Fake

The tension in the series is created between the characters' and the audience, rather than among the actors. Birdie's deep-seated denial makes the viewers say over and over "how can she believe him", as do her friends and family.

The more that audience members can sympathize with Bridie's denial, the more profound the tension is. However, for those of us who do not sympathize, the constant repetition of her failing can be a bit tedious. Therefor the director has taken a big chance by using this technique. This is exacerbated by the fact that the story arc builds up slowly over the initial episodes and that the crescendo is 100% predictable.

The production values on this series are good, the story gets you intrigued early on, mainly from the 'what's going on' perspective.

The obvious point that such an educated, successful, attractive woman is so lonely, is something you need to get over, plus the fact that she's so desperate to meet a man, she's prepared to drop all doubts and oddities associated with him, just to get him.

Once the odd behaviours grow the story slowly develops, behind lovely Australian backdrops and city scapes, the heroine's fears and questions pop up and she looks for answers, again why she's so determined to hang onto this man is a bit of a mystery.

Things I found annoying, the need to insert alcohol into many scenes, the fragility of the female character, the sinister male lead, the gay but oh so fun friends, everyone seems wealthy and in luxury, but often unhappy, all very typical of Australian shows, so typical you fight the impulse to fast forward occasionally to get on with the story, so at times it gets 'dull', you want it to develop and it doesn't.

Can an entire show be foreshadowing? Can every single moment be foreshadowing? Can every single thing be framed entirely explicitly as foreshadowing? This show may be going for a world record or something, trying to make every single second, from the very opening shots, be Foreshadowing. Can a show that is entirely foreshadowing also feature the worst performances by two great actors, entirely miscast, with No chemistry, and the most unhappy and miserable sex scene in the history of everything?

Yes. Yes yes yes. All yes.

I have never not enjoyed Asher Keddie, before. I have always respected David Wenham, before. This is trash. I think the writer was trying to make herself look better at having Always Suspected Things, but it makes her a boring anxious character that you can't sympathise with who has No Arc. Crap.

I was only watching this because I grew up on one of the properties filmed ( not in the grand house but another house on the property). Anyway I really liked the show. I can see, and have experienced, how easy it to fall for someone even though the warning bells are ringing loudly. When your love bucket is empty you will date the person that comes along and tries to fill it. You so so much want to believe. The relationship between mother and daughter didn't help Birdees' self esteem. With the therapy she was getting how come she didn't tell her mother to treat her better. Congratulations to the writer bringing up the cheater issue from a perspective that can be understood from probably way too many vulnerable people.

Good show.

The key to this working is a credible male lead ( in what is a difficult nuanced role to pull off convincingly). David Wenham didn't, at all. At almost 60 he is for a start too old, too crepey-skinned. His character was creepy, he was given a lizardy persona, unfortunately Joe was NOT what he must be.

Hot.

Who is craving to get in this creaky, rather plodding, aging, man's bed?

Apparently a whole slew of beautiful intelligent women, all taken in and enraptured to the point of slavish devotion . 60 emails with heart rending tales of seducer Joe!!!

Please. No.

None of us watching Joe were craving to be in bed with him either, btw (imagine here a shudder indicating skin crawling at the thought lol).

The writing was off for Joe, the character needed way more finesse in language, charisma, good looks, and sex appeal, delivered by an actor with compelling, utterly irresistible BDE, and way more sympathetic outside of the scene in the church where we see his pain. That was good, well done.

That first encounter at Atons bar ..."do you want to get out of here?" The look that is then exchanged between them as Joe agrees means, as every single adult watching knows, let's ***k. His sliding off into the night outside was the beginning of a mountain of sleight of hand by Joe's character that was absurdly clunky, as to be an insult to the intelligence.

Asher Keddie is terrific, she holds this together. Her character is far better written and presented than her counterpart, we are provided with sufficient context to see why this one woman with her history anxiety and pressures wanted so much for this to work. She was believable in a narrative where nothing else important was believable.

It's an easy reasonably engaging binge, but could have been so much more immersive, tantalising, heartrending.

A missed opportunity, should have been a 10.