Um escritor viaja até o complexo de um ícone pop que desapareceu anos atrás. Cercada por seu culto aos bajuladores, bem como por um grupo de colegas jornalistas, ela logo descobre seus plano... Ler tudoUm escritor viaja até o complexo de um ícone pop que desapareceu anos atrás. Cercada por seu culto aos bajuladores, bem como por um grupo de colegas jornalistas, ela logo descobre seus planos distorcidos para a reunião.Um escritor viaja até o complexo de um ícone pop que desapareceu anos atrás. Cercada por seu culto aos bajuladores, bem como por um grupo de colegas jornalistas, ela logo descobre seus planos distorcidos para a reunião.
- Direção
- Roteirista
- Artistas
Jean Effron
- Receptionist
- (as Jean Efferon)
Avaliações em destaque
Opus wants to be daring and profound but mostly gives in to pretentiousness. John Malkovich is electric as a deranged ex-pop star cult leader, but everything else around him fails. The film throws gaudy images and provocative scenes against the wall and hopes something will stick-little does.
Director Mark Anthony Green is more interested in being provocative than in coming up with a coherent narrative. Characters vanish, tone shifts at random, and anything that attempts to be satirical is submerged in the bedlam. It's like a fever dream of film school with a decent soundtrack.
There's something here, but it's buried beneath masses of over-written trash and "weird for weirdness' sake" choices. One of the most frustrating films of the year-not because it's awful, but because it had the potential to be something amazing.
Director Mark Anthony Green is more interested in being provocative than in coming up with a coherent narrative. Characters vanish, tone shifts at random, and anything that attempts to be satirical is submerged in the bedlam. It's like a fever dream of film school with a decent soundtrack.
There's something here, but it's buried beneath masses of over-written trash and "weird for weirdness' sake" choices. One of the most frustrating films of the year-not because it's awful, but because it had the potential to be something amazing.
"Opus" starts with strong promise, pulling viewers in with its intriguing premise and some great music. The Moretti tracks are undeniably a highlight, complementing the emotional depth of the film and elevating its scenes.
However, the film's strength begins to falter as it progresses, especially with its underwhelming conclusion. While the opening is engaging, the ending feels rushed and fails to deliver the emotional payoff it sets up.
It's a shame, as the book was Ariel Ecton's ultimate goal but the scene just seems tacked on at the end, leaving the narrative feeling incomplete. Overall, while "Opus" is an enjoyable watch, it leaves much to be desired.
However, the film's strength begins to falter as it progresses, especially with its underwhelming conclusion. While the opening is engaging, the ending feels rushed and fails to deliver the emotional payoff it sets up.
It's a shame, as the book was Ariel Ecton's ultimate goal but the scene just seems tacked on at the end, leaving the narrative feeling incomplete. Overall, while "Opus" is an enjoyable watch, it leaves much to be desired.
Opus started off pretty solid but fell apart in the final act. It's similar to other stories like Midsommar, Get Out, Blink Twice, The Menu, etc. So this wasn't anything new, but that wasn't much of an issue for me. The problem is in the explanation for what drives the cult. What it's about - its purpose. Malkovich's character sorta kinda attempts to offer an explanation at the end, but it didn't feel sufficiently solid enough to patch up the holes created by that issue. The acting in here was great though, and it was fun to see Malkovich ham it up the way he did. This was director Mark Anthony Green's first film, and he was also the writer. He has potential, as evidenced by the strong first half of the story. But he needs a bit more work to stick the landing. Video review available on my YouTube channel.
I thought it was a great story with unsettling but very relevant message especially in today's society. You could feel something was off and that the movie had a sinister vibe and it didn't take long for the ball to get rolling it was well paced and I though the visuals were good and the music was solid as well as the camera work, it was thrilling and entertaining I was trying to put things together and wondered what would happen next and it definitely gave you cult vibes. But in its own lane stemming from worshipping a pop icon and his religion. The ending to me was good it was bloody violent brutal and chilling and there was a twist at the end that brought everything together and the message was clear you won't regret watching it Ayo Edeniri was absolutely great and John Malkovich delivered at a sinister high level I rate it a 7.0 out of 10.
I had high hopes for Opus, especially since it promised to explore the dark side of celebrity culture. John Malkovich is incredible as always, playing Alfred Moretti, a reclusive pop star inviting industry elites to his mysterious desert compound. The setting was stunning, and the mood was appropriately eerie. But somewhere along the way, the story lost me. It felt like the film wanted to be profound and unsettling, but it didn't have enough depth to really deliver. The characters felt like caricatures, and the horror elements were stylish but shallow. It's one of those films where the concept is better than the execution. I wanted to be immersed, but I ended up feeling detached.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Você sabia?
- CuriosidadesWhen the Billboard Top 40 list is shown during Soledad's video, the songs ranked after "Dina Simone" by Moretti are: "Someday" by Mariah Carey; "One More Try" by Timmy T.; "All the Man That I Need" by Whitney Houston; "Where Does My Heart Beat Now" by Celine Dion; "Show Me the Way" by STYX; "All This Time" by Sting; "Gonna Make You Sweat" by C&C Music Factory featuring Freedom Williams; and "This House" by Tracie Spencer.
- Erros de gravaçãoWhen the office is watching Soledad's video announcing Moretti's return, the YouTube play bar remains paused and stuck at the 0:43 mark though the video continues playing.
- Citações
Alfred Moretti: The back row is asleep... but the front row is ready
- Trilhas sonorasMaggot Brain
Written by George Clinton (as George Clinton Jr.) and Eddie Hazel
Performed by Funkadelic
Courtesy of Westbound Records, Inc.
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Опус
- Locações de filme
- Novo México, EUA(Cult Compound)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.993.397
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.033.117
- 16 de mar. de 2025
- Faturamento bruto mundial
- US$ 2.196.593
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
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