A filha de um marionetista japonês tem problemas com uma gangue criminosa durante uma de suas apresentações, onde conhece Sugarman e seu filho Little Sugar.A filha de um marionetista japonês tem problemas com uma gangue criminosa durante uma de suas apresentações, onde conhece Sugarman e seu filho Little Sugar.A filha de um marionetista japonês tem problemas com uma gangue criminosa durante uma de suas apresentações, onde conhece Sugarman e seu filho Little Sugar.
Bryan Michael Mills
- Musician Bandit
- (as Bryan Mills)
Avaliações em destaque
This is experimental cinema... a hodgepodge of various genres and styles based entirely on the imagination of the creator ... nothing wrong with that. In the 1960s, for example, the brilliant Sergio Leone accidentally created an entirely new class of film which HAD NEVER EXISTED BEFORE -- the "Italian western." Not merely a financial success -- it turned a failed, out-of-work, actor named Clint Eastwood into a Hollywood icon. Does lightening strike twice? Not here, it doesn't. Sorry. The rating is for technical merit only. The film itself will put you to sleep. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
I really enjoyed this movie! The cinematography, directing, and music were great. If you've ever watched an old Akira Kurosawa film where the pace is slower with shots of scenery amongst/in between scenes you'll truly appreciate this film. This movie has a very nostalgic old samurai western feel with modern day technology. However, I feel say the choreography and visual effects lack a bit. Not sure if it was the budget or just not the focus. It was a good build up for a very short, slightly unfulfilling climax. If there was a Tornado part 2, I'd go see it. The movie was worth the time and money!
I was low-key looking forward to this movie when I first saw the trailer. An original samurai drama in European lands? Hell yeah! But in reality, this movie feels skeletal. The story is simple and promising, and it has its moments. But it lacks compelling characterization and the storytelling is kind of just boring. Certain plot beats just don't feel developed enough to be interesting, and things kind of just happen without much build up or clarity. It doesn't help that some scenes feel a bit illogical, making the characters seem either stupid or nonsensical.
Visually, this movie is fine. I love Tornado's costume design and the cinematography is decent. But I feel like the coloration is a bit dull and not all that interesting. The soundtrack overall is fine, but the more mellow songs are really good.
Tornado is such a missed opportunity, man. An original action-flick with an interesting backdrop and premise, let down by a story that feels unfinished and uninspired.
Visually, this movie is fine. I love Tornado's costume design and the cinematography is decent. But I feel like the coloration is a bit dull and not all that interesting. The soundtrack overall is fine, but the more mellow songs are really good.
Tornado is such a missed opportunity, man. An original action-flick with an interesting backdrop and premise, let down by a story that feels unfinished and uninspired.
To be honest, I was really quite disappointed with this. It all centres around the search for some stolen gold that has been re-stolen and hidden by "Tornado", the partner in a father/daughter Japanese puppetry show that is touring the shires of late 18th century Britain. The gold was originally acquired by "Sugar" (Tim Roth) and his gang but as they stopped to watch the show, it was re-acquired by an opportunist urchin (Nathan Malone) whilst he was being watched by "Tornado" (Kôki). When the gang discover it's missing, all hell breaks loose and so she hides the loot and the boy in their wagon and off they go. It doesn't take long for the men to put two and two together and they set after the slow-moving visitors and a rather dishonourable encounter ensues. Meantime, "Little Sugar" (Jack Lowden) is tired of taking orders from his old man and has plans of his own to secure the cash - and that's bound to lead to a conflict with his no-nonsense father. So now we have a brute chasing his money, a son looking for change and a samurai-trained woman out for revenge. It has the ingredients of a good adventure. Sadly, though, she is just not a very convincing actor, there is far too much meandering around the countryside setting and re-setting the scenario and there is a real paucity of pace here. It can't have had an huge budget, but that needn't have mattered if the the story had taken a little longer to develop a little more depth to the characters. It's all too episodic and though it does mix the timelines a little to break up the narrative, there are too many characters who appear then add little before we move on. It does create an overall sense of a fairly poverty-stricken and lawless rural life, but once we hit the home straight it all just takes a predictable path to it's conclusion. Nobody is really used to full effect here and though the bleakness is conveyed well enough, the story doesn't really deliver.
What is not to like?
There is no older wise guru to motivate the protagonist to choose the right path. Which is a good thing since it is so trite a hero's journey trope it should have its own word - "trote" since "tripe" is already taken.
There are a few narrative or character threads that are not closed, and a few scenes that do not seem to have a plot point. But no big deal.
There is a turn away from the obvious happy ending.
The protagonist's poor choices lead to the deaths of many characters with carrying degrees of unconnectedness.
There are a couple of plot holes, but I really didn't see what what could have made it better.
There is no older wise guru to motivate the protagonist to choose the right path. Which is a good thing since it is so trite a hero's journey trope it should have its own word - "trote" since "tripe" is already taken.
There are a few narrative or character threads that are not closed, and a few scenes that do not seem to have a plot point. But no big deal.
There is a turn away from the obvious happy ending.
The protagonist's poor choices lead to the deaths of many characters with carrying degrees of unconnectedness.
There are a couple of plot holes, but I really didn't see what what could have made it better.
Você sabia?
- CuriosidadesShot on 35mm Kodak film. Director John Maclean had wanted to shoot on celluloid for his debut Slow West but was unable to due to budgetary reasons so this marks his first time shooting on film.
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 213.795
- Fim de semana de estreia nos EUA e Canadá
- US$ 138.279
- 1 de jun. de 2025
- Faturamento bruto mundial
- US$ 449.804
- Tempo de duração1 hora 30 minutos
- Cor
- Proporção
- 2.39:1
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