All I Want Is You 2

The first installment's style of writing was more episodic than film narrative format, this one is more of the same. None of the characters actions are truly redeemable so there's no one to root for in a film like this. Dialogue between characters often has no subtlety, giving the scenes an unnatural feel. Acting is also again below average to solid. Same level of technical craft as before, music generic, camera work decent, sound editing mostly fairly good. I'm not crazy for shock endings and that one was quite excessive to say the least lol. As I tend to say with White's productions, if you dig his style you'll probably like it but if not it'll feel like a waste of time.

Let me start by stating, when I refer to this as a "Tubi Movie" it's not an insult but a way to easily identify the genre of movie that I am reviewing. I do not mean to offend.

With that said, the story telling in this movie was the best. The movie could have been linear but the writer choose to narrate it in a way that you already know the outcome but now you're going to see what took place. Lisa Brown tried this with These Men For Everybody but slightly failed because the ending did not make sense.

The only part that was cringy was the final scene. The acting in the scene was HORRIBLE. In fact, I saw that clip on YouTube which made me watch the movie. After seeing the movie, I felt the movie was solid with the exception of THAT scene.

This is one of the worse scripts I've seen in a long time. The writer had no consistency in the way the stories unfolded. There was nothing believable about the entire movie. Parts 1 and 2 were equally terrible. They actually could have added a half hour to part 1 and eliminated part 2 all together. The acting was subpar at best. The female characters in this movie had no depth. The One lead male character was a decent actor but the secondary man in the film was pretty bad. The timeline didn't match the timeframe in the letters the lead male wrote (the child was clearly older than his lead character's waiting period).

The way the movie ended was a very unnecessary.

This film transcends mere entertainment; it's an immersive experience that grabs you from the opening scene and doesn't let go until the credits roll. The action is visceral and expertly choreographed, each gunshot and explosion serving a narrative purpose. But it's not just about the spectacle; the emotional core of the story, particularly the poignant ending, leaves a lasting impact.

The dialogue is a masterclass in writing, each line delivered with precision and authenticity by a cast at the top of their game. To those who dismiss this film or criticize the acting, I challenge you to step into the director's chair or onto the stage and attempt to create something with even half the impact. It's easy to sit back and critique, but the true test lies in creation.

Ultimately, this movie isn't just a film; it's an experience, a statement, and a testament to the power of cinema. It deserves not just praise, but a sequel that can capture the same raw energy and emotional depth.