Penelope

I am male and getting long in the tooth but I enjoyed this series very much. Other reviewers have focused upon whether it is realistic or not - this question did not intrude on my enjoyment.

Firstly, it is thoughtful and beautiful to look at. It takes some nerve these days to offer a slow narrative but this is all the better for it. There are a lot of things left unsaid which is a joy when most series these days spoonfeed the audience. We never truly know why Penelope heads off - she does not know why herself. But whatever is driving her is something we can probably all relate to - wanting a place to belong. The script is meagre but Megan Stott is very believable and does a great job. The directing, music and pace of the series are all excellent and I was pleased that there is much left unresolved at the end to me, this seems very realistic.

First episode they lay out the background for Penelope to embark on her adventure. Many reviewers are taking a shallow look at the premise and assuming she is just running away for no reason. It is made somewhat clear in episode one and more so in subsequent episodes that she is having a crisis of meaning. She is looking at her life and seeing nothing there or at the very least feeling like she is missing something and, right or wrong, running away and entering nature is her answer to that.

Now the unrealistic... By analyzing her actions from episode two it's pretty clear she would have been dead by day four. That said I'm somewhat familiar with what to do in the woods and I don't believe I'm particularly the target audience. There are multiple more actions in subsequent episodes that definitely would have had her dead or in a very bad way all of which is ignoring the fantastical bits where she makes a forest friend, but like I said, maybe I'm not exactly the target audience.

Even though it for sure does not stand up on realism it has a good message and worth the watch, even if I wasn't particularly happy with the ending.

I have so much to say about Penelope, but I don't know where to begin. I can say I cried through so much of it. It felt as if it was written for specific souls scattered amongst the Earth. Not all will truly grasp its depth and beauty nor understand its message. It's something that inherently speaks to a certain heart. It is quiet and tender and loud in the moments it needs to be.

I cried because I was this girl, so long ago...or I wanted to be her. The extremely deep connection to nature, feeling broken/damaged, the story of inherited trauma, the longing to find peace out West amongst the giant redwoods and sprawled ferns and snowcapped mountains. I cried because a few years ago I became disabled, and what used to heal my depression and PTSD, is no longer accessible. The desperate need to get both lost and found in the tunes of the wind and trees...the earth and sun. To heal the shattered pieces of not just me, but the addicted pain of my mother, the abuse of her mother and the suffering that goes back so so far - yet is still so harsh and loud that I can hear the screams of them in my heart and nightmares.

This show is so embedded in my daydreams and hopes and losses that I had to keep pausing it as the sobbing caused my throat to spasm in pain. But even in those moments, I found healing. I had flashbacks of all my moments in the forests and waterfalls and bare feet in cold streams. The moments of sunlit beams and soft moss and the whisper of the leaves. The show captures these things so beautifully.

An understanding of what I need to do now, crept over me as I the show began to end. I need to heal all the pain my mother and her ancestors and my own inner child and adult self have felt. I have to heal it for all of us so that we may all finally find peace. I'll never be a parent, but I hope that with each moment I can render aid to each neuron and atom and speck of stardust - to the point that my life will have been well-lived and the joy of that will scatter to the Universe.

I'll find my way to the trees again. And if I'm lucky, a little more self-love.

That's a realistic and unrealistic at the same time show, beautifully made series with new concepts, fresh plots and mesmerizing acting by the gentle lead who looks a little older than sixteen though. It's a little messy on the vibe and flow, could have been 40 minutes long per episode and with a little more drama and down-to-earth happenings instead of the near constant ethereal flow.

Nevertheless, a cute and fresh approach to youth and freedom and let's hope there would be a second season.

• Screenplay/storyline/plots: 6
• Production value/impact: 7.5
• Development: 7.5
• Realism: 7.5
• Entertainment: 7
• Acting: 7.5
• Filming/photography/cinematography: 8.5
• VFX: 8.5
• Music/score/sound: 8
• Depth: 7
• Logic: 3
• Flow: 7
• Drama/teen drama: 6.5
• Ending: 6.5.

Bottom line, if you cannot remember which specific Y2K bash you attended -- because technically you did not yet exist in 1999 -- then this series may possibly be your cup of tea. The PR package, and the very short duration of each episode, make it crystal clear that this series is intended for tweens. Adults watch entirely at their own risk. The episodes are highly targeted for the less cynically minded. In E01, a young teen packs a survival bag and heads for the woods. With no proper explanation. She is not kidding. Nor are the writers. With no prior skils or experience, she plans to sort it all out only once she is right in the thick of things. Luckily for her, everything that happens from that point forward would not be out of place in a Disney series from the 1960s. Kindly strangers appear with gifts, and impart know-how. Forest creatures befriend her. A wandering group of boys, who at first appear sinister, turn out to be Bible students. Turns out that living in the wild is as easy as falling off a log. Literally. Any viewer with an ounce of real-life-exerpience will find Penelope's adventures remarkably naive. Younger viewers however may be entranced. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))