Pedro Páramo

A wonderful film.

The acting is top notch. This movie shows that there are wonderful Mexican actors and that we CAN write a good script, so I will not be forgiving any sub par job in the future.

The movie is gorgeous. Everything is done with love and care. My only (very small) complaint would be some of the CGI. But it doesn't take away from the wonderful story-telling and the visuals.

If paying attention is not your forte, maybe the movie is not for you. By the way, the movie is magical realism, that means it combines fantastical elements with day-to-day life. The reviews that say "it does not make sense", do they also complain about other genres? Does Avengers make sense? Star Wars?

Every character has a story to tell. It's not about villains and heroes. There's no divine retribution.

En verdad me hizo pensar que los mexicanos ya estamos muertos, solo estamos esperando a que alguien nos lo diga.

Having read the book first, I'm a little torn on which I like better.

Some moments in the story hit better on paper. Overall, however, the movie is easier to follow. It's a very faithful adaptation in terms of what happens in the plot. The visuals & transitions between scenes do a great job of helping the viewer understand the cacophony of characters & the constant jumping around between places in the timeline. Simply being able to see which character's face is talking & how old they look makes it easier to fit all the pieces together-even if some vague aspects are left up to interpretation by the end.

They also do a good job of leaning into the horror elements. They don't simplify the plot to reduce it to a jump-scare thriller. It simply has some nice moments of creepy tension. Tenoch Huerta-Mejía performs well in these scenes.

Similarly, Manuel Garcia-Rulfo performs so believably as Pedro Páramo, being somehow sympathetic (you believe he's having the emotions he shows) despite all the horrible shit he does.

In the end, I have to give the slight edge to the movie. It works better.

I live in Small city from the north of Mexico and I feel really related to this movie. My grand mother told me a few story's about our ancestries and events that happened time ago on our city. And I can tell you that the people in Mexico it really acted like that. I loved this movie I really recommend to watch!!!. Im going to tell you one of my grandmother story "one time in my city a guy wearing a charro suit was walked around the streets until he find the guy that he was looking for and he just shot him right in the chest and killed him, then he walked away disappearing in the dry river while the police and people were looking for him,but no one never knew who he was or why he kill the guy from my town.

I'm sure that people giving a low rating, have simply not read the book, and hence not understood this wonderful movie. You don't have to read the book, but if you really want to understand the movie, read the book at some point. You'll be surprised and you'll love both!

Pedro Paramo, the book, reflects sadness and melancholy on every page. This is what made Rulfo great - his narrative was some sort of beautiful sadness. The book's narrative is simple yet beautiful. This movie does a great job of conveying the book's sadness through its dialogues, music, and the environment of Comala.

I'm surprised this is the director's opera prima. The actors, production, and costume design - every department paid a lot of attention to ensure the movie is as accurate as possible. Some of the book's dialogues are retained in the movie, along with the imagery, suffering, and horror - nothing is left aside.

This is undoubtedly a fantastic visual representation of Pedro Paramo, and it's one of those rare movies that can live up to the books they're based on.

Juan Rulfo might be one of the most influencial Latin American writters of all time, and Pedro Paramo is without a doubt his masterpiece, so having to adapt it into any kind of work (a film, a tv series, a play) is a risk very few screenwriters, directors and producers can afford.

Four times Academy Award® nominee cinematographer - and now director - Rodrigo Prieto knows very well how to use all his resources and talent to create a flawless visually and technical stunning enviroment worthy of praise with the help of Academy Award® winner Eugenio Caballero in charge of the production design, and Academy Award® winner Gustavo Santaolalla in the music score.

The cast is amazing too, especially the supporting performances by Dolores Heredia, Roberto Sosa and Ilse Salas.

Goya® winner Mateo Gil does an impressive work adapting Rulfo's book, keeping in mind the narrative of the book is not lineal and might be difficult to follow, therefore this is a movie that needs to be watched while paying attention.