O Caçador de Ratos

Garage owner Claude has a rat problem. He hires an expert to deal with the problem. The Rat Man is truly an expert in his field to the point of resembling a rat himself. While Claude and his employee are fascinated by his methods they are also quite unsettled by him.

Another of Wes Anderson's four-episode short story-series, all adaptations of Roald Dahl stories. The others in the series are The Wonderful Story of Henry Sugar, The Swan and Poison.

Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.

Having already watched two of Anderson's Roald Dahl-based short films, the style and presentation of the films are a given. A quirky, reasonably engaging story, narration with the narrator talking in short, bullet-point-like sentences, highly-stylised backdrops and props, great performances (in this case from Ralph Fiennes, Rupert Friend and Richard Ayoade).

A less positive aspect has been that while the story is engaging, it has no punchline. It simply fizzles out. The Rat Catcher is no exception.

Here it is a touch worse in that the story never really seems to fully get going anyway. At least the other two had a fair degree of momentum.

Still, it's interesting and watchable enough.

"The Rat Catcher" is the latest addition to Netflix's Roald Dahl collection, offering a delightful tribute to Dahl's peculiar storytelling. Narrated by Richard Ayoade and featuring performances by Ralph Fiennes and Rupert Friend, the story follows the enigmatic Rat Man's arrival in a quaint village to deal with a rat problem. Wes Anderson's distinctive style elevates the narrative, with the first half showcasing his signature filmmaking techniques. However, it's the second half where Anderson's creative use of lighting, shadows, and animation truly shines. Inspired by a Dahl short story, the film captures his unique storytelling style and concludes with an intriguingly ambiguous ending. "The Rat Catcher" is a captivating 15-minute short that keeps viewers engaged and offers a fresh perspective on liquorice. It's a must-watch for fans of Dahl's whimsical tales and Anderson's cinematic artistry.

The local rat-catcher (Ralph Fiennes), who bears a disquieting resemblance to his prey, is engaged to extirpate a minor infestation of the creatures. Wes Anderson's spin on the eponymous Roald Dahl short story is quite fun (in a grim way) as the resourceful Rat Man explains his various highly unpleasant methods of dispatching his clever quarry. His final demonstration of Homo's sanguineous dominance over Rattus, although largely unseen, is brutally amusing (and sadly not unprecedented considering some of the revolting blood-sports to which animals have been sacrificed in the not-so-distant past). Attention to detail may make the final lines less cryptic. Of Wes Anderson's four recent Roald Dahl inspired short films, this was my favorite.

This Short-story Directed by Wes Anderson and protagonized by Ralph Fiennes (The Rat Catcher). Tells the story of a little town with a rat issue. To solve this problem they resort to a peculiar, misteryous and unorthodox rat Catcher. This story carries you during 17' through a nice story which happens in your ears with the voice of the narrator but also on the screen, So you mix the imagination on books with the comodity that represents watching a TV.

The director creates a perfect mix between movie and audiobook, creating a completely New Genre. Watch it! At the end it's just 17 minutes!

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The Ratcatcher lacks the emotional weight of the other Roald Dahl shorts but it remains a beautifully crafted short film that contrasts its visual beauty with a generally creepy nature and some unexpectedly violent imagery in its closing moments.

Making up for being underutilised in Henry Sugar, Richard Ayoade gets so much more here as the narrator and fulfils the missed potential. Between his funny yet off-putting Ratcatcher and once again closing the short as Dahl himself, Ralph Fiennes shows his incredible versatility.

Wes Anderson continues to craft beautiful worlds and briefly returns to his stop motion skills. As with Poison, he also continues to break some new ground with these, using his usual style to showcase some impressive horror sensibilities.