O corpo de uma mulher é descoberto. Ela foi brutalmente assassinada durante a noite. A policial veterana Pamela acredita que somente um homem poderia ter feito isso.O corpo de uma mulher é descoberto. Ela foi brutalmente assassinada durante a noite. A policial veterana Pamela acredita que somente um homem poderia ter feito isso.O corpo de uma mulher é descoberto. Ela foi brutalmente assassinada durante a noite. A policial veterana Pamela acredita que somente um homem poderia ter feito isso.
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This series sets out two stories that overlap:
The first being a gruesome murder. Who done it?
The second being a ludicrous idea of locking all men up from 7pm to 7am everynight whilst being monitered by an ankle tag.
Good acting and well filmed. However I do find some of the accents very harsh and grinding, whilst they murder the english language.
Obviously giving men ankle tags and locking them inside at night would not work in a democratic society such as the UK, however there are so many other reasons why this would never work and I think the series shows this.
I like programs like this that are thought provoking, before the mad politicians and fanatics come up with the idea.
One thing that I think would have been good and helpful is to highlight the abuse and murder statistics at the start of each episode. I personally have no idea.
Yes sadly there is a portion of men that need to be improsoned, monitered and watched, but I hope there are decent men walking our streets. I know a few. So in a civilised society this would not work, however this issue of violence against any innocent cannot be ignored.
Back to the drawing board!
The first being a gruesome murder. Who done it?
The second being a ludicrous idea of locking all men up from 7pm to 7am everynight whilst being monitered by an ankle tag.
Good acting and well filmed. However I do find some of the accents very harsh and grinding, whilst they murder the english language.
Obviously giving men ankle tags and locking them inside at night would not work in a democratic society such as the UK, however there are so many other reasons why this would never work and I think the series shows this.
I like programs like this that are thought provoking, before the mad politicians and fanatics come up with the idea.
One thing that I think would have been good and helpful is to highlight the abuse and murder statistics at the start of each episode. I personally have no idea.
Yes sadly there is a portion of men that need to be improsoned, monitered and watched, but I hope there are decent men walking our streets. I know a few. So in a civilised society this would not work, however this issue of violence against any innocent cannot be ignored.
Back to the drawing board!
I enjoyed curfew, near future dystopia is one of my favourite genres. I often wish they spent more time showing us the world and it's wider implications than dumping it all out in exposition and dialogue, and I felt Curfew did a decent job of world building. It also had some really gorgeous messages about masculinity that I felt were delivered sincerely.
Positives - Acting was great nice to see Mandip Gill as I liked her in Doctor Who.
Interesting way of telling the story with twists but not to hard to follow.
At first I though the show was presenting a curfew as the solution to violence against women, and by the end the message is a bit more nuanced.
Negatives - It's really hard to build to a satisfying pay off in detective shows and this one doesn't quite reach it.
The very last moments of the series seem a bit rushes.
Apart from one sentence the implication of a curfew for trans and non-binary people was not explored.
I really hope there is a second season. Women who date women would enjoy a new privilege under curfew, which I would love to see explored, as well as how women who are violent and abusive could gain more power from curfew. I would also like to explore the idea, that the show touches on, that if we only see violence as happening after dark and in the streets, do we ignore it in other areas?
Positives - Acting was great nice to see Mandip Gill as I liked her in Doctor Who.
Interesting way of telling the story with twists but not to hard to follow.
At first I though the show was presenting a curfew as the solution to violence against women, and by the end the message is a bit more nuanced.
Negatives - It's really hard to build to a satisfying pay off in detective shows and this one doesn't quite reach it.
The very last moments of the series seem a bit rushes.
Apart from one sentence the implication of a curfew for trans and non-binary people was not explored.
I really hope there is a second season. Women who date women would enjoy a new privilege under curfew, which I would love to see explored, as well as how women who are violent and abusive could gain more power from curfew. I would also like to explore the idea, that the show touches on, that if we only see violence as happening after dark and in the streets, do we ignore it in other areas?
Watching the 2024 TV show Curfew, what I experienced instead was a slow-moving storyline that took its time to build momentum, which was disappointing. More significantly, though, the show seemed to embody a troubling trend that has become all too common in contemporary media: the demonization of men. This portrayal, one that I found deeply offensive, points to a broader problem in modern storytelling, where gender politics increasingly shape the portrayal of characters in an unbalanced and often harmful way.
Curfew starts with a slow, methodical approach, setting up a world where the government has imposed a curfew, ostensibly to protect women from "evil" men, which is all men (of course). While the world-building is intriguing, the show quickly becomes bogged down in its own political and social commentary. As the story unfolds, it becomes clear that the male characters in the series are painted with broad, negative strokes, a symptom of the growing trend in media that seeks to marginalize or villainize men in a misguided attempt to uplift women.
In Curfew, many of the male characters are portrayed as either villains, buffoons, or otherwise morally compromised individuals. They are often impulsive, aggressive, or driven by selfish desires, while the women are presented as morally superior, more competent, and more compassionate. The contrast is stark and, frankly, unrealistic.
In particular, the male characters seem to be used as narrative tools to highlight the strength and virtue of the women around them. It reinforces divisive stereotypes, perpetuating a zero-sum game where one gender must be diminished for the other to shine.
What's more concerning is that this misandrous undercurrent is symptomatic of a broader cultural shift in media. Many modern shows and films seem preoccupied with deconstructing traditional notions of masculinity, often presenting men as toxic, oppressive, or inherently flawed. This not only harms male representation but also limits the depth of female characters, who are often written as flawless, infallible, or unrealistically perfect.
This trend has real-world implications. Media, especially in the form of television and film, plays a crucial role in shaping cultural attitudes. When shows like Curfew repeatedly present men in negative, one-dimensional roles, they contribute to a skewed understanding of gender dynamics. The idea that men must be either the oppressor or the fool seeps into our collective consciousness, reinforcing harmful gender binaries and sowing division. It also alienates male viewers who feel that they are not represented fairly or sympathetically on screen.
In addition to its slow pace, Curfew ultimately suffers from a lack of balance in its gender portrayals. The overemphasis on portraying men as antagonists detracts from what could have been a more compelling exploration of its dystopian world.
If you're a self respecting man, avoid this (in my opinion)
Curfew starts with a slow, methodical approach, setting up a world where the government has imposed a curfew, ostensibly to protect women from "evil" men, which is all men (of course). While the world-building is intriguing, the show quickly becomes bogged down in its own political and social commentary. As the story unfolds, it becomes clear that the male characters in the series are painted with broad, negative strokes, a symptom of the growing trend in media that seeks to marginalize or villainize men in a misguided attempt to uplift women.
In Curfew, many of the male characters are portrayed as either villains, buffoons, or otherwise morally compromised individuals. They are often impulsive, aggressive, or driven by selfish desires, while the women are presented as morally superior, more competent, and more compassionate. The contrast is stark and, frankly, unrealistic.
In particular, the male characters seem to be used as narrative tools to highlight the strength and virtue of the women around them. It reinforces divisive stereotypes, perpetuating a zero-sum game where one gender must be diminished for the other to shine.
What's more concerning is that this misandrous undercurrent is symptomatic of a broader cultural shift in media. Many modern shows and films seem preoccupied with deconstructing traditional notions of masculinity, often presenting men as toxic, oppressive, or inherently flawed. This not only harms male representation but also limits the depth of female characters, who are often written as flawless, infallible, or unrealistically perfect.
This trend has real-world implications. Media, especially in the form of television and film, plays a crucial role in shaping cultural attitudes. When shows like Curfew repeatedly present men in negative, one-dimensional roles, they contribute to a skewed understanding of gender dynamics. The idea that men must be either the oppressor or the fool seeps into our collective consciousness, reinforcing harmful gender binaries and sowing division. It also alienates male viewers who feel that they are not represented fairly or sympathetically on screen.
In addition to its slow pace, Curfew ultimately suffers from a lack of balance in its gender portrayals. The overemphasis on portraying men as antagonists detracts from what could have been a more compelling exploration of its dystopian world.
If you're a self respecting man, avoid this (in my opinion)
This is a good drama with interesting themes being explored.
Its suspicious to me that the bad reviews focus simply on accusing this of being man hating. It brings up themes around violence on women and what could be done to improve this. It also turns some views back around to men, perhaps to get them to think about the learned culture they have been brough up in.
If its not obvious it is a work of fiction and of course could not really happen in real life...........!
As a murder mystery its alright - but its the rest of it that is the bigger message. The last ep is well paced with a suitable conclusion.
Its suspicious to me that the bad reviews focus simply on accusing this of being man hating. It brings up themes around violence on women and what could be done to improve this. It also turns some views back around to men, perhaps to get them to think about the learned culture they have been brough up in.
If its not obvious it is a work of fiction and of course could not really happen in real life...........!
As a murder mystery its alright - but its the rest of it that is the bigger message. The last ep is well paced with a suitable conclusion.
I'm really open minded, but this show didn't make much sense to me. I only gave it a try because I like Sarah Parish, but I couldn't get past two episodes. It felt like it was made for people who don't like men at all, and there was so much misandry in it. Femcels would probably enjoy it. I don't know why they decided to create a show like this. Sarah talents could have been used elsewhere. Pure nonsense. If you think millions of men would allow this is laughable. I don't know why any man signed up to be in this show. Also, I didn't understand why they made Sarah's character so masculine when she was clearly attracted to men.
Você sabia?
- CuriosidadesIn episode 4, around 20mins in, when James video calls Billy, he brings up some pictures of Helen's social media. One picture can be seen of Helen with another lady. This is Alexandra Burke's real life sister, Sheneice Burke.
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