O Crepúsculo do Pé Grande

Been looking forward to this for a while!

Definitely one of the most unique and among the most wierdest films i have ever watched in my life. And the wierd thing is that i can't describe it if its good (and actually in some ways artistic), serious or more like a parody comedy.

It's extremely well acted, must have been very difficult to act like this, but at the same time some scenes is way too much and makes it look like a parody. In some ways its primitive realistic and humorous as a follow up. The masks and make up is very well made.

I think its the first film ive watched where theres no spoken dialogue which makes is more realistic.

Filming is definitely very good.

Something uou havent ever seen before. Brings the concept of the mysterious Big Foots, to a whole new perspective and meaning.

It definitely has something i like, but more difficult to explain what it is.

Its not good, but it isn't bad.

It's possible to see "Sasquatch Sunset" at an almost anthropological level, with four humanoid creatures in a series of scenes with them eating, fornicating, walking, defecating, sleeping, etc. That could be boring.

But start with the early scene of two of them chewing on grasses in an alpine meadow-- and think of it as breakfast. This is the start of their day. After that you're watching what their daily life is like, and it is familiar. Soon an interstitial title appears, "Spring," and the time scale has opened to a year. Eventually, you stop thinking about the timeline and start thinking about the fragility of existence.

There is no backstory, but the quartet is taken to be the last of their species-- and they know it. They have a signal to call for help: banging a fallen branch against a tree trunk in a series of four distinct sounds that echo through the forest. It tells us that they were once part of a clan, and a tribe, members of whom have died in the recent past. Perhaps there were five Sasquatch a year ago, or ten. Every death brings them closer to extinction, and every time their SOS isn't answered, it's a reminder that they are alone.

The movie is brilliantly structured, with credible costuming, able performances, and a score that pretty successfully mixes folk and New Age-y forms.

But my favorite parts have to do with the glimmers of intelligence and progress. We see nascent engineering skills when a log traps one of them. One member has the urge to count things, but without numbers he has trouble keeping track past two or three. At one point he holds a fossil or rock that petrified into rows of ripples, interrupted in the middle by a dark horizontal flaw. He begins counting down from the flaw, struggling to find a way to keep track, and you realize that someday he may notice there are ripples both above and below the flaw, which will require negative numbers.

But the best scene, by far, is when they happen upon a road in their forest. Do your brain a favor; see the movie.

Granted, I had never heard about this 2024 movie titled "Sasquatch Sunset" prior to sitting down to watch it. So I didn't know what I was in for here, aside from it apparently being a comedy with sasquatches.

Well, this movie wasn't really much of a comedy, and I wasn't brought to any laughs throughout the course of the 88 minutes that the movie ran for. It was, however, a very, very unique movie. I must admit that in my many years of watching movies, then I have never actually experienced anything like what directors David Zellner and Nathan Zellner delivered here. "Sasquatch Sunset" is a movie that will find easily find a liking with everyone in the audience as it is a rather odd and unique movie experience.

You actually come to care for the sasquatches as they trek through the wilderness and you sort of form an attachment to them, basking in their accomplishments and grieving with them in their loss and sadness. And that was a nice accomplishment from writer David Zellner and performers Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek and Nathan Zellner.

I must admit that I actually enjoyed watching "Sasquatch Sunset", because it was not a mainstream movie. And the fact that it wasn't a comedy didn't really matter, because the movie proved to be entertaining nonetheless.

"Sasquatch Sunset" is a visually impressive movie. I really liked the sasquatch designs, because they looked realistic and believable. Well, as realistic and believable as imaginary creatures can get. The costume designs were really good and added a lot of flavor to the movie. But not only was the costume designs good, but the entire way that the movie was shot, with the nature locations and the cinematography, that was quite aesthetic as well, adding great layers to the overall impression of the movie.

And in all my years of watching movies, I never thought I would ever see sasquatches fornicate, defecate and urinate on the screen. But here it is, in all its natural glory.

The movie only has four names on the cast list, and with Jesse Eisenberg being the only familiar name. I will say, though, that the acting performances in the movie were good, despite there being no dialogue.

If you enjoy movies that deviate from the norm and from the mainstream cinema, then you definitely should take the time to sit down and watch "Sasquatch Sunset". I was genuinely entertained throughout the course of the entire movie.

My rating of "Sasquatch Sunset" lands on a six out of ten stars.

Well, I didn't actually knew what to expect, but in the end it was a quite entertaining experience.

The Zellner brothers introduced the movie to the audience at the Berlinale and said it probably is the weirdest Sasquatch movie. It is.

While some scenes are excessively obscene, we had some good laughs over the blunt portrayal of this family living in the woods. You will probably say WTF a dozen times. I understand that some people walked out of the theater. However, in my opinion, the movie manages to balance obscenity, humor and drama quite good.

Personally, I was pleasantly surprised how much story one can tell without using a single spoken word, and with only little facial expression. I believe the actors tried their best, but one could see that the costumes limited overall movement and expressions.

I would probably not pay 15 bucks again to watch the movie in a theater, but it wasn't too bad after all. A solid 7/10.

Sasquatch Sunset starts off as a laugh riot. For the first hour, the Zellner brothers deliver a surprisingly hilarious portrayal of a Sasquatch family navigating the trials and tribulations of...well, Sasquatch life. From their hilariously primal attempts at courtship to their unrefined digestive habits, the film finds humor in the unexpected, and anyone with a decent sense of humor will find themselves snorting with laughter.

Then, the sun inexplicably sets on the comedy. The light-hearted mood takes a sharp turn in the second half, venturing into surprisingly serious territory. Themes of life, death, and the struggle for survival come crashing in, leaving the audience with a gut punch where there were once guffaws. Here's the problem: the tonal shift feels unearned. Sasquatch Sunset spends so much time establishing itself as an absurdist comedy that the sudden seriousness feels jarring, like two entirely different movies stitched together.

It's a shame. The first hour is pure comedic gold, and the Zellner brothers deserve credit for their audacious premise. But the jarring shift into somber territory leaves the viewer feeling cheated. It's like being promised a cupcake and then getting served a bowl of lukewarm broccoli instead. If you're looking for a laugh-out-loud comedy, you'll have a blast with the first half of Sasquatch Sunset. Just be prepared for the unexpected emotional downpour in the final act.