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The script itself was not really all that bad. Scott Adkins always performs fight scenes very well, so there's that. However, this supposed professional contractor makes some of the most ridiculous decisions just to prolong the plot/movie that it's hardly relatable. Example: being pinned down for a long, long time by a sniper, supposedly unable to reach his weapon, with people getting shot the whole time, when I guess he gets tired of it and just goes for the gun... successfully, of course, then, within 3 seconds, sets up a shot and takes out the shooter in a building 1/2 a mile away. Really? There are several more "why in the heck don't you just..." scenarios like this that even a not so smart person would think of almost immediately. Like I said, the only redeeming value are the fight scenes. It's worth a watch if you can find absolutely nothing else to do.

As usual, Scott Adkins is as good as it gets. But when you have a terrible script, two likable actors in the lead are wasted in silly, inane, predictable style. He is 10 times the actor and the martial artist that jvcd ever was. But for reasons I cannot explain, he gets stuck in b minus movies like these. Most of the movie takes place at the penthouse of a hotel room where they duck behind a sofa for cover,. Yes a sofa which has bullet holes through it as if a sniper couldn't just pepper it and kill everyone and end the movie.

Accident man is one of Atkins best including avengement. Stick with those, skip this..

For the record, I am a fan. I have an Adkins film on my list of all-best movies, a claim few other reviewers can make. But, at the same time, I have been outspoken in my view that, since his Boyka films, he has not really found an outlet to best showcase his talent. TAKE COVER 2024 changes all that. Writer Joshua Todd James has cleverly turned a hi-rise apartment into a killbox, showing once again how a limited set does not have be a disadvantage. Properly done, the suspense becomes palpable. The script cleverly pushes the "turnabout" trope -- Adkins's being targeted by a faraway shooter works well because, in the story, he himself is also a sniper. Clever! There is a lot of action and tension in Take Cover, and many of Adkins' special skills are effectively deployed for the first time in quite a while. Recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

The writing is just dreadful. From the cringeworthy opening conversation between Sam and Ken to the closing scene there isn't anything good. The script is laughable.

Even the fight scenes are slightly below par which is unusual for an Adkins movie.

I was pleased at the hit squad completely destroying the bar area, but failing to hit the fish tank. No one likes seeing fish getting shot up, do they?

Even though they are trapped in the apartment, there is very little in the way of tension. For some reason, they are struggling to close the curtains and there are a few times when they could leave by the door.

The high reviews on here are obviously fake. If you feel you must, then watch it and judge for yourself. This Scott Adkins fan is very dissappointed.

This was pretty poor. It looks like a made for TV movie, that wouldn't even had made it to the VHS bargain bin back in the day.

The acting is lame. The script is atrocious which attempts to play somewhere between a Ryan Reynolds 'action comedy' and an epicly poor Tarantino action thriller.

Adkins colleague is very bad indeed. The action sequences are very poor.

I'd strongly recommend that you give this a wide berth. It's one of those films where you really wish that you can't unsee it, or feel bad about the amount of time that you lost watching it. I had to turn it off at about 35 minutes just during the flat fight sequence. I wish I'd given it up sooner.