Vermiglio - A Noiva da Montanha

Vermiglio (2024), directed by Maura Delpero, presents a quiet and reflective look at life in a remote mountain village in the Italian Alps during the final days of World War II. The story follows the arrival of Pietro, a deserter, into the family of the local teacher. As he becomes entangled in their lives, particularly falling in love with the teacher's eldest daughter, the village's delicate balance is disrupted, leading to a series of emotional upheavals.

The film's strength lies in its meticulous attention to historical detail and its authentic depiction of the time period. Delpero's anthropological approach to storytelling highlights the customs, traditions, and harsh realities of life in rural Italy during the war, with the seasons unfolding as a metaphor for the passing of time and the trials faced by the villagers. The cinematography, which captures the rugged beauty of the Trentino Alps, enhances the atmosphere, grounding the story in the physical and emotional isolation of the characters.

The performances are solid, with Tommaso Ragno and Roberta Rovelli providing strong portrayals of characters who, while deeply affected by the events around them, must endure their personal dramas in silence, shaped by the social and cultural constraints of the era. The theme of resignation permeates the narrative, as characters quietly endure their fates - from the young, pregnant widow to the daughter who feels "forced" into religious life. This pervasive sense of acceptance, however, diminishes the emotional connection one might feel with the characters. The lack of agency among the individuals, who silently bear their burdens without protest, creates an emotional distance that, at times, undercuts the film's impact.

While Vermiglio succeeds in painting a vivid picture of life in the post-war years, its slower pace and emotionally restrained characters may leave some viewers feeling disconnected. The weight of historical accuracy and social constraints, while authentic, can sometimes stifle the emotional depth that might have made the story more compelling.

Rating: 7/10. A reflective and historically rich film that captures the struggles of post-war life but is ultimately hindered by its emotional detachment.

To say this was a beautiful film is an understatement. Maura Delpero does such an incredible job of taking us back to the 1940s when WW II was ending to a quiet, village nestled in the Italian Alps as we become a part of the Graziadei family. We watch as their joy, sadness, and secrets unfold. The Cinematography work by Mikhail Krichman was spectacular! The cast was quite strong especially that of Tommaso Ragno, Martina Scrinzi, and Carlotta Gamba. I do not speak Italian but following the story with subtitles was a breeze and didn't detract from this film. All you have to do is watch the actors eyes and mannerisms and you feel what they are going through. The sign of a great film.

VERMIGLIO (2024) Mauro Delpero's beautifully crafted drama about an Italian family during the waning days of WWII. They are a large (and still growing) family headed by a proud and vain schoolteacher Cesare (Tommaso Ragno) in their small village in the Alps. Pietro (Giuseppe De Domenico) a soft-spoken Sicilian soldier who has escaped the Germans at the front is hiding out in the Vermiglio township. He falls for the eldest daughter Lucia (Martina Scrinzi) . The romance momentarily is a ray of hope for the family even if they have their doubts about the wayward young man.

Delpero's script captures the trials and tribulations of the entire clan, including the children. The story is never rushed, yet never feels slow. Each individual is given respect by her writing and tender direction. Mikhail Krichman's burnished cinematography handsomely depicts their existence. The mountains give the exteriors a grandeur, but it's never merely picturesque. It's all part of the landscape for the villagers hardscrabble life during wartime.

VERMIGLIO shows that no matter how far away from the battlefield one may be, there are always repercussions both immediate and long-term. There is pain, secrets, loss and memory. As the movie eloquently states: Tears can be both a sign of sadness and sorrow - as well as hope and happiness.

As a fan of historical films, Vermiglio really stood out to me with its immersive take on the past. The movie does a remarkable job of transporting you to a different time, blending historical accuracy with an intriguing mystery. The setting and costumes feel authentic, adding a layer of depth that makes the world come alive in a way that's both captivating and thought-provoking.

The plot unfolds at a steady pace, revealing its secrets bit by bit, and while it may be a bit slow at times, the performances keep you invested. The lead actor does an excellent job portraying a character caught between the weight of history and personal turmoil, and I found myself connecting with them on a deeper level.

The film offers a unique lens on history, not just as a backdrop but as a force that shapes the characters' actions and decisions. It's this combination of historical context and personal drama that makes Vermiglio an engaging watch for anyone who enjoys films that offer both a captivating story and a rich historical setting. Although it's not flawless, it's definitely a worthwhile experience that lingers long after the credits roll.

The film is a visual feast. Cinematographically, it's very good. The art director did a great job. This made the director's job much easier. Both interior and exterior shots are very successful. But I can't say the same for the script and acting. The script contains very disjointed stories and this makes it difficult to concentrate. The acting was too heavy for a cinema film. In many places I felt like I was watching a theatre rather than a cinema film. Overall, I can say it was a good film. But you won't lose much if you don't watch it. But if you have plenty of time, it is a watchable film Good luck.