A Última Vingança

From the look of the posters, this ought to be a film about a Polish gangster! Instead, it's about the curmudgeonly, vodka-swilling, "Ann" (Dale Dickey). It's really only her grand-daughter "Emma" (Romane Denis) who takes any interest in her as she goes through life with her incapacitated husband "Chip". Asleep one night, their home is invaded by people armed with a court order that puts them into a legally binding guardianship arrangement. This basically says that they are incapable of managing their own affairs and have to have someone else take control. Nobody asked anyone to do this, nor did the couple know of the court proceedings supporting it. It was all down to a dodgy doctor on the payroll of "Rivera" (Bruce Ramsay) who had his eye on their condo and their savings. Now locked inside their new apartment, she is determined to get out - especially as their new hosts can prove quite violent when it comes to making sure that they have squeezed out every penny the couple have. What "Rivera" doesn't count on, though, is that "G" has a bit of an history when it comes to looking after herself. What follows next is all a bit procedural and though Dickey is clearly having some bad-ass fun, the main thrust of the story is really the outrageous scenario that it represents: that some states in the US allow people to be summarily removed from their homes, and from control of their assets, by anonymous third parties fuelled by greed and palm-greasing. It's worth a watch, but the television will do fine.

Got to see this movie randomly.

To be honest, I was skeptical when I saw the poster and read the synopsis. Still, I thought I'd give it a shot, I like looking for gems.

The overall pace is slow and there is not much action going on. It's a thriller, but most gets resolved in talking. There's a lot of angry talking with a straight face if you know what I mean, this movie is built upon that. I do not consider this to be a drawback however, these movies are good if your mood is right. And I was in the right mood.

It turned out to be a good movie. Not perfect. The pace is shifting, characters seem to be poorly introduced and there are places where its really hard to follow who did what.

Considering all the mentioned flaws, I still really liked the movie.

First of all, the subject is no joke, this nursing home scam is a real thing and people who engage in this stuff must be put to justice as soon as possible, this must stop.

Secondly, I really liked the characters, they do feel human and we get to see clearly how everyone is flawed and yet finds his own way to maintain, I guess that's how you discover a real character. The lead is strong.

This movie is grim, I really liked that, it's serious and it earns its respect.

The drama is okay, acceptable, its honest, but it could've been much deeper. I guess, this is a part where a lot could've been improved for this movie to become a real gem. An opportunity was lost here, unfortunately.

The plot... I mean it's nothing new and this type of plot has obvious drawbacks, but this movie has served it quite well in my opinion. It was well executed. Someone has put a thought in it and I can tell it was someone who has some sense.

This is actually great movie. I will recommend it to my friends.

The best part of this movie is Dale Dickey as "The G" because honestly, if you removed her from this movie it wouldn't be very good at all. Her performance elevates a not so great script and a kind of confusing story with a few too many twists and turns. While the other actors are all OK, no one stands out, leaving Dickey to shoulder the entire film and considering what a great actress she is, she handles it to perfection. The story is an interesting one, there is character development and she has some great lines, but at times I was just left confused. It didn't help that casting made the mistake of using two shaved head actors with beards to play parts that had me wondering what was going on until I realized it was 2 different actors in different roles. If you are a fan of Dale's this is worth watching, just don't expect anything worthy of her talent.

The scores tell you there's a normal distribution around 6 or 7 but then an anomaly of 10s for those discerning viewers. It's in a genre of amateur mobster but there are so many real characters and unpredictable twists and turns that set it apart from the masses. The supporting characters are complex in their combinations of attributes, not one dimensional or just incompetent or untrustworthy. The story has intertwining and overlapping paths that confuse and confound all the participants. The backstory is of a typical American modern reality of gangster capitalism backed up by the law and the courts, we can expect a growth in this type of industry with the second Trump presidency, which might at least as a byproduct produce some more angry films like this.

Karl R. Hearne's The G is a cinematic tour de force that defies expectations and leaves an indelible mark. This dark thriller is a masterclass in storytelling, thanks to Dale Dickey's exceptional performance.

Dickey is simply electrifying as Ann, a woman forced to face the harsh realities of aging and exploitation. Her transformation into a fearsome avenger is both terrifying and exhilarating. Hearne's direction is masterful, creating a world with a visual style that perfectly complements the tone of the film.

The film's exploration of ageism, power dynamics and resilience is thought-provoking and deeply resonant. The G isn't just a revenge fantasy; it's also a poignant commentary on how society often treats its elders.

From the opening scene to the shocking climax, The G is a film that demands to be seen. It's a cinematic experience that will stay with you long after the credits roll. Hearne has created an unforgettable character in Ann.

The G is a must-see for fans of bold, uncompromising cinema.