Quando seu inimigo maligno ressurge após 16 anos, um grupo de ex-revolucionários se reúne para resgatar a filha de um dos seus.Quando seu inimigo maligno ressurge após 16 anos, um grupo de ex-revolucionários se reúne para resgatar a filha de um dos seus.Quando seu inimigo maligno ressurge após 16 anos, um grupo de ex-revolucionários se reúne para resgatar a filha de um dos seus.
- Direção
- Roteiristas
- Estrelas
- Prêmios
- 5 vitórias e 35 indicações no total
Dijon Duenas
- Talleyrand
- (as Dijon)
Brooklyn Demme
- Sober Rick
- (as Brooklyn Trueheart Demme)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
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Resumo
Reviewers say 'One Battle After Another' is a groundbreaking cinematic experience that pushes boundaries and challenges conventions. Many praise the film for its daring and relevant themes, exceptional performances, and unique blend of political intrigue, thrilling action, and dark comedy. The standout performances by the cast, including Leonardo DiCaprio, Teyana Taylor, Sean Penn, and Benicio del Toro, have been particularly highlighted for their depth and emotional impact. Reviewers also commend the film's exceptional technical execution, including its cinematography, soundtrack, and innovative use of VistaVision. While some users noted the film's unconventional tone and pacing, most agree that it pays off in the second half, culminating in a gripping and memorable finale. Overall, reviewers celebrate ‘One Battle After Another’ for its artistic vision, technical prowess, and thought-provoking storytelling, making it a standout film of 2025.
Avaliações em destaque
very good
Would recommend:) entertaining, might be one of the best movies I've seen in this year.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
The Art of Acting, The Folly of Politics
Paul Thomas Anderson's One Battle After Another is a film that wants to be epic but ends up didactic. There's no denying its technical accomplishments: the cinematography is vivid, almost painterly at times, and Leonardo DiCaprio and Sean Penn deliver performances that are magnetic, commanding your attention even when the story falters.
And falter it does. The film's ambition - to comment on political extremism - is undercut by its simplistic moral universe. One side of the conflict is portrayed as entirely evil, with no redeeming qualities or relatability. Every action they take is chaotic, violent, or manipulative, leaving the audience with no one to sympathize with on that side. This lack of nuance turns the movie from a story into a political lecture, making it feel less like cinema and more like ideological instruction.
In a moment when America feels more divided than ever, the timing of such a film is jarring. Its portrayal of chaos and extremism is so stark that it risks being taken too seriously by audiences at either extreme, rather than prompting reflection. More troublingly, it underscores how out of touch Hollywood can be with most Americans, presenting a world of ideological extremes that few viewers would recognize in real life.
Still, the film isn't without merit. Anderson's eye for detail, his visual inventiveness, and the sheer force of DiCaprio and Penn's performances make it watchable even when it preaches. But for a director capable of deep, character-driven storytelling, this attempt at political commentary feels like a missed opportunity.
And falter it does. The film's ambition - to comment on political extremism - is undercut by its simplistic moral universe. One side of the conflict is portrayed as entirely evil, with no redeeming qualities or relatability. Every action they take is chaotic, violent, or manipulative, leaving the audience with no one to sympathize with on that side. This lack of nuance turns the movie from a story into a political lecture, making it feel less like cinema and more like ideological instruction.
In a moment when America feels more divided than ever, the timing of such a film is jarring. Its portrayal of chaos and extremism is so stark that it risks being taken too seriously by audiences at either extreme, rather than prompting reflection. More troublingly, it underscores how out of touch Hollywood can be with most Americans, presenting a world of ideological extremes that few viewers would recognize in real life.
Still, the film isn't without merit. Anderson's eye for detail, his visual inventiveness, and the sheer force of DiCaprio and Penn's performances make it watchable even when it preaches. But for a director capable of deep, character-driven storytelling, this attempt at political commentary feels like a missed opportunity.
DiCaprio Carried Me Through
Battle after another is a solid film with a lot of strong points. It's generally warm and even has a bit of light raunchiness at the start, yet it keeps you engaged. Leonardo DiCaprio's performance is outstanding-he plays an ordinary guy thrown into tough situations with incredible sincerity and conviction. Benicio Del Toro, though in a smaller role, adds charisma as well. The female characters, unfortunately, feel pretty shallow and lack depth.
The plot is simple but enjoyable, though there are minor logical gaps. The main downside is the antagonists: some feel too overpowered, while others seem weak, and the motives of many minor villains remain unclear. At times, their actions come off as clichéd, which slightly reduces the dramatic tension.
Overall, the film works really well-it's fresh, engaging, and visually impressive. It reminded me of Fargo, both the film and the series. If you like Leonardo DiCaprio or the Coen brothers, this movie is definitely worth watching.
The plot is simple but enjoyable, though there are minor logical gaps. The main downside is the antagonists: some feel too overpowered, while others seem weak, and the motives of many minor villains remain unclear. At times, their actions come off as clichéd, which slightly reduces the dramatic tension.
Overall, the film works really well-it's fresh, engaging, and visually impressive. It reminded me of Fargo, both the film and the series. If you like Leonardo DiCaprio or the Coen brothers, this movie is definitely worth watching.
I got confused
Yes , during the movie i did kinda get confused in wtf is going on. But the actors in this were top shelf epic. *applause* they made the movie. The script or how they showed this. I really dont know. Maybe thats what the movie did, made us think. But i do have to say, the ending was a great one.
Its worth watchin 8/10.
Its worth watchin 8/10.
Over hyped - yes. Excellent movie - also yes
Luckly, I haven't read a word about this movie before watching it. Came fresh and got what I knew I am going to get - a Paul Thomas Anderson's film, with all the elements that are tied to this director's creations. He is not my favorite director, and I'm pretty divided regarding his filmography.
One thing that I can say about Paul Thomas Anderson is that his movies stick. Makes me think and are almost always enjoyable. Well, not all of them. There are "Inherent Vice" that made me suffer and also "The Master" I didn't like. And yes, Paul Thomas Anderson's films are always long.
This one is also a long one and not necessarily needed to be that long, but it is one of those things I can live with, because this time his movie is absolutely great. It is not great like the movie critics say it is. It's not perfect and sometimes it feels too stuffed with allegories and subjects that Paul Thomas Anderson tried to get inside, but other then all of those...yeah...it's that good.
It is like America's political atmosphere started to use drugs, from both kinds. Downers and uppers. There are two main characters that are performed by Leonardo DiCaprio and Sean Penn and are representing each one of drugs types. One is pumped and violent and the other is a suspicious stoner, that is sometime very mellow and sometimes paranoic.
Other then that Paul Thomas Anderson talks about America, about treatment to foreigners and especially those who tries to blend in America. He speaks about the fact we all belong to places, culture and personal identity we get from our family and our close (and also not that close) environment.
Everything Paul Thomas Anderson does in this movie is fabulous. Camera work is sensational, the musical score is almost perfect and stressful, and the final car chase scene is one of the best thing I've seen in any movie lately. The best part, off course, will be the actors choices.
What more can we say about Leonardo DiCaprio and his performances? Nothing else. All was already been told. He is perfect. Give him another Oscar. Sean Penn is absolutely terrifying in one of his best performances of latest years. Benicio Del Toro maintained his acting vibe from 'The Phoenician Scheme' and young Chase Infiniti stole everyone's thunder.
This movie gets the jog done. It is interesting, well made and acted and especially very unique, though also very stuffed. I am so happy I managed to enjoy this one without caving into the hype machine around the web. Is stood by itself and made my experience just great and it is another one by PTA that I will remember as one of the better ones.
One thing that I can say about Paul Thomas Anderson is that his movies stick. Makes me think and are almost always enjoyable. Well, not all of them. There are "Inherent Vice" that made me suffer and also "The Master" I didn't like. And yes, Paul Thomas Anderson's films are always long.
This one is also a long one and not necessarily needed to be that long, but it is one of those things I can live with, because this time his movie is absolutely great. It is not great like the movie critics say it is. It's not perfect and sometimes it feels too stuffed with allegories and subjects that Paul Thomas Anderson tried to get inside, but other then all of those...yeah...it's that good.
It is like America's political atmosphere started to use drugs, from both kinds. Downers and uppers. There are two main characters that are performed by Leonardo DiCaprio and Sean Penn and are representing each one of drugs types. One is pumped and violent and the other is a suspicious stoner, that is sometime very mellow and sometimes paranoic.
Other then that Paul Thomas Anderson talks about America, about treatment to foreigners and especially those who tries to blend in America. He speaks about the fact we all belong to places, culture and personal identity we get from our family and our close (and also not that close) environment.
Everything Paul Thomas Anderson does in this movie is fabulous. Camera work is sensational, the musical score is almost perfect and stressful, and the final car chase scene is one of the best thing I've seen in any movie lately. The best part, off course, will be the actors choices.
What more can we say about Leonardo DiCaprio and his performances? Nothing else. All was already been told. He is perfect. Give him another Oscar. Sean Penn is absolutely terrifying in one of his best performances of latest years. Benicio Del Toro maintained his acting vibe from 'The Phoenician Scheme' and young Chase Infiniti stole everyone's thunder.
This movie gets the jog done. It is interesting, well made and acted and especially very unique, though also very stuffed. I am so happy I managed to enjoy this one without caving into the hype machine around the web. Is stood by itself and made my experience just great and it is another one by PTA that I will remember as one of the better ones.
The Big List of Fall Movies 2025
The Big List of Fall Movies 2025
See a full list of all the movies coming to theaters this fall.
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Você sabia?
- Curiosidades"Green Acres, Beverly Hillbillies, Hooterville Junction" are lyrics from Gil Scott-Heron's song "The Revolution Will Not Be Televised," which is heard in the film. Each is a reference to a popular 1960s TV series, Hooterville being the fictional community in O Fazendeiro do Asfalto (1965) and Petticoat Junction (1963).
- Erros de gravaçãoBob keeps a 1G phone for security purposes. 1G networks were all phased out in the US in the early 2000s. The phones would not work in any era that also had iPhones.
- Citações
Col. Steven J. Lockjaw: I believe she was a sperm thief.
Sandy Irvine: A semen demon.
- Cenas durante ou pós-créditosAt the end of the credits there is a dedication to producer and assistant director Adam Somner with a photo and sound from a set.
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Una batalla tras otra
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 130.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.612.905
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.000.387
- 28 de set. de 2025
- Faturamento bruto mundial
- US$ 202.212.905
- Tempo de duração
- 2 h 41 min(161 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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