horror comedy with some good laughs. It is not really meant to scare but rather to entertain, and for the most part, I was entertained. [5.8/10]
However, this movie does not fully succeed, and the dragging first act is especially tiresome to get through. The protagonists find themselves in a situation that immediately makes you think about what you would do, and while their actions were frustrating at first, I quickly realized that the film is not aiming for realism. The slapstick humor and silliness are front and center, and trying to apply too much logic would ruin the experience.
The movie also reminded me of Tucker & Dale vs. Evil due to the similar tone and some overlapping plot elements. I do not want to directly compare the two since Tucker & Dale is definitely the stronger film in terms of quality and comedy, but this still felt like a little love letter to that kind of horror comedy, which is rare to see these days.
The chemistry between Andrew Rannells and Nick Kroll is not perfect but still works well enough. I was a bit disappointed that Amanda Seyfried only had a minor role, as I would have loved to see more of her. At first, I was also let down by the lack of gore, and I still think the movie would have benefitted from more of it, but there is enough blood and carnage to satisfy horror fans like me.
Overall, this is a decent horror comedy with some good laughs. It is not really meant to scare but rather to entertain, and for the most part, I was entertained. [5.8/10]
In silly black comedy "I Don't Understand You" gay couple Nick Kroll & Andrew Rannells, prior to adopting Amanda Seyfried's unborn baby, take a holiday in Italy - including an evening as the only guests at Nunzia Schiano's remote rural restaurant, where the tone plunges from lightly dramatic to downright deadly farcical (in an almost "Weekend At Bernie's" stylee). Quite what co-writers / co-directors Brian Crano & first-timer Daniel Joseph Craig were aiming for is unclear, but their film is certainly eye-brow raising, often amusing, and has decent performances (esp Rannells')... but it's still a curious mish-mash that'll leave many more perplexed than entertained.
This horror comedy is one of those comedy that comes from a silly situation created by language barrier. One misunderstanding lead to another and it kept on snowballing out of control. The jokes itself made me chuckle every now and then. But none really made me laugh out loud. So even though it's decently acted out and directed, This one doesn't seem to hit the spot. Although it's good enough for killing some time.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Você sabia?
- CuriosidadesIn an interview on WTF with Marc Maron, Maron gave Nick Kroll one positive quote after another to which Nick Kroll said " Can we use that as a blurb". This was done to great comedic effect.
- Trilhas sonorasSolo Me
written by Daniele Benati and Roberto Passera
courtesy of: APM Music
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- How long is I Don't Understand You?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Adivina quién muere esta noche
- Locações de filme
- Roma, Lazio, Itália(Dom and Cole's European vacation)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 265.837
- Fim de semana de estreia nos EUA e Canadá
- US$ 166.801
- 8 de jun. de 2025
- Faturamento bruto mundial
- US$ 276.299
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Proporção
- 2.35 : 1
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