Adaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois fil... Ler tudoAdaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois filmes falsos e de sua própria vida.Adaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois filmes falsos e de sua própria vida.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Gayle Artino
- Villager
- (não creditado)
Alicia Benavides
- Villager
- (não creditado)
Matthew Boyce
- Villager
- (não creditado)
Kevin Michael Brennan
- Shady Mocambo Man
- (não creditado)
Thomas Canestraro
- Desiderio's henchman
- (não creditado)
Debra Cardona
- Singing Villager
- (não creditado)
Valentina Castellano
- Villager
- (não creditado)
Noah Davidson
- Villager
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I'm going to have to say this wasn't what I hoped it would be. Although I appreciate to forge your own path like Condon did with this, he just got lost. The performances from both the main characters were good. But Jennifer Lopez was just ok for me, as usual. There's so much attention that goes to her with every project she does and that it robs the other true talent of their spotlight. I'm hoping this doesn't happen here because it will ruin the whole story for so many musical fans. I believe using another less known actress would have better suited the Ingrid Luna character. I give it a generous 6/10.
Anyone that thinks this movie can be compared to the masterpiece that JULIA' was part of is looking at the world through a lens that is twisted. The fact that anyone can associate the value of someones character with the WAY they have sex is sick on a new level of shallow! I have 1 TRANS child and a WIFE that is BISEXUAL. I would never judge any of my family members based on skin color, religious beliefs, or who they do or do not have sex with. Judging someone on ANY other level, outside of the way they treat other people is just another form of bigotry and dressing it up as anything else is only pretending to value people when you are really passing judgment on them. Stating that you love someone for being gay or trans or black or white or brown is NO DIFFERENT than hating them for it. Using sex or skin to pass judgment on ANYONE, good or bad is just showing a mental illness that the person judging should really get help with. People should be decent for the sake of decency, not assume they are good or bad for any other reason! This society is spinning down a dark dark hole and calling it elevation. Putting new labels on something does not change what that something is. WAKE UP!!
I got lucky at Sundance and caught the second viewing of this gem. I recall the original film with Raul Julia and William Hurt and loved it. This is a whole new approach and it works throughout. I was worried that Jennifer Lopez would steal the show but if anything lead actors Diego Luna and Tonatiuh made it for me. Don't misunderstand, Lopez was wonderful but the the two inmates were incredible in prison as well as in the fantasy film musical. Their chemistry was perfect and their comedic timing of great dialogue made it a joy.
Don't waste any time getting out to see this film as soon as it opens.
Don't waste any time getting out to see this film as soon as it opens.
... such are the eyes through which we see the world nowadays. Nonetheless, a story of two people catching each other in their own webs and becoming more than just cellmates. Superbly acted and directed, if not a little dated.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
Watched at the 2025 Sundance Film Festival.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
Você sabia?
- CuriosidadesJennifer Lopez portrays the lead female role that was originated by Sonia Braga in the 1985 film adaptation. Braga played Lopez's mother in Olhar de Anjo (2001) and Casamento Armado (2022), as well as appearing alongside her in Cidade do Silêncio (2007).
- Trilhas sonorasPrologue
performed by Jennifer Lopez
written by John Kander
written by Fred Ebb
produced by: Matt Sullivan
published by: Kander & Ebb, Inc.
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Kiss of the Spider Woman
- Locações de filme
- Kearny, Nova Jersey, EUA(10 Basin Studios)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 2 h 8 min(128 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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