Aachar & Co

WARNING: Beware - The movie has no fighting, Romance, sex, Villain, nudity. It is a pure family entertainer. You can sit with your granny, daughter and watch it, laugh and enjoy the movie. It is a feel good movie.

It is coming of age of the siblings of a middle class, traditional joint family of the 1960s Bangalore. How they manage to face adverse situations and find a way out. The script avoids all possible melodramas and takes forward the story in a light hearted manner. The dialogues are very refreshing, two songs are very popular and picturised very well. Sindhu Sreenivasamurthy in her first attempt as Director/Writer/Actor has done a marvelous job. Ably supported by all the new actors like Anirudh, and seasoned Ashok and Sudha Belavadi. The cinematography by Abhimanyu is excellent, so also Music by Bindu Malini. Trilok as lyricist and dialogue writer has won the hearts.

After a long time Kannada Film Industry has got a good clean family film. PRK productions and Ashwini Puneet also deserves congratulations for believing in new comers. It has paid rich dividend.

Overall the movie is too good and deserves support from the audience. The director, as for as I know, is the youngest Actor/Writer/Director in the Indian cinema.

Watched the Kannnada movie ' Achar and Company '. A light hearted comedy set in the 60's and 70's. Totally relatable banters between brothers and sisters of 5 plus siblings. Felt like an evening well spent and a must watch. It's a retro feel good retro movie which got me memories of my childhood, our struggles on employment and money. Yet we were totally and emotionally bonded. The Protagonist Suma Achar has done a wonderful job in portraying her character.

In a large joint family how the relationships blossom between the siblings and how the equations change is very well depicted. Music score is good and the songs and lyrics are meaningful and catchy.

Top class direction with able support from all actors. After a long time I was gasping for more of the story to unfold. Felt sad to leave the family of Achar and Company.

Breaking the norms, the transition of goes from patriarchy to matriarchy as the years pass on. Beautifully made, direction, screenplay and scripts are memorable. Realistic, hilarious and heart touching - a perfect movie to be watched by all including kannadigas. Entertainment is guaranteed along with social message , never feels like movie is casted by debut actors . It's a never miss movie, don't wait till the movie streams online rather take your fam and hit the theatres. Amazing direction, great acting and funny . The recreation of 1900s Bangalore is wonderful. A good drama for the weekend.

Although known for its accurate portrayal of old age Bengaluru, there is more to it. It is a narrative of decades of story in a small runtime leaving you wanting more substance for each plot of each decade. Often this is a negative aspect of many movies but once you leave the theater with this sense. You realize that is one of the best attributes of the movie.

Predominantly consisting of newcomers, all the actors provide worth for each role they portray. Timely background score matching the decades and amazing music and songs overall keep you happy. The storytelling of Kannan Gill and Sindhu is amazing and so is the direction.

All in all it's a must-watch movie and you can basket it under the comedy/feel-good genre. You will thoroughly enjoy particularly if you are from Bengaluru and make sure to watch it with generations of family to get all the additional stories for each prop and situation.

This has a fairytale-like quality to it, be it in the storytelling style or the frames. Sindhu Sreenivasa Murthy, whom I recall seeing in 2020's French Biriyani, showcases her love for everything retro and takes us back to '60s & '70s Bangalore, when it carried the vibe of an aesthetically pleasing hill station, while also being a bustling city. It talks of an era where interpersonal relationships (and togetherness), especially between siblings and family members, held utmost importance. The visuals have an inherently vintage beauty to them, and this is majorly the case in interior shots where you get to feast your eyes on intricate household items, decor, and delicious-looking food.

From a plot perspective, Aachar & Co takes us through the journey of ten siblings and their process of dealing with life as part of an orthodox household in Bangalore. I'm guessing the greatest challenge would've been to find real locations to depict the city in those times. The art department has (mostly) done a fine job, and only in very few shots did I feel a momentary jump to the modern day. Casting less-known faces in primary roles also helps establish a faster connection with their characters. In many ways, the writing celebrates the resilience of its women characters, trying to break gender stereotypes, and it is evident in the way Suma gradually (and organically) evolves into the film's protagonist.

Music is also a key ingredient here. Right from the altered version of Suprabhatam in the very beginning, the music underlines both the funny and the emotional scenes. The "Pickle Song" inventively uses kitchen utensils to create a truly unique sound. Some narrative choices did baffle me a little, like the elder brother's absence, especially in the second half, and the film chooses to go for a supremely optimistic finale where all is well. But I fully felt the warmth of being in the Aachar household and would've loved to be a silent member who gets to feast on all the snacks from that locked shelf. I'm really excited to see what Sindhu Srinivasa Murthy does next!