Orang Ikan

No pun intended - since Predator came out many moons ago (decades actually) any movie that is close to what it did, will be compared with it. You know: if it bleeds, we can kill it. Same applies here and again no pun intended. Just saying for arguments sake and all that.

Now I do not remember the budget that Predator had, but it was big budget (Schwarzenegger just to name one of the actors in it) - and this right here is anything but. So if you consider the budget this had, this is really well done! And while the story may not have many surprises, the effects work as intended. Also the run time is short enough - so I don't think anyone will be annoyed at any point. Action and stunts are good too - the make up/costume is also quite good ... yes you can tell it is a human in a suit ... but suspension of disbelief is needed with most movies anyway, this is no different in any regard.

Just go along with the ride ... not a holiday vacation of course.

Great action, great suspense, great script, great practical FX, great creature design (although of course, based on the original), great story, great acting, great pacing, great location, great cinematography, great editing, great gore.

This movie is so goddamn fun! From the opening frames, to the somewhat heartfelt final moments, it's such an enjoyable ride. The film makers here set out to do one thing - make a fun movie - and that's EXACTLY what they accomplished. A nearly perfect escapism film that will have you enthralled the entire run time.

Absolutely recommended! Won't disappoint.

Stranded in the middle of the war, Japanese and American soldiers are stuck on a remote island while their sides wage war during World War II and must work together to fight off the ravenous creature that's living on the island, hunting everything that sets foot there.

For the most part, this was a fairly fun creature feature. Among the better qualities of this one stem from the storyline featured here, which takes a somewhat conventional monster movie trope and offers some fresh spins on everything. With the experience detailing the closing days of World War II and the efforts by the Japanese soldiers to come to terms with their stance in the war in the form of a traitor in their ranks only to be prevented from doing anything due to the Allied strike on the ship performing the inquiry, there's some fun setup at play here. Not only does this provide a fun way to strand everyone on the island when the survivors are washed ashore before the ship explodes with everyone onboard, but it also allows us to generate some sympathy between everyone, and we also get to experience a bit more about the dynamic between the two of them when they arrive on the island. How they bond and interact with each other is a great way to set this one up going forward, with the whole thing being interrupted by the discovery of the creature, all of which helps this one rather nicely as we see their friendship blossom. The other big positive here is the strength of the creature attacks, which are handled incredibly well. The humanoid stance and fishman-like appearance of the creature being accomplished practically means this one gets up and personal with how it focuses the immediacy of the attacks, interrupting the Japanese soldiers talking to him on the island or stalking the group through the jungle, which gives this some impressive sequences. As well, the second half is devoted almost entirely to the hunt to stop the creature, which means a slew of fun tactics is ready to defend themselves against the creature, only to be confronted with the possibility of having to rely on different tactics to finally stop it. This all results in some exceptionally gruesome and bloody kills featuring the creature ripping not just the soldier victims it comes across but also the other random figures at home on the island, which is just as much fun as the rest of the action involved with the film, all of which makes for a lot of fun positives here. There are some issues present here that do hold this one down somewhat. The main drawback to be had with this one is the somewhat bland pace featured here, which gives everything a draining experience to sit through. The fact that so much happens in the second half is obvious from the extended amount of time featuring the duo on the island, trying to come to terms with the situation, mostly due to the decision to make all of their bonding occur at that point in the film. Trying to come to an understanding and recognize who they are and what they need from each other to survive is a great way to start everything but it does this at the expense of the action, as that first half becomes a struggle to get through, as it becomes apparent it just doesn't have enough to justify a feature-length running time. Dispatching as many bodies as it does immediately, only to then go through time-wasting scenes such as ammo stock-up or just meandering exploration of the jungle doesn't offer a lot of thrilling elements throughout here, and it tends to give this one the kind of sluggish start that's hard to overcome.

Rated Unrated/R: Graphic Violence and Language.

Despite of never having heard about the 2024 movie "Orang Ikan" (aka "Monster Island"), of course I opted to watch it as I had the opportunity here in 2025. I am a big fan of all things horror after all.

The storyline certainly sounded interesting as served through the synopsis, however I have to say that the actual movie itself, well not so much. Sure, it was watchable, and there was potential, but ultimately it was a tedious and generic movie.

I was not familiar with a single actor on the cast list. The acting performances were not particularly outstanding or memorable, which was a shame, as the movie had a very small cast ensemble, and thus was depending on the acting performances to carry a certain weight of the movie.

The effects in the movie were okay, and I did like the creature design and the way that they made the aquatic creature look. It definitely helped keep the movie afloat, pardon the pun.

Ultimately then "Orang Ikan" is not a movie that I would recommend you to waste 84 minutes on watching.

My rating of writer and director Mike Wiluan's 2024 movie "Orang Ikan" lands on a generous four out of ten stars.

From its promising opening sequence, this film teases the audience with the promise of a taut, character driven drama. Yet after the first twenty minutes, what should be an absorbing narrative begins to unravel under the weight of its own indecision.

1. Pacing That Misfires The first act moves with purpose introducing a compelling premise and intriguing protagonists. But once the story gears shift into its second act, the momentum grinds to a crawl. Instead of escalating tension or deepening character dynamics, the plot stalls in a series of extended, almost meditative sequences. Moments that could have been lean and impactful are stretched far beyond their narrative value, leaving viewers checking their watches rather than leaning forward in their seats.

2. Directorial Overreach in Framing Director's penchant for dramatic zooms and prolonged establishing shots feels less like a stylistic signature and more like cinematic self indulgence. Scenes that demand emotional intimacy or brisk plot advancement are instead punctuated by repetitive close ups of empty rooms, lingering aerial sweeps of nondescript landscapes, and promise unfulfilled "slow reveals" that rarely reveal anything of substance. Rather than heighten suspense, these choices dilute it, making the film resemble a nature documentary more than a tightly woven drama.

3. Lost in Translation of Story to Screen There's a palpable sense that the filmmakers lost sight of the core narrative somewhere deep into the middle. Key plot beats come and go without the weight they deserve; characters drift through scenes without meaningful interaction, leaving motivations hazy and emotional stakes low. When a story's pacing and visual language fail to serve its themes, the result is a disconnect that's hard to shake.

4. Conclusion: A Case for Tighter Editing While there are flashes of visual beauty and occasional snippets of solid acting, the overall experience is hampered by a sluggish rhythm and an overreliance on stylistic flourishes. With judicious editing trimming extraneous zooms, sharpening scene transitions, and refocusing on the narrative spine this film could have held much greater impact. As it stands, it offers a lesson in how even the most intriguing premise can falter when the director loses sight of pacing and purpose.