Depois do Acidente

I watched it in Spanish, my mother tongue, which I always enjoy, but the massive, intrusive high proportion of foul language- just every few words- turned me off and ruined it. The soap opera over-emotional burden is daunting. 90% of the series becomes predictable, though the 10% remaining do present some twists to justify a mild thriller or at least a mystery. Characters are cardboard for the most part. I couldn't find one single outstanding actor either. Except the kids, who once gone, very early, are sorely missed. The story is interesting, even original, and the sadness real and communicative. But a huge editing job was needed, in many respects. Pity, it had great potential.

If you're looking for something to pass the time, this show might be it. Be aware that there's a lot of violence and a lot of unanswered questions at the end. Could have l been so much better because the starting point (the accident and how it destroys those families lives) is increadible material to work with. The non sensical violence and the fact that not everything ties up at the end ended up being a real disappointment for me. I'm not sure I would recommend this show unless you like violence in tv shows. Also, is this really how Mexico works? Things are solved by the "law of the people". Hope not.

There are some really good moments, but I just can't shake off the "Televisa presenta" impression. There's always a criminal, a unscrupulous lawyer, a few poor people, and a few too good to be true characters. In this kind of series, there shouldn't be such a strong divide between good and evil, because this isn't a comedy dealing with light subjects. If you're tackling a serious topic, do it professionally. Given that it wasn't done professionally, this will remain just another soap opera that isn't close to being a drama. As long as mistresses, drug lords, corrupt policemen, and exaggerated scenes persist, Latin series will never be taken seriously.

... having its own Spanish-soap dumb-charm, with quite a few stupid happenings... like putting a brick in a ziplock-bag weighing-down a couple items thrown into a river, when items on their own would be impossible floating

... everyone-characters overacting more than not can wear viewers down... just watch without overthinking and it becomes less-annoying more-watchable... every actor filling their parts pretty well... one stands out that without him this production would not have succeeded much at all... Alberto Guerra as the hated villain Charro... he alone is worth viewing-time, making most of each-every evil-minute onscreen

... ending as-if there's another season coming... bet many of those giving poor ratings will be watching again, it's that guilty-pleasure-allure.

Whoever says this show is any good, must have a personal interest in it. There is nothing, and let me be crystal clear, N-O-T-H-I-N-G believable than can be rescued out of this series. Shame on Netflix for trying to sell this POS as a drama series, when it's nothing more than a Mexican Telenovela with underperforming actors, characters out of a comic book, that quickly becomes a comedy. Think of a cliche? This series has it. It's so predictable that even if you only had one functional brain cell you could predict what will happen after the first episode.

The writer (Padron) has done nothing else in his career other than writing mediocre telenovelas, why would you expect any different? Don't waste your time and most importantly don't waste your money. You can watch garbage like this every day for free on Televisa, Telemundo or Univisión. No subscription necessary.