Baltimore

Since there are reviews stating that this movie is boring, I thought I would explain why it's not. Boredom is self imposed, and Baltimore is certainly slow. However, the acting is good enough and the production is at a high level. I've always liked Imogen, yet in Baltimore she does shine, she's intense, insecure and complicated. Imogen does demand enough attention to overshadow Tom Vaughan-Lawlor's great presence and acting chops. This is not an action movie, it's an exploration into the mindset and journey of Rose Dugdale, so it's leans closer to a "dynamic" documentary. I can't find anything wrong with this movie. If you have the patience it's quite intriguing...

I struggled to get through this film. The actors did the best they could with the script, but the screen play seemed to drag and focused on the lead character's mental state too much. I recognize that the movie was about Rose Dugdale, but the film would have been more engaging and enjoyable if it centered on the heist itself. In fact, the movie's title was originally called Baltimore, which was the location of an IRA safe house. Had the story been centered more on Baltimore, and not capturing Rose Dugdales daily life, I may have liked it better. Unfortunately, I found myself bored and uninterested.

We need more strong female leads in films these days. Women who speak up who stand up and do not do the whole "women should be seen but not heard". I think this film is excellent and well made. Story line is fabulous. I love Imogen Ive seen her in other films she is a force to be reckoned with. Please if you have any doubts hear me out im. I am a very critical movie goer and I wouldn't bother with a review if this wasn't worth it... So give it a chance and watch this true story be shown in its authentic form. Thank you for taking the time to listen to my review. Be well. And focus on the story. It's true.

In '70s-based Irish true-tale "Rose's War" (aka "Baltimore") young English heiress Imogen Poots rebels against parents Carrie Crowley & Simon Coury to lend her active support to the IRA, leading Tom Vaughan-Lawlor (terrific), Lewis Brophy & Jack Meade in violently robbing a haul of valuable paintings from a stately home, before hiding out while trying to extract a ransom & prisoner release for them. Dermot Crowley offers solid support, and experienced co-writers / co-directors Christine Malloy & Joe Lawlor do chop the timeline cleverly - but it still comes across as only a relatively minor jigsaw puzzle piece in a much bigger picture. It is interesting, but not sensational.

Compelled to be presented to the Queen as a debutante in return for an Oxford University education, Rose Dugdale (Imogen Poots) rebels from a fairly early age. Her privileged upbringing - as so often happens - leads her to detest the very hands that fed her in her childhood. Meantime, the troubles in Northern Ireland in the early 1970s are only increasing and after a trip to a training camp in Cuba, she returns a fully capable, bomb-making, terrorist - with a brain and a conscience. A plot is devised to rob a stately home of some valuable Goya, Rubens and Vermeer paintings and hold them as hostage for £500,000 and the freedom of two hunger striking IRA prisoners incarcerated in the UK. What now ensues is a rather weakly constructed speculation as to just how this shrewd plan was executed and of the aftermath. The story is an interesting history - but with the timelines dancing around all over the place and the performance of Poots a bit hit or miss, I found the pace of the film too bitty. We are all too often left dangling when a storyline is being developed and talking of development, there is very little to inform us about who the real Dugdale was. The screenplay doesn't shy away from describing the radicalisation here nor of some of it's concomitant brutality but somehow her vitriolic detestation of the British state is left completely unexplained. This subject could make for a strong political documentary on a woman who was clearly dedicated to her cause, but as a drama - this doesn't ever really engage.