Cabaré Eldorado - O Alvo dos Nazistas

"Those who do not remember the past are doomed to repeat it" seems to be the underlying theme here in regards to America in the 21st century from the use of lower social classes given the right of violence to achieve a symbolic future under the leadership of a master manipulator to the eroding rights of women, minorities, and LGBT communities in lieu of the establishment of nationalistic Christian warriors. All of the evidence presented here (and in other documentaries) demonstrating media bias, degradation of educational programs and institutions , book censorship, and imaginary philosophical villains out to corrupt the youth of the nation.

The blueprint has been established but, looking around, no one appears to notice because it is not on TikTok.

Honestly, I thought that this would be more sensationalistic. But apart from one borderline almost graphic scene, this film focuses on the tragic story of what can happen when people's rights are taken away. We tend to think that human society evolves into a better and better form, but this film tells us the story that, ultimately, society is what we choose to create. And although the filmmakers only vaguely hint that the connection between the events of pre-order and what is going on in the United States now, the viewer ultimately is forced to make the connection. There are many connections between pre-war and the current state of American society. The rise of fascism, and the growing divisions within society. One can only hope that American society does not go down that dark road.

Albeit knowing this side of nazism, I never knew the existence of Eldorado before. To summarize it shows the gradual "undersasibility" of the LGBT individuals through the evolution of nazism in the 30, and in one of the countries it was most advanced in terms ofs society.

Ironically enough some (hig) members of the party nazi were part of this, this they themselves were not more desiribe or torelable. It also shows how advanced the techniques of gender surgery were (relatively) advanced in comparison with the rest of the worlds into this small time of liberty after the 20's, including showing rare footage and photos of the movement.

Very enlightening and well done documentary of Netflix that shows some of the changes towards quality and content streaming on this last year.

A solid 8.0 out of 10.0 / A- for this one.

In the challenging, free for all day to day reality in 1920s Berlin one place stood out: the Eldorado. Known as the premier nightclub for LGBTQs it symbolized the city's liberal and economically troubled times with its open lifestyle. "Eldorado: Everything the Nazis Hate" (Eldorado - Alles, was die Nazis hassen) is a well-done docudrama on the establishment's fabled story and the colorful and tragic figures who made it a legend. Featuring reenactments that ressurect the time and place to life and interviews with historians (most who are gay and transgender themselves) with haunting images and footage of the time the film is a window into a little-known and fascinating period in history. Historical figures like Nazi leader Ernst Röhm, Tennis champion and aristocrat Gottfried von Cramm, pioneering sex author Magnus Hirschfeld, artist Toni Ebel and her lover Charlotte Charlaque who are perhaps the first recipients of sex change operations, etc., bring to life an era with their interesting and tragic lives. The interview with composer and centenarian Walter Arlen brings the compelling and sad saga right to the present. While it may go on a bit too long this is one of the best documentaries on the subject. Colorful and moving "Eldorado" is one history and film fans wouldn't want to miss.

The new Netflix documentary about sexual liberation and the LGBT clubs in Berline during the Weimar period shows the story in a very glamorous way with all the exxagerations and stereotypes on display. It makes you feel as if the documentary was produced by Bob Fosse and Baz Luhrmann. The fact that you're trans does not make you a historian yet Netflix keeps making the same mistake. While there are indeed characters around which you could built a separate documentary of their own (like Gottfried von Gramm and Manasse Herbst), the rest portrays 1920s Berlin as a giant pot of promiscuity. As a result, homosexuality is turned into a carricature that eventually clashes with the dark reality of Nazi Germany. Production-wise, it's on a sufficiently high level, but it's likely intentionally reduced to an another spotlight for the transgender community while other people, especially LGBT, are just supporting characters. Too bad.