Uma mulher encalhada num negócio sombrio, se transforma num guerreira impiedoso.Uma mulher encalhada num negócio sombrio, se transforma num guerreira impiedoso.Uma mulher encalhada num negócio sombrio, se transforma num guerreira impiedoso.
- Prêmios
- 1 vitória e 12 indicações no total
Lio Tipton
- Caroline
- (as Analeigh Tipton)
Jan Oliver Schroeder
- German Mule
- (as Jan-Oliver Schroeder)
Avaliações em destaque
I went into watching this thinking "6.6; average but good enough for a night in" considering 22 jump street (which I stopped after the _painful_ first half hour) gets a 7.6 it makes me wonder about what the people rating movies on this site prefer.
This film is quick, intelligent and has a number of good actors in it; if you watch it to the end you'll appreciate it, because (in my mind) it does everything right. After this paragraph we'll probably be moving into (mild) spoiler territory, so if you've not watched it yet, or just don't give a flying uh.... seagull? (good job on your censorship IMDb, words are just words and they have their place); stop reading.
The whole 10% premise is false, I'll give it that along with the 'fact' that you somehow develop supernatural powers at higher than 10%; it's almost like someone saw the matrix, a supernatural film, an action film and thought "why not compress all of this into one film" as I've said in the title, if you're prepared to suspend disbelief, it works. If you want pure scifi with no (major) suspension of disbelief; it's best to look elsewhere. Though as I've said, the movie has all the things I like. Unwitting protagonist, pressure of time put on said protagonist, some scifi in between and the mind control powers of Morgan Freeman's voice (seriously, they should get some real scientists on that; it would accelerate brainwashing research tenfold).
From reading other reviews this film seems to be movie Marmite; you'll either love it or hate it.
This film is quick, intelligent and has a number of good actors in it; if you watch it to the end you'll appreciate it, because (in my mind) it does everything right. After this paragraph we'll probably be moving into (mild) spoiler territory, so if you've not watched it yet, or just don't give a flying uh.... seagull? (good job on your censorship IMDb, words are just words and they have their place); stop reading.
The whole 10% premise is false, I'll give it that along with the 'fact' that you somehow develop supernatural powers at higher than 10%; it's almost like someone saw the matrix, a supernatural film, an action film and thought "why not compress all of this into one film" as I've said in the title, if you're prepared to suspend disbelief, it works. If you want pure scifi with no (major) suspension of disbelief; it's best to look elsewhere. Though as I've said, the movie has all the things I like. Unwitting protagonist, pressure of time put on said protagonist, some scifi in between and the mind control powers of Morgan Freeman's voice (seriously, they should get some real scientists on that; it would accelerate brainwashing research tenfold).
From reading other reviews this film seems to be movie Marmite; you'll either love it or hate it.
Lucy is a Bourne Identity meets Kill Bill meets Limitless romp auteured by Luc Besson, the man behind classics like Leon the Professional and La Femme Nikita. In one of the stranger wide releases in years, there is much reward given to those willing to give Lucy grace (ridiculous premise and over-the-top aspirations). It's flawed, but it's a brightly filmed and darkly themed scifi action thriller that delivers. Lucy posits the debatable notion that humans only use 10% brain capacity. Johansson plays the title character that goes from monotony to superhero when a new drug gives her the ability to use 100% of her brains power. Her capabilities aren't just big math problems and fast reading, but telekinesis, shape shifting and other comic-booky things. It's a fascinating if overly ambitious premise that Besson puts to great use, playing it out like a briskly paced, inventive TV pilot. The scifi is strong, with theories and declarations posited throughout and thematic exposition that works. The shining element here is Johansson, who continues her upward trajectory in a bombastic yet effective performance. Her progression from a nobody to the most powerful femme fatale in history is emotional, funny and relatively believable. It's great to see Besson bounce back after The Family to present what may be his magnum opus, touching on all of time and creation in under 90 minutes. Sure, some of the effects are cheap and goofy, but the editing is unique and tight, the violence and style are lively, and the storytelling is refreshing. Engaging and cool, Lucy is highly stylized scifi pulp of the highest order.
Check the genre of this movie, it says SCI-FI, which stands for science FICTION!! If I watched every sci-fi movie expecting it to correlate with real life physics then there would be no point of the genre. All these bad reviewers seem to be on the more intelligent end of the pole but isn't cognitive enough to realize they're NOT watching a documentary!!!! This is a good sci-fi movie, which kind of lets you imagine what you could do if you knew everything and could do anything. Obviously It's not possible because you would have to break the laws of physics to even get near that point but it's still good to wonder. Worth a watch if you like the genre.
Just like a human has been given priority to itself, this film do so, after have watched it feels human is infinite and can do anything and no any other species would be able to do so, this film start with a myth humans use very little part of its brain, and finely depicts what if a human will be able to use 100 percent of his brain, well no doubt this film is a metaphor but really funny and amusing,
Great imagination, I salute directors thought,
Everything is in a great sequence and should watch by everyone it's a great film.
One more thing none can imagine it's climax until it happens itself, great climax.
Thank you.
One more thing none can imagine it's climax until it happens itself, great climax.
Thank you.
"Lucy," a high-concept sci-fi thriller from visionary French director Luc Besson, is a stimulating exploration of the human mind's potential. With its combination of slick action sequences, existential philosophizing, and dazzling visuals, it challenges and entertains in equal measure, pushing the boundaries of conventional cinema.
The plot follows Lucy (Scarlett Johansson), a woman accidentally caught in a dark deal who turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Besson has crafted a fascinating narrative that juxtaposes the gritty realism of crime syndicates with the abstract realm of cerebral possibilities.
Scarlett Johansson delivers a powerhouse performance, expertly navigating her character's transformation from a terrified victim to a superhuman entity. Her nuanced portrayal ensures Lucy remains empathetic even as she becomes increasingly detached from humanity.
Morgan Freeman lends gravitas as Professor Norman, a neuroscientist who serves as the narrative's anchor, grounding the escalating spectacle in a semblance of reality. His measured performance provides a necessary counterpoint to Johansson's increasingly otherworldly character.
Besson's direction is fluid and kinetic, imbuing the film with a frenetic energy that propels the narrative forward even as it dips into complex concepts. His choice to intercut documentary-style nature footage adds a unique flavor, creating intriguing parallels with the story unfolding on screen.
The cinematography and visual effects are dazzling, creating a vivid sensory experience that takes viewers on a roller coaster ride through time, space, and the human body. The mind-bending visual journey, coupled with Eric Serra's pulsating score, creates an intoxicating atmosphere that leaves viewers both thrilled and thoughtful.
However, "Lucy" isn't without its flaws. Its ambitious premise often teeters on the edge of becoming too esoteric, possibly alienating viewers expecting a more straightforward action thriller. Furthermore, its fast pace and lean runtime can leave certain aspects feeling underdeveloped, notably the film's antagonists.
Yet, despite these shortcomings, "Lucy" stands out as an audacious cinematic experience that dares to merge high-octane action with cerebral science fiction. It inspires a sense of awe and curiosity about human potential, prompting introspection about our place in the universe. It is a visual feast that stirs the mind and quickens the pulse, a cinematic cocktail of action and philosophy that leaves a lingering impression.
The plot follows Lucy (Scarlett Johansson), a woman accidentally caught in a dark deal who turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Besson has crafted a fascinating narrative that juxtaposes the gritty realism of crime syndicates with the abstract realm of cerebral possibilities.
Scarlett Johansson delivers a powerhouse performance, expertly navigating her character's transformation from a terrified victim to a superhuman entity. Her nuanced portrayal ensures Lucy remains empathetic even as she becomes increasingly detached from humanity.
Morgan Freeman lends gravitas as Professor Norman, a neuroscientist who serves as the narrative's anchor, grounding the escalating spectacle in a semblance of reality. His measured performance provides a necessary counterpoint to Johansson's increasingly otherworldly character.
Besson's direction is fluid and kinetic, imbuing the film with a frenetic energy that propels the narrative forward even as it dips into complex concepts. His choice to intercut documentary-style nature footage adds a unique flavor, creating intriguing parallels with the story unfolding on screen.
The cinematography and visual effects are dazzling, creating a vivid sensory experience that takes viewers on a roller coaster ride through time, space, and the human body. The mind-bending visual journey, coupled with Eric Serra's pulsating score, creates an intoxicating atmosphere that leaves viewers both thrilled and thoughtful.
However, "Lucy" isn't without its flaws. Its ambitious premise often teeters on the edge of becoming too esoteric, possibly alienating viewers expecting a more straightforward action thriller. Furthermore, its fast pace and lean runtime can leave certain aspects feeling underdeveloped, notably the film's antagonists.
Yet, despite these shortcomings, "Lucy" stands out as an audacious cinematic experience that dares to merge high-octane action with cerebral science fiction. It inspires a sense of awe and curiosity about human potential, prompting introspection about our place in the universe. It is a visual feast that stirs the mind and quickens the pulse, a cinematic cocktail of action and philosophy that leaves a lingering impression.
Você sabia?
- CuriosidadesDespite widely published reports that Angelina Jolie was originally cast as the lead, but dropped out, Luc Besson has since denied them and admitted that he only met with a couple of actresses to discuss playing the lead role. He says when he saw how strongly Scarlett Johansson reacted to the story, she immediately landed the part.
- Erros de gravaçãoWhen Lucy uses the visual analogy of a car traveling faster and faster until it disappears from sight to explain that "Time" is the most important thing, this is incorrect and misleading. If an object were to travel so fast that it appears invisible, as depicted in the video, it wouldn't actually disappear. In fact, it would essentially create a wall along its path. This effect is analogous to the nature of atoms in which subatomic particles revolve around the nucleus of the atom at such great speed that it keeps the atom together which results in the formation of matter according to particle physics. Therefore, the car would not disappear as suggested in the video segment, but rather transform into an impenetrable wall of energy encircling the Earth along its path, as it approached infinite velocity.
- ConexõesFeatured in The Tonight Show Starring Jimmy Fallon: Morgan Freeman/Kesha/Tweedy (2014)
- Trilhas sonorasDancing in Nowhere
Written by Julie Hugo, Gregory Cauzot and Pierre Mathieu
Performed by Make the Girl Dance feat. Solange La Frange
Courtesy of Roy Music
Principais escolhas
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Detalhes
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 126.663.600
- Fim de semana de estreia nos EUA e Canadá
- US$ 43.899.340
- 27 de jul. de 2014
- Faturamento bruto mundial
- US$ 469.058.574
- Tempo de duração1 hora 29 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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