Stolen

A refreshing story and take on storytelling compared to the current-age bollywood films.

All the actors are fantastic. But the real winner is the director and producer here. Very unique shots and realistic way of creating a immersive experience.

A good light upon the India that we don't see, just scroll through. This is coming from a Tier 1 city audience.

Also what really caught my attention was that there was little to no background music. And it didn't need a loud, melodramatic score. So that was a very unconventional, brilliant choice as well.

I hope more movies like this are made that are socially relevant and entertaining!

What a journey Stolen was! From the first frame to the last, it grips you by the jawbone-literally-and refuses to let go. It's one of those thrillers that doesn't just give you chills; it injects straight into your spine.

At the heart of it lies a question that hits hard: Should you help someone in need, even if they're from the fringes of society? The film doesn't hand you answers but makes sure you're asking yourself that question long after the credits roll.

The score? Absolutely electric. It doesn't just complement the scenes-it amplifies the chaos. Goosebumps are guaranteed.

The acting-ooh gosh-it was brilliant. Abhishek Banerjee delivers a career-best performance, slipping into his character with unnerving ease. And by the way... he was right after all. That's why you should always listen to your big brother. 👀

And let's not forget the surprise MVP of the film: the Fortuner. Who knew an SUV could have a bigger character arc than half the cast? At this rate, Toyota's stock is about to skyrocket. Give that car an award-or at least a Netflix spin-off. 😂

Cinematography was insane. Every shot was crafted with precision, adding depth and mood that elevated the entire experience. It wasn't just a film-it was a visual sprint.

The pacing? Fast. Very fast. But amid all the action, the film managed to explore the lives of the lowborn, highlighting their struggles without slowing the momentum. That's a tightrope walk, and they nailed it.

Hats off to the director for pulling off such a gripping, layered, and surprisingly reflective ride. This isn't just entertainment-it's a conversation starter.

Final Verdict: 8.5/10 Stolen (2025) isn't just a film. It's a wild ride with heart, grit, Abhishek Banerjee at full power, and yes... a Fortuner that might just steal your heart.

This film has an amazing story. The moments are incredible. Litrally, you can not take your eyes off while watching. When you start watching you can not stop. It just like you take breathin and stuck, when film ends you feel relax. It is such an amazing film. I dont know you guys are relating these words or not. But really if you looking good cinema you just need to watch this.

Beautiful thing is this film can not free you for a moment. Its grab your attantion all the time while watching.

A friend of mine is recommend me this film. So I watched. Now I recommend you.

Applause to the director and the actors for such an amazing work.

Story: The film uses the framework of a kidnapping to explore weightier themes-the corrupting influence of money, the abuse of surrogacy rights, and the modern plague of fake news. This layered narrative makes the film more than just a thriller; it's a mirror to our times.

The result is an atmospheric thriller that resonates well beyond its runtime.

Screenplay: The screenplay is taut and unrelenting. Every scene adds weight to the narrative, ensuring the tension remains high without ever feeling forced. It's a masterclass in how to balance storytelling economy with emotional heft.

Direction: Karan Tejpal's direction is commendably restrained. He maintains a tight grip on the story, choosing to let silence and atmosphere do the heavy lifting rather than overt dramatics.

Performances: Abhishek Banerjee delivers a standout performance, bringing intensity and vulnerability to his role. Mia Maelzer, as Jhumpa, is a revelation-her portrayal is raw, grounded, and heartbreakingly human.

Cinematography: The use of sparsely populated, almost desolate locations reinforces the psychological landscape of the characters.

Music: The minimalist score is used sparingly but effectively, never intruding upon the storytelling. It enhances rather than dictates emotion-a refreshing change.

Editing: Crisp and calculated, the editing keeps the narrative tight. The decision to avoid flashbacks helps maintain the film's forward momentum and adds to its real-time urgency.

Highlights: The biggest triumph of the film is its refusal to be preachy. Despite tackling multiple social issues, the messaging is woven seamlessly into the plot-never delivered at the cost of entertainment.

Drawbacks: The only notable shortcoming is its somewhat soft ending. After such a tightly wound buildup, the resolution feels slightly underplayed, leaving one craving a more impactful close.

Did I Enjoy It?

Yes. It's a smart, moody thriller that builds atmosphere and tension without resorting to clichés.

Will I Recommend It?

Absolutely. Especially to viewers who appreciate thrillers with substance and social relevance.

A gripping top class thriller which keeps you on the edge of your seat for most part. It is like a car starting up, getting into the first gear, speeding up fast on to top gear and finally getting into overdrive. A baby is stolen, two brothers are the suspects, the cops are not in a mood to listen and there are a number of angry villagers.

The director takes you along in a wild ride and you are in middle of the chaos, frenzy, suspense and excitement as the characters get into a high speed chase. Some superb action here with high class cinematography and editing to keep you engrossed throughout. The plot twists match the twists and turns of the terrain as the vehicle chased by bikers navigates the ravines and roads Full marks to the director, actors, cinematographer and editor for turning out a well made thriller.