Neru

If it were 20 years ago I would have been overly impressed like the rest of the audiences. But now you could see a mile ahead how the plot is deliberately being sabotaged to create thrilling moments. This is evident when the blind victim is asked to prove her ability to sculpt a bust through her sense of touch. Even if this is true, the subject cannot be permitted to be someone who is directly involved in the case like the lawyer as he can purposely influence the outcome to discredit the victim. This was an manufactured scene to prove it to be a David and Goliath case. There are many such instances throughout the movie. But besides this obvious tweaking of the plot the movie is definitely watchable as somewhere in this movie there is a sad commentory on the Indian judicial system where victims of such heinous crime do not get justice, just the shame. So this movies can be added to the likes of the movie "Pink" which deals in the same subject.

Neru, an emotional court room drama is an absolute masterpiece directed and written by Jeethu Joseph elevated with Mohanlals And Siddiques amazing acting. The story follows the path of Sara a blind girl who is the victim of rape who's role is magnificently done by Anaswara Rajan. She seeks the help Of Vijayamohan, an underconfident lawyer who hasnt been practiced in a long time, this role is fantastically done by Mohanlal. As a malayali seeing Lalettan back at his subtle acting is just mesmerizing. This is proof that directors play an important role when it comes to shaping an actor. Vijayamohan Is Opposed By Rajashekar, a renowned lawyer who has been the enemy of Vijayamohan. This role is brilliantly played by Siddique. Rest of the movie you have to see othwrwise it would be a spoiler. I wouldn't say this is a theatre experiece movie but the film crew managea to hook our eyes to the screen with taking it off. I never felt bored even for a second thats how captivating the entire movie is. Although taking in Jeethu Josephs other works like Drishyam thos movie didnt quite reaxh to its level, it did deliver some goosebumps but i felt that the story was written in favour of Vijayamohan. So, its an average movie elevated with Mohanlals Comeback to Real cinema.

Since I saw lot of movies about court & lawyers, so I found this movie as boring. Initially I thought, twist and convict are different but unfortunately the same convict is criminal till the end. Catching criminal using Cc tv cameras is boring. Since i watched movies like drusham and sri mahalaxmi (telugu movies), some scenes seems to be repeated for me. For example, in sri mahalakshmi movie, the prosecuter disproved the witness photos using the mirror. The same thing repeated here.final twist is predictable. So this movie is interesting for people who doesn't watch above movies. This movie should come in 2005 year.

Anyone would agree that its just a standard legal drama. The casting and the setting doesnt seem very expensive or captivating. But the brilliant direction is evident in every detail. Main characters have been casted very well in every way possible. Jeethu joseph does not need any special introduction in such a genre since he has proved his excellence in many of his previous movies. As an average mohanlal enthusiast and a consistent critique of his work, I feel that this must go down as one of his best modern work. He has input an element of his own as well as adhered to the character presented by the director. Movie portrays characteristics of resilience and persistence. A must watch.

Even with a predictable storyline Jeethu Joseph's mastery of scriptwriting with Shanthi Mayadevi's knowledge as an advocate makes this engaging and effective. Jeethu Joseph has always been a better writer than a director and there are a lot of instances in the movie that clearly shows that aspect. Some of the smaller characters' acting was not very good, the music was overused a lot and there were a few things that could've been trimmed out. But when it works, the film works great. Even though, it's not something very novel, Mohanlal saying some dialogues did make me clap hard, knowing that I'm sitting in a packed theatre with a lot of families. Anaswara and Siddique were brilliant in their roles and Mohanlal has done a role that is subtle, vulnerable and serious in a very effective way after a long time. Despite the film using easy ways to tell a lot of things, despite the plot being nothing new, it being not new makes more of a case of how it is still so important in every aspect, due to which I was very satisfied by the end of the movie.