Starry Eyes

This movie was a slow burn, with the feel of an 80's throwback. It will not however be for everyone. By no means is it action packed, filled with cgi or littered with sex scenes. It does pay homage to old school nitty gritty horror that did not reply on all of the aforementioned. The vibe is dark and somewhat quirky, but in a good way. I've read other reviews comparing it to movies such as suspiria, and I can't stand behind that opinion. If you grew up on 80's style horror and have a love for the strange, then this one might just be for you. It does have a slow start, but if you stick with it, surely it will prove to be a rewarding experience. I thoroughly enjoyed pretty much every minute of it. The ending seemed a bit lackluster in comparison to the rest of the movie, but that can be forgiven as I can't quite picture any other ending personally. I immediately found myself rooting for "Sarah." I wanted to see her acquire her goals, but somewhere in the mix of it all I found myself disliking her. Very nice character progression with her. The actors did what I thought was a very striking performance. All in all, I'd definitely say give this movie a go

Starry Eyes is not for the faint of heart. I've seen many horror movies and this is definitely on the more extreme side so if you have a weak stomach then this isn't for you. However, it's brutally real in telling its story about a girl who wants to be a star and is willing to do whatever it takes to reach that goal. It's darkly comedic at times and horrifically gruesome at others. I cringed and winced plenty of times during this movie. And it's not even solely because of the graphic imagery, which is horrifying enough (but thankfully never crosses into torture porn). It's also because Starry Eyes sheds a dark light on Hollywood and on human nature itself by exploring the most vile, revolting aspects of both.

The movie is heavily reliant on atmosphere, and it definitely gives off a David Lynch and Requiem for a Dream vibe throughout. It's watching someone go through a downward spiral, from quitting their job, to abandoning everything and everyone, and the filmmakers don't sugarcoat a thing. It gets genuinely disturbing and hard to watch at times, but what draws you into it in the first place and what really makes you *believe* is the performances. Alex Essoe is absolutely terrifying as Sarah. The supporting cast is surprisingly great too, and it's amazing how quickly we sympathize with Sarah and how we gradually end up sympathizing more for her friends later on. After a while it's like you're not even watching actors - the story comes to life on screen. This is a testament to everything working in harmony: the filmmakers' vision, the actors' devotion to the roles, the eerie retro electronic score, the bleak cinematography. It all comes together to create a powerful, haunting piece of art.

This movie had potential to be truly groundbreaking. As I said it's brilliantly written, acted, and directed. What threw me a bit was the ending. I won't spoil anything but they take an odd turn in the final act and you'll know it when you see it. It's not even that it's bad - the movie still left me in utter shock. I just know it could've been much more effective had they gone the deeper psychological route, which is teased at for the first three quarters of the film. Regardless, the journey itself is disturbing enough that by the time the ending comes you're already speechless and exhausted from the experience. It's just that little step that could've made it a psychological masterpiece as opposed to a highly effective insight into the darkness of human ambition.

Starry Eyes disturbed me. It really did. If you like Lynch-esque movies that make you think but also make you feel unnerved then you'll definitely get some chills and thrills from Starry Eyes. These filmmakers have proved enough to cement themselves on any horror fan's radar; even if you aren't into the extreme side of the genre you can appreciate what the filmmakers set out to achieve here. This is a movie that sticks with you after the credits roll. It is a wild ride for its brief runtime and certainly worth a watch for any fan of dark psychological horror.

What do you do when you come to the conclusion that the film you just started watching, probably will end up in your top 10 of the most vexing and lousy movies ever? Indeed, swiftly start another film in the hope that it will be a better one. The same happened to me tonight after watching "Muck" for 15 minutes. First there was the rather abrupt beginning where it was immediately clear what acting level I was dealing with (again some selected B-actors). And then the opening credits appeared which were more focused on the silicone attachments of a half-naked, rotating cheerleader who stumbles back and forth in what looked like a swamp. And especially when one of those bimbo's was wondering whether or not there was liquor in the house they saw in the distance. And she was wondering about that in such a way that it looked as if she was planning to start a party with her frolicsome friends, while one of them was bleeding to dead and apparently they left two others behind that were killed. For me that was the moment to grab the remote control and save myself from further suffering. Fortunately, because "Starry Eyes" is of a whole other level and the content is a lot more original. It's equivalent to "Spring", which I've seen recently. Not that the core of the story has never been used in a film before, but its impact and the way it evolves, made sure it was yet again a unique experience.

Sarah (Alex Essoe) is an actress who apparently can't manage to get a role in a film. Every day she consults a website where ads are placed by producers and movie houses that are looking for new acting talent. Mostly these are low-budget and arty film projects. Meanwhile, she works as a "Tater Girl" at Big Taters, a kind of McDonalds run by a perverse-looking manager. He's someone who always brings up some philosophical theory about how they all function as one big family, but ultimately he's more interested in certain curves of Sarah (particularly her perfect butt looks appetizing in her stretchy work uniform). Sarah shares an apartment with her friend Tracy (Amanda Fuller) and in her free time she hangs out with Tracy's friends who encourage and support her. Except Erin (Fabianne Therese) who can't resist to make arrogant and hurtful remarks all the time. Until one day Sarah needs to do an audition for Astreus Pictures and she is willing to do anything to achieve her goal.

In short you can summarize "Starry Eyes" as follows : a sort of "Rosemary's Baby" (but in another sinister way), with the terrifying consequences as in "Contracted" or "The Fly" and this mixed with the better slasher work from horror films in the 80's. The producers of this film have chosen a tranquil development of the story. Therefore it will take some time before it starts to get all gloomy and scary. But the big finale is worth it. The first part they've put enough energy into the introduction of the different characters. Sarah is a fragile and sometimes puny-looking character who's full of doubts. Doubts about her skills, her talent and her appearance. She looks like someone with an eating disorder who snatches hair from her head at stressful moments. According to her so she can concentrate herself again. She's an insecure person full of complexes. Even her smile is uncertain (and uncannily resembles that of Keira Knightley, which gives me even extra shivers). The friends of Tracy, however, is a hotchpotch of libertines who live from day to day (sleeping in a van in someone's garden) and give the impression as if they walk around constantly drunk or high and party all the time. A group of hedonists, but with envy and hypocrisy just around the corner.

"Starry Eyes" won't be appreciated by everyone. On the one hand, it 's sometimes quite bizarre to observe. The two people at the table during the audition at Astreus Pictures and the manager of Big Taters are a living proof of that. Bizarre characters who undoubtedly deserve a place in a mental institution. On the other hand the slow transformation that Sarah undergoes isn't exactly appetizing to look at. The reward that she gets by meeting certain requirements that were asked by the producer Astreus Pictures, is preceded by a period in which Sarah deteriorates both physical and psychological. She slowly turns into an unreal individual with psychopathic tendencies resulting in a bloody final piece. The way Alex Essoe gives shape to the character Sarah, is at times brilliant. The final transformation leaves an overwhelming impression and shows the natural beauty she possesses. Hopefully we'll see her again as a leading actress in another movie. Also Fabianne Therese as the fake girlfriend who's constantly trying to undermine Sarah's confidence and the eccentric Taters boss (Pat Healy) were enjoyable. And finally Mary Olsen and Marc Senter as the casting director and her assistant fitted perfect in it.

Of course, some will say that the final story is not too original, and it eventually became a typical horror with some gore clichéd images. But for me this was a successful and impressing film that after a patiently build up beginning, bursts out into a climax. Perhaps the macabre character of this film and the quirky way of elaboration made it into a memorable one. The only thing I was slightly disappointed about was the total lack of background information about the satanic (if you can call it that way) sect. It remains a bit mysterious. However, I am sure this film left that monstrosity called "Muck", effortlessly behind. A fascinating film!

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Four stars positive for a fairly innovative score and Argento-esque visuals, plus some pretty solid acting by the lead and one or two supporting actors. Beyond that, I have to admit, I watched the entire thing (resisting the urge to turn it off many times) because I wanted, hoped for, the ending to bring everything together in some redeeming way. Instead, I was disappointed. The movie was difficult to watch all around but not because of horror elements - it's hard, for one thing, to feel invested in a story when you can't empathize with its protagonist - admittedly there are exceptions to that but this isn't one of them. I also felt like some of the plot devices relied on clichéd, negative stereotyping (can't say more without spoilers) and that the end just didn't make sense in any narrative or metaphor driven way. I'm sure there are some who'd argue otherwise, and they are welcome to their opinions, but overall, Starry Eyes was just a huge letdown for me.

Since it's still on Netflix, everyone who enjoys horror movies should take the time to watch Starry Eyes. It is a deeply unsettling exploration of ambition and just how far down a horrifyingly dark path that ambition takes the protagonist. Of course this is a god awful extreme and wholly impossible example of the dangers of ambition, with a suitably gory and violent climax; it is, after all, a horror movie. It really is a fascinating story though, complete with a cult consisting of Satanic Hollywood producers, the occult, and murder. There is a lovely meta element to the movie, wherein a movie producer talks about how disgusting and pathetic ambition makes people in the filmmaking industry...which serves as a bit of foreshadowing just before everything goes terribly sideways. I noticed that it was still available on Netflix this afternoon and decided that I should recommend it.