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IMDbPro

Omni Loop

  • 2024
  • 1 h 52 min
AVALIAÇÃO DA IMDb
5,6/10
3,4 mil
SUA AVALIAÇÃO
Mary-Louise Parker and Ayo Edebiri in Omni Loop (2024)
A woman from Miami, Florida decides to solve time travel in order to go back and be the person she always intended to.
Reproduzir trailer2:01
1 vídeo
15 fotos
DramaFicção científicaViagem no tempo

Uma mulher de Miami, na Flórida, decide resolver a questão da viagem no tempo para voltar ao passado e ser a pessoa que ela sempre quis ser.Uma mulher de Miami, na Flórida, decide resolver a questão da viagem no tempo para voltar ao passado e ser a pessoa que ela sempre quis ser.Uma mulher de Miami, na Flórida, decide resolver a questão da viagem no tempo para voltar ao passado e ser a pessoa que ela sempre quis ser.

  • Direção
    • Bernardo Britto
  • Roteirista
    • Bernardo Britto
  • Artistas
    • Mary-Louise Parker
    • Ayo Edebiri
    • Carlos Jacott
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    3,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Bernardo Britto
    • Roteirista
      • Bernardo Britto
    • Artistas
      • Mary-Louise Parker
      • Ayo Edebiri
      • Carlos Jacott
    • 29Avaliações de usuários
    • 26Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 indicações no total

    Vídeos1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Fotos14

    Ver pôster
    Ver pôster
    Ver pôster
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    + 9
    Ver pôster

    Elenco principal33

    Editar
    Mary-Louise Parker
    Mary-Louise Parker
    • Zoya Lowe
    Ayo Edebiri
    Ayo Edebiri
    • Paula
    Carlos Jacott
    Carlos Jacott
    • Donald Lowe
    Hannah Pearl Utt
    Hannah Pearl Utt
    • Jayne Lowe
    Chris Witaske
    Chris Witaske
    • Morris
    Fern Katz
    • Sandra Lowe
    Steven Maier
    Steven Maier
    • Adam
    Jennifer Bassey
    Jennifer Bassey
    • Carville Resident
    Maddison Bullock
    Maddison Bullock
    • College Zoya
    Riley Fincher-Foster
    Riley Fincher-Foster
    • Young Zoya
    • (as Riley Elise Fincher-Foster)
    Jacob Bond
    Jacob Bond
    • College Donald
    Harris Yulin
    Harris Yulin
    • Professor Duselberg
    Eddie Cahill
    Eddie Cahill
    • Mark
    Michael Laurino
    Michael Laurino
    • Zoya's Father
    Efren Hernandez
    • Luiz
    James Benson
    • Nanoscopic Man
    Rick Moose
    Rick Moose
    • Taxi Driver
    James Healy Jr.
    James Healy Jr.
    • Dr. Leiterman
    • Direção
      • Bernardo Britto
    • Roteirista
      • Bernardo Britto
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários29

    5,63.3K
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    Avaliações em destaque

    9the-tylerw

    Philosophically beautiful time travel

    I am such a sucker for a good sci-fi movie especially when it involves time travel. The setup and conundrum you get within the first 10 minutes. You only have to listen to the doctor giving Zoya her prognosis to understand that we are going to be stretching reality a little bit so enjoy the ride. The use of the Groundhog Day time travel concept is not original. The use of it to save a life is not original. The message that it presents about parenthood and the choices one makes along the road of life however are wholly its own. Beautiful storytelling and the characters are well rounded and multi dimensional. As a fan of fantasy storytelling mixed with sci-fi tropes I loved it and recommend it wholeheartedly.
    8aarondanielbehr

    Woman...go and find yourself

    Excellent and often strange look into our human lives and how time impacts them, the fear of death, and what is worth spending our time doing.

    There's a slew of films lately that seem to be exploring motherhood in a smart SciFi manner. This is one of them. Mary Louise is a mom who is at the end of her life questioning what was life's meaning. There the movie takes a heavy magical SciFi tone that is more dedicated to symbolizing our struggles with significance than saying anything scientifically significant.

    This is a great framing device and gimmick. Everyone seems to be handling the script well and it keeps a sort of charming patter as we discover why motherhood is the purest form of immortality.

    Solid movie worth the suspension of disbelief to watch.
    7claudio_carvalho

    Melancholic Sci-Fi

    In Miami, the physicist Zoya Lowe (Mary-Louise Parker) is terminal with a black hole on her chest. She has only one-week life and her husband Donald (Carlos Jacott), her daughter Jayne (Hannah Pearl Utt) and Jayne's fiancée Morris (Chris Witaske) bring her home to spend her last days comfortably with her family. However, when Zoya bleeds indicating that she will die, she goes to the bathroom and swallows one mysterious pill that she found when she was twelve and returns five days back in her life. Now Zoya wants to research how she could return further and make others choices in life. When she meets the graduation student Paula (Ayo Edebiri), she teams up with her to analyze the pill for several five days but goes nowhere. But when she goes to Princeton to meet her former brilliant university mate Mark (Eddie Cahill) and his son later, she reflects on her life and concludes she has made her best alternative.

    "Omni Loop" (2024) is a melancholic sci-fi, developed in slow pace and very dramatic. Mary-Louise Parker is a great actress, but it is sad to see her injected with Botox in her face the way she is. The plot is good, and Zoya Lowe sees that an alternate life should not be what she is looking for. Another excellent point is the soundtrack by the Brazilian Taiguara singing "Viagem", written and composed by him. Taiguara was born in Montevideo, Uruguay during a tour of his parents but grew up in Rio de Janeiro and São Paulo and was exiled in London, Spain, Paris and Afrikan countries during the Brazilian military dictatorship. My vote is seven.

    Title (Brazil): Not Available.
    8infernoguyrules

    This movie is gonna get a lot of undeserved hate for not being what people want it to be.

    First off, let me give an honest up front detail about my review process: This film is really a 7.5 to me, but i rounded up instead of down like i usually do, because i feel this movie is trapped between a rock and a hard place.

    This is NOT an action, or adventure film, at all, like most big Sci-fi. Kinda barely even a sci-fi film, I prefer to call it Speculative Fiction, but most of all its a drama, while also not being exactly what that implies. This movie isn't a "Family drama" but it does focus in on familial bonds, its definitely not a comedy, but it stars relatable comic actors who inject a bit of levity into the situations. Its not any of those genres But it has elements of them all. (except, to be clear, action and adventure).

    To me this belongs in a genre I really love that I'm calling "Meta-Modern Speculative Fiction", and the easiest comparison is basically ALL the films of Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Synecdoche NY, Being John Malkovich), but others that I've loved are: Visioneers, Donnie Darko, Southland Tales, Sorry to Bother You, The Lobster, Poor Things, Get Out, Nope and the Tv Shows Legion, The Last Man on Earth, Maniac, I am a Virgo, and Devs. I could list a ton more but im getting away from the point.

    All this type of media tends to take a Speculative fiction concept, usually with some surreal mystery/thriller element, and apply those to a character drama, with a philosophical and/or psychosocial tone. They tend to defy genre convention by combining Elements of those genres and others, and an often wildly oscillating emotional undertone, conjuring disparate negative and positive associations along the way.

    In this case its mostly a time travel character drama, a little mystery thriller, and a peppering of other momentary vibes. It obviously shares a lot of tropes with Groundhog day but it tackles those in a totally different way that fans of Time Travel narratives will appreciate because it compresses a lot of the classic moments with clever editing techniques that fans of film editing will also love.

    Give it a watch if that sounds good, and if you already but you were expecting a different movie, please don't rate it poorly because it didn't match expectation, a lot of people like me want to see movies like this, and when the weirder movies tend to get downvoted due to being misunderstood it just gets tougher to find and support films like this.
    5Jim_Screechy

    Laborious

    It's quite a long movie for the content that is on offer. I found myself lagging after 45 minutes and never really regained the level of interest that I experienced at the start of the movie, and indeed, my interest wanned considerably after that.

    Its not really a science fiction movie at all, more of a drama initially burgeoned with a science fiction narrative. The goundhog day theme is excercised fairly well and even though I rolled my eyes a little when this came into play in fairness its done well and doesn't give you that sense of fermented nostalgia that normally detracts from a screenplay.

    I think the movie is half an hour too long, and the script and story needs to be condensed into something that doesn't cause your attention to stray and your patience to wear a little thin. Although Mary Louise Parker is pretty good, I found Ayo Edebir's style of delivery painful to experience. Her hesitant, stumbling, deliberately inarticulate manner of portraying natural interactioon is overplayed and irritating. I found the exact same issue with her portrayal of Sydney in 'The Bear' so this certainly seems to be a characteristic of he acting style rather than one of direction. There are no stand out performances here, the meterial is handled competently but never really ventures far above mediocre.

    The 8-bit styled score thats overlayed throughout sections of this movie will give you flashbacks of you early Atari and Sega game systems and repeatinig piano sequences are a little threadbare in some places. It becomes noticeable at times, but its just another one of the poor factors at play which don't bode well for an viewing experience.

    All this said, the main issue I found is the movie just drags and is without the excitement or key development events that are really needed to keep it interesting. A bunch of stuff happens but nothing signficant or essential that couldn't be omited without detriment. Its also worth mentioning that there is no big payoff or resoution in the ending, which isn't what you'd normally expect in with this type of repeating history endevour.

    So, all that said, it's not a bad movie its just a bit... meh. It was interesting enough for me to watch to the end, (primarily because I wanted to see what eventually happened) but not good enough for me to be anything more than moderately interested after the first 20 minutes. It certainly works way better as a drama than a sci fi, but I think a bit of focus would probably have gone some way to making it a better production.

    Truthfully there just isn't any payoff in watching this, it's a drama but without the emotional depth to bring it to the fore, its has a sience fiction theme, but witout any substance or investment in the science to peak the interest, and in all honesty you're better off giving it a miss.

    5/10 from me.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      When Professor Duselberg (Harris Yulin) rips out the page from his notebook containing Mark's (Eddie Cahill) Princeton address, to give to Zoya (Mary-Louise Parker), a brief peek of the next page shows a transcription of "The Elevation" - a poem by Charles Baudelaire.
    • Erros de gravação
      The doctor says the black hole in her heart is the size of a peanut. All black holes by definition are infinitely small; they have no dimensions.
    • Trilhas sonoras
      Come Closer to Me
      Performed by Pepe Jaramillo

      Written by Osvaldo Farrés

      Published by Peer Music

      Courtesy of Hasmick International Limited

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    • How long is Omni Loop?Fornecido pela Alexa

    Detalhes

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    • Data de lançamento
      • 20 de setembro de 2024 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Петля времени
    • Empresas de produção
      • 2AM
      • Killer Films
      • Lou Filmproduction
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 40.269
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 23.498
      • 22 de set. de 2024
    • Faturamento bruto mundial
      • US$ 40.269
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 52 minutos
    • Cor
      • Color
    • Proporção
      • 2.39:1

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