Soul

This movie was, quite frankly, a wake up call. This is a Pixar film for adults and it comes with an incredibly important message. I loved it and I absolutely want to listen to that message. #Goodatwalking

There are times during the first quarter when you may believe someone's spiked your drink with an hallucinogenic as Disney's innovative way of capturing our entrance and exit to the world is developed but, as you will find, this is a film to get you thinking and, more importantly, thinking about yourself - reflecting so to speak. Delivered with the usual Pixar excellence, if this doesn't make you realise that tomorrow is the first day of the rest of your life then rewind, pause and start again, because the message is universally important to all - and that includes you!!!

Before explaining why I liked this movie, I'd like to point out that the main idea of the movie is *NOT* that you need find your purpose to have a happy life. It's the exact opposite! I'm not saying this just to be a professor, but because it's really important and that's why I loved the film so much. You don't need to be fixated about something to find a meaning in your life. You need to savour it and learn to enjoy the little moments instead of waiting for something big to happen to reach happiness. It's so profound and refreshing. A movie just about a guy waiting for his big moment and feeling fulfilled after having reached it would have been dull, boring, trite and most of all wrong, like pretty much all "self-help" advices. Instead the opposite idea is presented and if you just pay attention to the dialogues -and the story, really- you'll understand what I mean and most importantly what you might apply to make your everyday life better. But back to the movie I've got to say I almost cried as the end was approaching as much as I was going to turn off the tv when the movie started. The whole initial setting reminded me too much of Inside Out, a film I quite disliked, so I was worried it was a copy of it (it kind of is in the beginnin). But luckily the second half steered away from it and developed in one of the most moving film I've seen in a long time. Undoubtedly one of Pixar's best.

"Soul" is about a musician who is transported out of his body and he must find his way back into actually living. This film is transcending the depths of Pixar's most introspective animations. Every facet comes together beautifully to create an emotional symphony, resulting in a heartbreakingly optimistic narrative. It feels like too much for kids, but the script allows it all to come together beautifully with the emotionally powerful third act, including a heartwarming tear-inducing score and a relatable, well-explored story about the meaning of life. "Soul" may not have the laugh-out-loud sense of humor as other Pixar greats do, but it will touch hearts nonetheless.

A fabulous story about a near-death experience, with some conventional and some interestingly non-conventional statements about life and the afterlife. I really appreciated the major lesson that Joe/Joe's Soul/22 learn over the course of the movie: that one's "spark," or inner motivation, isn't the same as obsession about something (like getting a great gig), because obsession drives many people to become lost souls, despite still living. This observation is made explicitly by one of the "Jerries:" divine(?) beings who control the "Great Before" where souls go before their incarnation, whose straight-line forms suggest computer vector graphics; but they also appeal to quantum mechanics as if to a divine law. These angels of science aren't evil, per se, although the cosmic accountant Terry reminds me of a gnostic demiurge, a being of imperfect knowledge striving for "justice" rather than "mercy." In any case, Soul is enveloped by non-denominational, quasi-scientific, and morally ambiguous pre- and post-mortem realms and their governing angels.

Despite their imperfections, the "Jerries" mean well, and prove their good will at the end, when they offer Joe another chance at living after he selflessly concedes his "badge" (and thus his life) to 22, whom he then shepherds into the next world. For much of the movie, especially when 22 inhabited Joe's body, I was convinced that Joe's body would survive, but that it would no longer be ensouled by his own soul, but by 22. That would have allowed some truly interesting reflections on the nature of personal identity, especially the inner dynamics of major changes to one's motivations and values in life.