The Judgment

I would not have predicted that a screenplay that blends elements of a horror / supernatural genre film with a same-sex love story could work very well as either. But I was pleasantly surprised.

Set in Egypt though largely filmed in Lebanon. The picture is atmospheric and immersive. The scenes intended to provide tension are effectively filmed and provide the suspense expected in a horror movie.

The setting, in a repressive society, puts constraints on the romantic scenes which the actors skillfully handle. The dazzling Junes Zahdi plays the focal character, Mo, with finesse. I was not familiar with him and will be interested so seek out his other work.

The Judgment, by Marwan Mokbel, is much more than just a thriller. It's an exploration of identity, family, and the fear that comes with hiding your true self. The story follows a gay couple (Mo and Hisham) returning to Egypt to visit each other's families, and it captures the intense stress of navigating conservative households, where being yourself isn't always an option.

What really stood out to me was the unique use of witchcraft, motivated by homophobia, as a supernatural element. It felt like a clever way to show the fears and pressures queer people face, while still keeping the thriller aspect intact. But for me, the heart of the film is in the relationships between the sons and their mothers, where Mokbel contrasts acceptance and rejection beautifully. You really feel that he wanted to shine a light on the mother-son dynamic, and it's such a powerful portrayal.

Visually, the film is stunning, with Egypt as the backdrop adding a lot to the eerie, tense atmosphere. The acting was also on point, with both leads (Zahdi and Shahin) delivering strong performances. The Judgment really surprised me with its complexity. It's rare to see a queer thriller with this much emotional depth.

Heartwarming performance, thrilling plot.. Very much recommended. Cannot wait for it to be released in cinemas.

The two main actors delivered a wonderful, intimate and never affected performance. I was thrilled to see how homosexuality is portrayed in Egypt, we need more of such movies.

The film featured in the "Lovers film festival" Turin, I hope this film gets as much visibility as it clearly deserves.

I was very touched by their story, I hope we will see many more movies that give voice to the story of queer people outside of Europe and the United States of America.

Overall a very touching and intimate performance, cannot but recommend it.

Wow what an incredible movie. This forbidden gay love story comes as raw as it gets. What an important story to tell! The actors are all phenomenal & the storyline hits you in the middle of your heart. This movie taught me a lot about Lebanon & Egypt's culture and the difficulties to enter a new modern world. It has a slight horror twist wich I was enjoying a lot, it makes the movie much more interesting and unique. I've never seen a film where love, culture, horror, drama and current problematic politics would come together in one movie. Beautifully made, such a high quality treasure.

Must see & get your tissues ready.

I live in Morocco where black magic/witchcraft is also practised and I know the superstitiousness of many of my friends and acquaintances here. One friend who has been abroad and has modern tastes and ideas ran out of my kitchen once because I poured boiling water down the sink - he was terrified the sink demon would get us for burning him. A belief in magic is deeply ingrained in Arab culture despite the fact that it is haram in Islam. Even in the home of the Hajj, one of the former Saudi King's wives was a Moroccan and no one would cross her as she reputedly had such powerful spells.

So for Mo, despite being brought up mostly in the States, the fear and terror of superstition came bubbling up to the surface and affected his mental equilibrium.

Some of the supernatural scenes in the film were truly frightening and evoked a shiver down my spine. And as a love story between two Arab men, a powerful point was made that they harmed no one and that the religious zealots persecuting gay men and women are actually the evil ones.

I loved the part played by Hichem's mum. Mothers know their sons! Especially Arab ones.

As a film performed partly in the imagination, this was nonetheless convincing - my attention didn't waver for an instant.

I have one small quibble though. Not all of the Arabic dialogue was subtitled. I'm not at all proficient in Egyptian Arabic although my knowledge of Moroccan Darija helped somewhat. It was extremely annoying that I missed out on some of what people were saying.

That apart, I recommend this film.