40 Acres

40 Acres is advanced in how it treats familial, racial, and interpersonal traumas. One could look at this film as an allegorical reflection on the devastation ravaged by North American colonists towards multiple communities (i.e. Indigenous Canadians and enslaved Africans) and, while this is necessary to feel the full weight of these survivors' journeys, the genre bending and fast-paced sequences are so well-tailored that the thrills alone can carry the film.

These are survivors in the truest sense of the word, and it's not killing or laboring in the fields that gives them a hard time, it's learning how to build the trust to let others in.

Bare bones dystopian sci-fi future thriller without AI, robots, cell phones, nuclear fallout or helicopters. Just farm living. And only crops are involved. Not even a smart pig. "40 Acres" works as a minimalist thriller because everything is very simple. A family defends their land from the bad guys. There you go.

A simple premise with plenty of layers to chew on. Technology is useless, except for radios and guns. Seeds are gold because livestock is deadstock, or just disappeared stock. No stock. Farms are the new countries, barb-wire bordered and defended to the death.

The defenders here just happen to be of a mix of Native and Black North Americans, coexisting as a well-oiled military machine, thriving in a survivalist bootcamp scenario. Community, culture, education, loyalty, tradition, family, survival, greed, coming of age, life lessons, it is all here. Albeit a bit formulaic and predictable, the film is lively enough to pull the scenario off.

"40 Acres" is a very good-looking film, brimming with excellent performances, that never strays far from the action. The secret to succeeding in this genre: never slow down so the audience can question the sketchy logic. Go go go!

• hipCRANK.

Just saw the movie. First the movie is too long by probably a half hour. There is lots that could be cut to save time and make the movies pace better. I would have also appreciated more world building. There was a small blurb at the beginning but thats pretty much it. The mother is unlikable which I think is the point but it's too much for too little payoff. The step dad and his daughter are a breath of fresh air for the characters. The movie takes forever building up to the action which is at least good. There was a very cool dark action scene that I would have loved to have more of.

Overall it's too long too slow tells too much about stuff that doesn't matter and not enough about what does.

I wanted so badly to give this a higher review plus for the fact it was filmed in my home city / town.

First let's start with the good.

The acting is great / Cast was well chosen / the shots are great / I appreciated each character.

Now for the not so good.

So incredibly slow, I fell asleep on numerous occasions, most movies although slow still have moments of build up, hooks and foreshadowing of things to come.

This movie starts in the first 10 minutes with a solid opening. Then it drops to a dull, overdrawn and obnoxiously slow hour and 20 minutes of eye rolling, finger tapping, impatient longing for more.

In the last 30 minutes it picks up but not at a speed that the viewer would appreciate as a climactic finale.

40 Acres is a new Canadian, post apocalyptic......farm thriller?

The basic plot follows a family living on an isolated farm in the middle of rural Canada, several years after a mushroom pandemic, civil war and other weird stuff.

Society has fallen, and there are cannibals and raiders everywhere. A family of mixed ethnicity are now surviving, growing food on their farm, which is super important, all animals are now wiped out and farmland is a super hot commodity.

The movie is handsomely shot but it bounces around from dark humour, horror, a military movie, a family religious movie and a coming of age movie, oh and kidnapping movie.

It's almost like the director said to the writers "Hey you have all of this stuff in here. What kind of movie should this actually be?" And then they all said "Yes."

This is a textbook example of throwing everything but the kitchen sink at the wall, but what sticks actually does kind of work.

The movie is unique in that when it's the turn...things get worse for the characters....and then it gets worse......and then it gets worse...before being tied up in a nice little bow at the end.

At the end of the day, if you gave me this film's budget and actors and told me to go with god, this isn't the movie that I would necessarily come up with, but I'm glad that someone took a stab at it. The result is a low to mid budget thriller that actually pulls it off. I saw this movie at a surprise screening, but I'm glad that I did.