Sri Raghupati

Emerging from the vibrant cinematic landscape of Assam, India, Sri Raghupati (2023) stands as a testament to the power of storytelling to not only entertain but also to illuminate societal issues and ignite a call for change. Directed by the acclaimed Suvrat Kakoti, this Assamese-language crime thriller has captivated audiences with its gripping narrative, powerful performances, and unflinching exploration of the critical social issue of women trafficking.

At the heart of the film lies the story of Raghupati Rai Baruah, an honest and diligent ACS officer, whose life takes a tragic turn when his sister becomes the victim of a brutal rape and murder. Consumed by grief and a relentless sense of justice, Raghupati embarks on a perilous journey to uncover the truth, bring the perpetrators to book, and expose the dark underbelly of human trafficking that plagues his society.

Throughout his quest, Raghupati confronts a formidable network of criminals, corrupt officials, and societal indifference, each posing significant obstacles to his pursuit of justice. Yet, despite the overwhelming odds, he remains undeterred, driven by an unwavering moral compass and a deep-seated empathy for the plight of women caught in this vicious cycle of exploitation.

The film's narrative unfolds with an intensity that keeps the viewer on the edge of their seat, masterfully weaving together Raghupati's personal tragedy with the broader societal ills of women trafficking. Kakoti's direction is both gritty and nuanced, capturing the harsh realities of Assam's landscape and the emotional turmoil of the characters with raw authenticity.

Ravi Sarma delivers a tour-de-force performance as Raghupati, embodying the character's vulnerability, determination, and unwavering commitment to justice with remarkable depth and sincerity. His portrayal is complemented by a stellar supporting cast, including Arun Hazarika, Arun Nath, Priyam Pallavi, and Preety Kongana, who bring their characters to life with nuance and emotional resonance.

Sri Raghupati's technical aspects are equally impressive. The cinematography, capturing the beauty and harsh realities of Assam, serves as a stark backdrop for the film's exploration of social injustice. The editing maintains a brisk pace that mirrors the urgency of Raghupati's quest for justice, while the film's soundtrack, composed by Pranjal Bordoloi, adds an emotional layer to the narrative, underscoring the characters' struggles and triumphs.

Beyond its thrilling storyline and captivating performances, Sri Raghupati stands as a powerful commentary on the rampant issue of women trafficking in Assam and beyond. The film sheds light on the plight of women caught in this vicious cycle of exploitation, while also highlighting the complicity of corrupt officials and societal indifference. It does not shy away from portraying the brutal realities of the trade, the psychological trauma inflicted on the victims, and the devastating impact on their families and communities.

Sri Raghupati is a cinematic triumph that blends entertainment with social consciousness, leaving a lasting impact on the viewer. It is a film that demands to be seen, not only for its captivating narrative and stellar performances but also for its courage to confront a critical social issue with honesty, sensitivity, and a call to action.

Raghupati is an Assamese Action thriller revolving around missing girls where Raghupati, the right guy stands on one side and the human trafficking on the other. It's a thrilling adventure about how a common govt police employee dug deep to expose and wage war against the trafficking racket that plagued the society for ages. Raghu's personal loss and the corrupt system moved him to the root to act as fire against the hurricane. Arun Nath is dashing as the punky old guy who is left with few years but with commendable commitment to fight against evil. Both duo is a memorable pair that stands with each other in this modern re-retelling of the great epic Ramayana. As said by Tora's father there are many Ravans in today's time and make us remember Sudhakontho's lyric that says --- let life fades in the war against Ravan.

The film's vibe is new to Assamese audiences. Ravi Sarmah is the bright spot in the film, reflects the hard man with righteousness. Other casts are also well done, decent and touchy. The script is also well written, meaningful plots with fun themes imbibed with regional sentiments. There are significant scenes of dragginess dependent upon BGM but you will feel the suspense throughout. The story wàs good with moral rigidity. The presentation nevertheless is adopted from modern Bollywood action thriller, having unrealistic action sequences and fast paced sounds. But the social set up is detailed whether it be rural or urban landscape. The film is undoubtedly a commercial success earning about 130 million gross. It will definitely earn the Assamese approval for it being the good attempt to add modern flavour to traditional cinema. Arun Nath also in new look, is bonus treat to watch.

It's an Assamese film upgraded in its technical aspects. The film has few flaws like being noisy or highly BGM dependent. But the nook and edges of the script are well knitted. Assamese filmmakers should not stop here and must work to create new quality based films for upcoming generations, with real stories and realistic presentations which well appeals to society. Trying for realistic plots will be a good start. For an attempt to make a film with all the equipments and members it's a 7/10. A full 70/100.

Paisa wasool movie go with your family and watch it in Delhi this weekand 85% theatre are full and all character are supereb performances. I had never thought in my life that even an assamese movie would become like this Hats off to Assamese film industry. Look at the film, it seems that these Assamese film industry will record in this movie u see Love suspense heart touching is some scene, my mother's she has tears in her eyes, Ravi Sharma has done a good fight scene in this film, in some places you will also laugh, if you say then the movie is everything that should happen. In my view you must be watch this movie love it.

Yes!! Best!!! Beacuse this movie gives us a new hope of upgrading our Assamese Movie industry.

Story presentation, camera angles, dialogue delivery, fast timing one by one scenes, comedy scenes in appropriate times, fight scenes are excellent and as good as hero's acting villain's acting was also very good.

Everything was excellent, except Ravi sharmai gun ru bullet 2 kor pora lole???🤔 Nd KK dar acting 2 jiman ata hobo lagisile kobat kiba ata missing thaki gol. Raghupatir r bhoniyekor deadbody 2 anute dautakor ata expression beleg hobo lagisile ok kandibo nuwara hoi goisile but body expression 2 alop better hobo parile hoi, Baki 10/10 ... Hope ru better hobo .

Saurav kakoti best of luck for next movie ..👍

Ravi Sarma did something new in Jollywood film industry .Storyline and cinematography also plus songs ufffff what a harmony and shooting scenes are fantastically great. After watching "SRI RAGHUPATI" I have greatly inspired by KK sir (Siddhartha Sarma)'s dialogue and morals. When you watch some movie in middle of the story sometimes you feel bored but beleive me this Assamese movie is something give new vibes thanks to editor and director I never felt bored but instead I booked tickets again to see this masterpiece with my family. Before I watched this movie in Cinema Hall with my some of my friendsss.