A Morte de um Unicórnio

The good- pretty cool lore and set up for the unicorns. Promising father-daughter set up, some good satire of the rich and powerful. Will Poulter is the best of the cast.

The bad- The father's character development felt very unearned, most of the movie I was praying for his bloody comeuppance. The rich family was too one-note for the amount of screen time they get. CGI was noticeably mediocre but understandable for a low budget movie.

With a rewrite or two, and some more money for CGI and action sequences, this could have been a sleeper surprise with genuine sequel potential as I really did like what they did with the unicorns. But because most all the characters were one-dimensional, the movie drags in the middle third as you wait for the inevitable. When it does finally happen, it's somewhat entertaining but let down by its poor CGI, so-so action sequences, and clunky plot resolution. The first two are forgivable given its budget, the third is not.

I don't regret watching this movie, I just wish that it had lived up to its potential.

I watched an advanced screening of Death of a Unicorn (2025) this evening in theaters. The storyline follows a lawyer and his daughter on their way to his boss's mansion, where he hopes to secure a major promotion. However, when they accidentally hit and kill a unicorn on the drive there, what was supposed to be a routine business trip takes a bizarre and deadly turn.

Written and directed by Alex Scharfman in his feature debut, the film stars Jenna Ortega (Wednesday), Paul Rudd (Ant-Man), Anthony Carrigan (Gotham), Téa Leoni (Jurassic Park III), Will Poulter (The Maze Runner), and Richard E. Grant (Gosford Park).

This is the definition of Hollywood horror-slick, well-produced, and predictable. The writing has some unique elements but also reminded me of Resident Evil in terms of its sci-fi horror aspects. The CGI is top-notch, and the gore is well-executed, though at times it's a bit overdone. The horror elements are solid, with some entertaining kills and at least one effective jump scare. The cast is excellent across the board, but Anthony Carrigan, as Griff, steals the show. I wasn't a big fan of the ending, but it fits the Hollywood horror formula.

In conclusion, Death of a Unicorn is entertaining enough to keep your attention but won't make anyone's best horror list for 2025. I'd score it a 6/10 and recommend seeing it once.

I came to this movie without having watched a trailer. The movie does take a bit of time to set the pieces up for the déroulement of the main story. The issue is that the movie has a few continuity problems, which is due to the fact that the movie has essentially three locations, not counting the airplane in the intro: the woods (and it's surrounding), outside the mansion, inside the mansion. This means that during the rampage, there are times where the unicorn must have taken a coffee break or something because its night time in one scene and the the very next one its midmorning.

I did enjoy Anthony Carrigan's performance as well as Jenna Ortega's.

I won't be too harsh on this movie since it doesn't take itself seriously and all the actors know that but they express their flaws quite brilliantly.

That could have been exploited more magically with awesome fantasy features. Instead it shows very good visual effects except the baby unicorn, mumbo jumbo human greed and getting high on unicorn calcific powder and rejuvenating extracts to narcissistic own use.

Jenna Ortega is averagely hard enough to watch with near zero youthful charisma, but when you have her as one of the executive producers the result is not bright.

The effects were good, the whole movie and cast weren't.

• Screenplay/storyline/plots: 6
• Production value/impact: 7
• Development: 7
• Realism: 7
• Entertainment: 6.5
• Acting: 6.5
• Filming/photography/cinematography: 7
• VFX: 8
• Music/score/sound: 6
• Depth: 5.5
• Logic: 5
• Flow: 7
• Dark comedy/fantasy/horror/thriler/drama: 6.5
• Ending: 2.

Death of A Unicorn is theoretically a horror-comedy underpinned by thematic denunciations of greed and environmental exploitation. The horror is essentially non-existent, the comedy is trite and predictable, and the thematic moralizing is as deep as a puddle. This isn't overtly bad or insulting; but it is stale and flaccid. The movie's one saving grace, such as it is, is a likeable cast that includes Paul Rudd, Jenna Ortega, Will Poulter and Tea Leoni. They all seem to be trying hard to make something out of a script that didn't merit their talents, and their charisma makes you want to like the movie more than it deserves.