AVALIAÇÃO DA IMDb
5,7/10
13 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.A down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.A down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.
- Direção
- Roteiristas
- Artistas
Michael J. Knowles
- Drake Diamond
- (as Michael Knowles)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I lean conservative, I'd like to think too that I'm a realist. This movie, realistically does not deserve the high ratings.
The acting, on the whole, is just a titch above high school play level. The story was low IQ level. The jokes not fresh or funny. The pace veeeery slow.
Camera and cinematography was perhaps the best part of the movie.
I just did not find this entertaining.
The whole thing kinda reminds me of when a bunch of guys get together and laugh at farts or when one of their buddies accidently hurts themselves.
Moronic. Boring. Idiotic. Slow.
But then again I'm not a guy, or stuck in high school brain zone.
The acting, on the whole, is just a titch above high school play level. The story was low IQ level. The jokes not fresh or funny. The pace veeeery slow.
Camera and cinematography was perhaps the best part of the movie.
I just did not find this entertaining.
The whole thing kinda reminds me of when a bunch of guys get together and laugh at farts or when one of their buddies accidently hurts themselves.
Moronic. Boring. Idiotic. Slow.
But then again I'm not a guy, or stuck in high school brain zone.
Watched this and was entertained, but it's not great movie by any means. I do not think that the Daily Wire has hit the mark with this film. They're always talking about Politics being downstream of Culture and that their hoping to get involved with the culture and change it. This film has too much over politicization to be smartly funny and effect the Culture.
I enjoyed it once and will probably never watch it again. I would not say it was especially funny and I think this movie is really just for conservatives.
Like Matt Walsh's "kids" book I think it overall is a missed opportunity of doing something that could have wider cultural weight.
I enjoyed it once and will probably never watch it again. I would not say it was especially funny and I think this movie is really just for conservatives.
Like Matt Walsh's "kids" book I think it overall is a missed opportunity of doing something that could have wider cultural weight.
DW promised a goofy, early 2000s comedy with a message and I believe, overall, in landed. I enjoyed it and laughed at the slapstick goofiness and appreciated the meaningful bits. I can see and understand where it fails a little too.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
"Lady Ballers" was a film I approached with some anticipation, given its intriguing premise. However, I found it to be disappointingly shallow and pedantic. The acting across the board was underwhelming, contributing to the film's overall lack of depth and engagement.
A critical drawback of the movie was its humor, or the lack thereof. The jokes felt forced and failed to elicit the intended laughter, detracting from the viewing experience. This issue could partly be attributed to the script, which seemed to need more refinement. The potential for a successful comedy was there, but it required a sharper and more experienced comedic writer to bring it to life.
The film appeared to serve more as a vehicle for promoting Jeremy Boreing's businesses than as a piece of entertainment. This focus undermined the story's authenticity and the characters' relatability.
Tyler Fischer's presence in the film was a lone bright spot. His natural comedic talent shone through, despite the limitations of his role. Fischer's performance gives me hope for his future projects, as he clearly has the potential to excel with better material.
In conclusion, "Lady Ballers" misses the mark in several key areas, making it a less than satisfying watch. The concept was promising but was let down by lackluster execution and a script in need of a few more rewrites. It's a 4 out of 10 for me, primarily saved from a lower score by Fischer's brief moments of comedic relief.
A critical drawback of the movie was its humor, or the lack thereof. The jokes felt forced and failed to elicit the intended laughter, detracting from the viewing experience. This issue could partly be attributed to the script, which seemed to need more refinement. The potential for a successful comedy was there, but it required a sharper and more experienced comedic writer to bring it to life.
The film appeared to serve more as a vehicle for promoting Jeremy Boreing's businesses than as a piece of entertainment. This focus undermined the story's authenticity and the characters' relatability.
Tyler Fischer's presence in the film was a lone bright spot. His natural comedic talent shone through, despite the limitations of his role. Fischer's performance gives me hope for his future projects, as he clearly has the potential to excel with better material.
In conclusion, "Lady Ballers" misses the mark in several key areas, making it a less than satisfying watch. The concept was promising but was let down by lackluster execution and a script in need of a few more rewrites. It's a 4 out of 10 for me, primarily saved from a lower score by Fischer's brief moments of comedic relief.
Ladyballers exceeded expectations. I expected a very pointed message with some weak comedy and production flaws.
The Daily Wire probably can't get many Hollywood actors onto a project b/c the actors would be afraid of backlash, even if the film had no political leanings--but still, they managed to find some good talent. Jeremy Boreing and Billie Rae Brandt both have star-quality. Fischer and Cone also great, but really the whole team worked. I was looking for weak links in the cast and didn't find any.
The cameos were okay, not bad. The best being B. Cooper and M. Knowles as the news anchors. Their arc was hilarious and their delivery was perfect. And quite fearless with the costumes, I love that.
The humor landed pretty well, some parts better than others. Most comedies are like this. I didn't find the "how much" guy very funny. I loved the badger stuff, that made me laugh pretty hard. I also enjoyed all the shots they're taking at the journalist class. That's long overdue. The Jeremy's razor commercial in the middle of the movie was very funny, pulled off in just the right way.
And obviously the satire's message is spot on. Everybody knows these things are true, everybody knows the emperor is naked, but everyone's afraid to speak up.
Satire isn't just preaching. There are definitely some preachy moments in the movie (and I didn't mind them probably b/c I agree with the sentiments), but this still works as satire b/c the ideas are embodied well by the story on the whole.
It also had better production value than I was expecting. They definitely dropped some money on all the extras in the last game. The score/soundtrack was a highlight, very good music, which is important. The tone was consistent. The cinematic elements were all competent. Lighting was good. I'm not a fan of the murky "realistic" lighting movies are obsessed with now. Just make it look good.
And the end delivered. It was perfect to see the lady ballers get their comeuppance and get a taste of their own medicine. I loved how they worked in the coach giving "inspirational" speech trope and played with it in various ways.
And I liked how genuinely heartwarming the ending was with the little girls team. The old comedies usually try to pull some heart-strings in the end and typically fail, but here it definitely worked. The father-daughter relationship was very lovely.
I expected a movie I would be a little amused with and probably have to endure, but we ended up enjoying it thoroughly and we didn't interrupt watching it once.
I'd give the humor a B+. The heart/feeling an A-.
And the satire an A.
The Daily Wire probably can't get many Hollywood actors onto a project b/c the actors would be afraid of backlash, even if the film had no political leanings--but still, they managed to find some good talent. Jeremy Boreing and Billie Rae Brandt both have star-quality. Fischer and Cone also great, but really the whole team worked. I was looking for weak links in the cast and didn't find any.
The cameos were okay, not bad. The best being B. Cooper and M. Knowles as the news anchors. Their arc was hilarious and their delivery was perfect. And quite fearless with the costumes, I love that.
The humor landed pretty well, some parts better than others. Most comedies are like this. I didn't find the "how much" guy very funny. I loved the badger stuff, that made me laugh pretty hard. I also enjoyed all the shots they're taking at the journalist class. That's long overdue. The Jeremy's razor commercial in the middle of the movie was very funny, pulled off in just the right way.
And obviously the satire's message is spot on. Everybody knows these things are true, everybody knows the emperor is naked, but everyone's afraid to speak up.
Satire isn't just preaching. There are definitely some preachy moments in the movie (and I didn't mind them probably b/c I agree with the sentiments), but this still works as satire b/c the ideas are embodied well by the story on the whole.
It also had better production value than I was expecting. They definitely dropped some money on all the extras in the last game. The score/soundtrack was a highlight, very good music, which is important. The tone was consistent. The cinematic elements were all competent. Lighting was good. I'm not a fan of the murky "realistic" lighting movies are obsessed with now. Just make it look good.
And the end delivered. It was perfect to see the lady ballers get their comeuppance and get a taste of their own medicine. I loved how they worked in the coach giving "inspirational" speech trope and played with it in various ways.
And I liked how genuinely heartwarming the ending was with the little girls team. The old comedies usually try to pull some heart-strings in the end and typically fail, but here it definitely worked. The father-daughter relationship was very lovely.
I expected a movie I would be a little amused with and probably have to endure, but we ended up enjoying it thoroughly and we didn't interrupt watching it once.
I'd give the humor a B+. The heart/feeling an A-.
And the satire an A.
Você sabia?
- CuriosidadesThis is the first "comedy" made and produced by the Daily Wire.
- Erros de gravaçãoCoach Bob Gibson enters his home at night only to be surprised by the journalist, Billie Rae Brandt, who broke into Bob's home. She is sitting in a chair waiting for him. As they talk, a small sign hangs on the wall next to the front door, behind the coach's head. When the scene transitions away from the front door to the room's interior, the sign disappears.
- Citações
Gwen Wilde: I'm a journalist. I literally can't be shamed.
- Trilhas sonorasIt Ain't Over
Written by Will Boreing & Lindsay Boreing
Performed by Will Boreing
By arrangement with William Boreing
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Coach Miracle
- Locações de filme
- Nashville, Tennessee, EUA(Nashville Municipal Auditorium)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Tempo de duração
- 1 h 52 min(112 min)
- Cor
- Proporção
- 2:1
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