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IMDbPro

Führer und Verführer

  • 2024
  • 2 h 15 min
AVALIAÇÃO DA IMDb
6,7/10
2,7 mil
SUA AVALIAÇÃO
Fritz Karl and Robert Stadlober in Führer und Verführer (2024)
Follows Nazi propaganda Minister Joseph Goebbels' efforts to maintain public support after Stalingrad defeat. Depicts his final days in Hitler's bunker, where he orchestrates murder of his children before committing suicide with his wife.
Reproduzir trailer2:11
1 vídeo
49 fotos
BiographyDramaHistoryWar

O ministro da propaganda nazista, Joseph Goebbels, está encarregado de criar apoio público para o Holocausto e para a guerra que Hitler está prestes a iniciar.O ministro da propaganda nazista, Joseph Goebbels, está encarregado de criar apoio público para o Holocausto e para a guerra que Hitler está prestes a iniciar.O ministro da propaganda nazista, Joseph Goebbels, está encarregado de criar apoio público para o Holocausto e para a guerra que Hitler está prestes a iniciar.

  • Direção
    • Joachim Lang
  • Roteirista
    • Joachim Lang
  • Artistas
    • Robert Stadlober
    • Fritz Karl
    • Franziska Weisz
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    2,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Joachim Lang
    • Roteirista
      • Joachim Lang
    • Artistas
      • Robert Stadlober
      • Fritz Karl
      • Franziska Weisz
    • 10Avaliações de usuários
    • 27Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos1

    Official Trailer
    Trailer 2:11
    Official Trailer

    Fotos48

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    Elenco principal38

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    Robert Stadlober
    Robert Stadlober
    • Joseph Goebbels
    Fritz Karl
    • Adolf Hitler
    Franziska Weisz
    Franziska Weisz
    • Magda Goebbels
    Dominik Maringer
    Dominik Maringer
    • Werner Naumann
    Moritz Führmann
    Moritz Führmann
    • Karl Hanke
    Till Firit
    • Wolf-Heinrich von Helldorff
    Christoph Franken
    • Veith Harlan
    Michael Glantschnig
    Michael Glantschnig
    • Joachim Gottschalk
    Katia Fellin
    Katia Fellin
    • Lida Baarova
    Oliver Fleischer
    • Hermann Göring
    Martin Bermoser
    • Heinrich Himmler
    Wolfram Rupperti
    • Alfred Rosenberg
    Emanuel Fellmer
    • Joachim von Ribbentrop
    Johannes Rhomberg
    • Otto Dietrich
    Peter Windhofer
    Peter Windhofer
    • Albert Speer
    Sebastian Thiers
    Sebastian Thiers
    • Martin Bormann
    Sascha Göpel
    • Fritz Hippler
    Helene Blechinger
    • Leni Riefenstahl
    • Direção
      • Joachim Lang
    • Roteirista
      • Joachim Lang
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários10

    6,72.7K
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    Avaliações em destaque

    8brandtair

    Showing the system of death from within

    This movie is one of a couple that should be seen in western society after learning the facts of WW2. It in my opinion gives an impression facts alone cannot. It is a light version of the impressions you get walking through the remains of concentrationcamps seeing pictures and video of what happened there.

    It has the systematic side, it shows what propaganda can do and the horrors it hid and twisted. It has been good they showed these horrors. I would say they stayed on the safe side in matter of quantity of horrors shown and time inbetween as to not traumatize the viewers. But still hit them with the image of true evil.

    Those movies I mentioned before should be this, Schindlers list and a movie about Aktion T4.
    7paul_m_haakonsen

    One not to miss...

    I had the opportunity to sit down and watch "Führer und Verführer" (aka "Führer and Seducer"), and I needed no persuasion to watch this movie from writer and director Joachim Lang. If you have but an ounce of historical interest, then this is a movie that you would want to watch.

    Sure, most of us are familiar with the basic events of World War II and the outcome of the war, but writer and director Joachim Lang offers sort of an insight to the machinery behind the man in charge. And it is a rather memorable and impactful insight. While the events and the characters portrayed in the are indeed atrocious and vile, then it is a crucial part of the history of the world, and thus is something we cannot and must not ignore. And on that account alone, "Führer und Verführer" is a movie that dictates it worthy of watching.

    I have to say that I was genuinely entertained throughout the course of the 135 minutes that the movie ran for. Partially because of the storyline, but most certainly also because of some very imposing and impressive performances by the cast.

    Leading actors Robert Stadlober and Fritz Karl, portraying Joseph Goebbels and Adolf Hitler respectively, might be portraying some of the more infamous persons in the history of the world, but they do so in very compelling and impressive ways, very realistic ways I would say. They really carry the movie quite well with their performances and I sincerely hope they get some acknowledgement for their performances in this movie. While Fritz Karl does portray Hitler disturbingly well, it just wasn't as impressive as Bruno Ganz did in the 2004 movie "Der Untergang". Regardless, the entire cast ensemble in this 2024 movie delivered great performances that most definitely brought not only the storyline to life on the screen, but most certainly also the characters they portrayed.

    "Führer und Verführer" is a movie that might not be fitting for just about everyone in the audience, as it is an emotionally strong and moving movie, and the fact that writer and director Joachim Lang included actual footage from World War II makes it all the more hard-hitting, especially since there are some very hard to watch scenes included. But again, just as the movie closes off with saying, "it happened... and it can therefor happen again.", which resonates very true, despite the fact that it is a hauntingly scary sentence.

    I was not prepared for the movie to be as gripping and compelling as it was, but that just made sitting through it all the more of a memorable experience. And thus, this is without a doubt a movie that I will recommend you to sit down and watch.

    My rating of writer and director Joachim Lang's 2024 movie "Führer und Verführer" lands on a seven out of ten stars.
    7GianfrancoSpada

    Leader and Lurer

    The film sets out to offer an ambitious portrait of the Third Reich's propaganda machinery, with a particular focus on Joseph Goebbels. It ventures into dense and complex terrain and, although it does so with seriousness and technical polish, its narrative choices prevent it from reaching the level of depth it seems to aim for. The result is uneven: at times intriguing and powerful, at others distant and disjointed.

    Visually, the atmosphere is impressively rendered. The period reconstruction-costumes, sets, props, lighting-recreates the oppressive mood of 1930s and 1940s Germany with care and effectiveness. The offices of the Propaganda Ministry, the corridors of the Führerbunker, the streets of Berlin under the regime-all of it is constructed with striking precision, producing an environment that feels both real and suffocating. Still, that rigor isn't consistent throughout. There are historical inaccuracies that are hard to ignore, such as the anachronistic use of "Saint Petersburg" instead of "Leningrad," or the omission of well-documented symptoms of Hitler's final days, like the tremor linked to his Parkinson's disease. These details undermine the credibility of a film that leans heavily on its supposed historical accuracy.

    The main cast carries the weight of difficult roles with solid performances. The actor portraying Goebbels offers a restrained, composed interpretation that avoids caricature. His calculated coldness conveys a particularly unsettling kind of fanaticism. The film distances itself from more theatrical portrayals of the figure, and this works in its favor. In contrast, the portrayal of Hitler falls short. The character feels too clean, too subdued; it lacks the madness and physical deterioration one expects to see rendered with more force. The portrayal strips the figure of his most disturbing aspects, weakening his dramatic impact.

    One of the film's most questionable choices is its use of real archival footage. While the images are powerful, their integration into the narrative is clumsy. Instead of enriching the story or adding context, they disrupt the dramatic flow and break the rhythm. The editing fails to fuse fiction and documentary into a unified language; rather, it feels like the two are simply placed side by side, without clear intent. This stylistic indecision-somewhere between documentary, historical drama, and docudrama-undermines the coherence of the entire project.

    The cinematography, while effective overall, suffers at times from a visual coldness. The tight framing and muted tones do reinforce the ideological claustrophobia the story conveys, but some scenes lack expressive lighting that might have added emotional texture. The music is discreet and functional, serving its purpose without drawing too much attention to itself.

    The central issue is structural. The script tries to cover too many layers in too little time: Goebbels' personal trajectory, his relationship with Hitler, the inner workings of the propaganda machine, the historical context, the collapse of the regime. Each narrative thread feels underdeveloped. There are interesting moments, but none go deep enough. What emerges is a fast-paced sequence of disconnected scenes rather than a sustained dramatic arc. Episodes accumulate, but tension does not.

    The film approaches horror with restraint-perhaps wisely, avoiding sensationalism and refusing to trivialize suffering. But that same choice also keeps the viewer at a distance from the human consequences of what's being depicted. Genocide, pain, and dehumanization appear more as background than as emotional core. As a result, when the film attempts in its final stretch to underline a contemporary message about media manipulation and the fragility of democracy, that message lacks weight-it hasn't been built up to with sufficient emotional grounding.

    There's no lack of intention here, nor of commitment to historical memory. The theme is relevant, urgent even. The technical craft is more than adequate. But the film is weighed down by its ambition, by a format that doesn't allow enough room for its ideas to breathe. It lacks focus, time, and a clearer narrative direction. Important questions are raised, but rarely explored with the care they deserve. The film doesn't leave the viewer indifferent, but it does leave behind a sense of frustration-a sense that what could have been a disturbing, revealing piece ended up as an interesting exercise that never fully finds its voice.
    6thomas-leitha

    But why?

    The production is a hybrid between documentary and a drama. Apart from minor errors the story appears faithful to what we know about the facts but fails to explain the motivations of the principle charecters.

    Goebbels was a cynical intellectual, making jokes about Hitler in the early days. We get no explanation what turned him into one of Hitler's most faithful follower. Was it because he really believed in him or because he promised a key to power for both of them. May be nobody will ever know but if one decides to retell the story at least a hypothesis should be provided.

    In spite of all the acting we are left with just another documentary.
    6Erik_Surewaard

    Too big of a topic to deal with in a 2-hour movie...

    This movie is based on true facts, which are historically very relevant. Focus is thereby put on several important events that took place during WW2.

    The acting was pretty good. I must say though that the actor that plays the role of Hitler, unfortunately does not come close to what we have seen in the movie "Der Untergang".

    The props, costumes, buildings etc. All made it look like it is taking place during the 1930's and 40's. One can clearly see that much effort has been put in this.

    Mistakes have also been made. Basic mistakes are made like using both the names Saint-Petersburg and Leningrad, whilst they only should have used the latter. Other mistakes are e.g. Adolf Hitler showing no signs of having Parkinson's Disease - i.e. A trembling hand - in the bunker scenes.

    Overall, I found the movie a bit underwhelming. I personally think it may have to do with a too short of a time and a low budget for depicting so many impactful historical events. I therefore can only score this movie 6.3/10, resulting in a 6-star IMDb rating.

    I however advise anyone with an interest in what happened during WW2 to watch this movie. Until there is a better alternative, it is still the best way to get an idea of the importance of Joseph Goebbels - and his use of propaganda - during WW2. I hope though that we will see in the future a mini-series, which gives the viewer a better insight on the use of propaganda during WW2. Because a movie of 2 hours seems to be really too short when you want to cover a topic like Goebbels during WW2.

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    Enredo

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    Você sabia?

    Editar
    • Erros de gravação
      During the meal at the 9th November 1938 Hitler is seen with a glass of beer. However Hitler was a non-drinker.
    • Citações

      Adolf Hitler: [about the attack on the Soviet Union] Such a 180 Degree turn is only possible because we have Control on our press. Even a small bit of freedom of the press is deadliest thread to the state. In Democracy the People elect their head of state and with advertisement bring every buffoon can come to power. Here only one decides, it's the Führer.

    • Cenas durante ou pós-créditos
      Scene with Holocaust survivor Margot Friedländer before the end credits.
    • Conexões
      Features Olimpíadas e Mocidade Olímpica - Parte 1 Festa das Nações (1938)

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    Detalhes

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    • Data de lançamento
      • 12 de setembro de 2024 (Alemanha)
    • Países de origem
      • Alemanha
      • Eslováquia
    • Idioma
      • Alemão
    • Também conhecido como
      • El Ministro de propaganda
    • Empresas de produção
      • Zeitsprung Pictures
      • Südwestrundfunk (SWR)
      • Maya
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Faturamento bruto mundial
      • US$ 628.642
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      2 horas 15 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.39 : 1

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