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A Noite que Mudou o Pop

Título original: The Greatest Night in Pop
  • 2024
  • 12
  • 1 h 36 min
AVALIAÇÃO DA IMDb
7,9/10
15 mil
SUA AVALIAÇÃO
A Noite que Mudou o Pop (2024)
On 1985 dozens of the era's most popular musicians gathered in Los Angeles to record a charity single for African famine relief. Setting egos aside, they collaborated on a song that would make history.
Reproduzir trailer2:21
2 vídeos
65 fotos
Music DocumentaryDocumentaryMusic

Em uma noite de janeiro de 1985, as maiores estrelas da música se reuniram para gravar "We Are the World". Este documentário mostra os bastidores desse evento histórico.Em uma noite de janeiro de 1985, as maiores estrelas da música se reuniram para gravar "We Are the World". Este documentário mostra os bastidores desse evento histórico.Em uma noite de janeiro de 1985, as maiores estrelas da música se reuniram para gravar "We Are the World". Este documentário mostra os bastidores desse evento histórico.

  • Direção
    • Bao Nguyen
  • Artistas
    • Lionel Richie
    • Harriet Sternberg
    • Wendy Rees
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,9/10
    15 mil
    SUA AVALIAÇÃO
    • Direção
      • Bao Nguyen
    • Artistas
      • Lionel Richie
      • Harriet Sternberg
      • Wendy Rees
    • 86Avaliações de usuários
    • 44Avaliações da crítica
    • 69Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 3 Primetime Emmys
      • 3 vitórias e 14 indicações no total

    Vídeos2

    Official Trailer
    Trailer 2:21
    Official Trailer
    The Greatest Night In Pop: Autographs
    Clip 0:39
    The Greatest Night In Pop: Autographs
    The Greatest Night In Pop: Autographs
    Clip 0:39
    The Greatest Night In Pop: Autographs

    Fotos65

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    + 58
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    Elenco principal71

    Editar
    Lionel Richie
    Lionel Richie
    • Self
    Harriet Sternberg
    • Self - Head of Creative Services, Kragen & Co
    Wendy Rees
    • Self - Creative Services, Kragen & Co
    Harry Belafonte
    Harry Belafonte
    • Self
    • (cenas de arquivo)
    • (narração)
    Steven Ivory
    • Self - Music Journalist
    Ken Kragen
    Ken Kragen
    • Self
    • (cenas de arquivo)
    Quincy Jones
    Quincy Jones
    • Self
    • (cenas de arquivo)
    • (narração)
    Larry Klein
    Larry Klein
    • Self - Producer, American Music Awards
    Cyndi Lauper
    Cyndi Lauper
    • Self
    Bruce Springsteen
    Bruce Springsteen
    • Self
    David Breskin
    • Self - Author, 'We Are The World' Book
    Kenny Loggins
    Kenny Loggins
    • Self
    Humberto Gatica
    • Self - Recording Engineer
    Huey Lewis
    Huey Lewis
    • Self
    Smokey Robinson
    Smokey Robinson
    • Self
    Tom Bähler
    Tom Bähler
    • Self - Vocal Arranger
    Bob Dickinson
    • Self - Lighting Engineer
    Dionne Warwick
    Dionne Warwick
    • Self
    • Direção
      • Bao Nguyen
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários86

    7,915.3K
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    10

    Avaliações em destaque

    9Hitchcoc

    I Was Surprised

    I have no qualms about praising this piece. It is great that after over thirty some years, we get to see the effort that went into producing this record. Of course, there are critical comments about how these big ticket stars could have opened their pocketbooks and sent a bunch of money to Africa. It's interesting how the first thing out of some people's mouth is to put down the effort that was made. The moneys that came from this far exceeded anything these people could have contributed. The beauty was the herding of cats in a venue that was being constructed on the fly. Lionel Richie had to be in way over his head at times. It was also interesting to see that some of the performers, famous as they were, became frightened that they couldn't deliver a one or two sentence solo. Of course, others didn't like the people that were there. Bob Dylan is frequently criticized. But we all know how he sounds and he was contributing for the overall impact of the production. I have to say that when I watched this, I didn't think all that much about Huey Lewis. He becomes a major contributor to the documentary. Anyway, what an effort to draw these people together. Leaving a major awards show and heading off to do this. It will never happen again.
    10camimr-55885

    Informative and emotional

    Simply and shortly put, this was incredible.

    We are being introduced anew to this important piece of history.

    Michael Jackson and Lionel Richie was a power duo in making this happen, for such an important cause.

    Enjoy learning from A to Z just how impactful this really was, and still is.

    Netflix needs to release more of these, so that the younger generations truly understand the value of music history, as it was. I wish music could still be like this, about something greater than yourself. The act of giving, caring and unity. Todays artist have a lot to learn from this.

    Thank you... "We Are The World"
    9DrRumack

    Watching Music History

    In 1985, We Are The World was huge. We saw the video over and over and over again.

    We all had the album and listened to it countless times. It was on the radio non-stop. It was an immensely powerful song.

    Watching this documentary and learning how the song came about and how they managed to get all the biggest names in Music together, it let me re-experience it all. Watching it was both nostalgic and entertaining. But also sad watching the great artists who aren't around anymore.

    It's a Must See for anyone who was around back in '85.

    And, after nearly 40 years, I finally learned why Prince wasn't there.
    9sectionmaven-08824

    Couldn't Stop Watching

    I can't recall the last time I watched a film from beginning to end without taking a break or even thinking of taking a break. And this has nothing to do with the quality of the ultimate product, although the film made me appreciate "We Are the World" far more than I did at the time of its creation. The experience of seeing how this event was created, assembled and carried out was mesmerizing, engrossing and tremendously moving.

    The film enlarged, exponentially, my knowledge and understanding of the individuals who participated in creating the song and video. For example, I appreciate, for the first time, the scope of Lionel Ritchie's talent, which extends far beyond singing. Wrangling pop stars is more difficult than herding house cats, but Ritchie proved to be a master of the art. He was the film's star, with Stevie Wonder and Quincy Jones close behind. The scenes showing Stevie's interactions with Ray Charles and Bob Dylan were, at the same time, hilarious and moving.

    The film also enhanced my appreciation of the level of talent that participated in the project. As a contemporary of most of the participants, I realize now that they were a lot more talented than I might have thought back in the 1980s.

    From a technical standpoint, condensing a ten-hour all night recording session into the last hour of a ninety minute film was no mean feat. The editing of tons of archival material into a coherent narrative was masterful. If Netflix can mount more retrospective documentaries of similar events from the late twentieth century, I would welcome the endeavor.

    If I have one criticism, it is that I wanted to know more about the selection process, about the artists who elected not to participate, and about the one, Waylon Jennings, who walked out. Madonna was mentioned once. And maybe Waylon was there because he lost a bet to his pal Willie, and of course Prince was Prince. But Waylon and Willie were the only representatives of a genre that IS music to millions of Americans. Were any others asked?

    But on the whole, the film was an Oscar level documentary and should be recognized as such.
    8raf_dcs

    A fly in the wall

    I started watching knowing nothing about the behind the scenes. I knew there was a bunch of famous artists, I knew about the french parody and I definitely remembered Bruce Springsteen's weird face while singing.

    I was instantly fascinated by the whole thing, it's a great watch, a lot of fun facts I loved to hear about. It's the kind of story that's so absurd it shouldn't have worked out but in the end it did.

    There are some heartwarming moments, the Belafonte bit was beautiful or whenever they would cheer after someone sang. Most of them seemed genuinely excited to be there and the doc makes you feel like a witness to it all.

    However I do wish there were more speakers, they should have reached out to more singers, I would have loved to see footage of the singers talking about the project afterwards.

    It also makes you question why those songs don't happen anymore, can you imagine Beyonce and Taylor Swift coming together to raise money to a cause?

    And then I remembered that most artists nowadays won't set foot outside North America and Europe when they go on their "world tours" so I'm feeling bittersweet about it all but it's still a great watch.

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    Enredo

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    • Curiosidades
      The documentary goes into detailing several first-hand accounts of why Prince was not on the song. However, the documentary fails to include that Prince did, in fact, donate a song to the "We Are the World" album, (released April 23, 1985) "4 The Tears in Your Eyes", and made an accompanying live performance video for the song, which premiered on the "Live-Aid" concert broadcast on July 13, 1985. In addition, Prince detailed his "side of the story" with the song "Hello", a B-side to the "Pop Life" single in the US (released in July 1985), and the B-side to "Raspberry Beret" single in the UK.
    • Erros de gravação
      Bruce Springsteen's last concert before the recording was in Syracuse, not Buffalo .
    • Citações

      Paul Simon: If a bomb lands on this place, John Denver is back on top.

    • Conexões
      Referenced in Film Junk Podcast: Episode 929: Perfect Days + I.S.S. (2024)

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    Detalhes

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    • Data de lançamento
      • 29 de janeiro de 2024 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official Site
    • Idioma
      • Inglês
    • Também conhecido como
      • The Greatest Night in Pop
    • Empresas de produção
      • Dorothy Street Pictures
      • MRC Film
      • Makemake
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 36 minutos
    • Cor
      • Color
    • Proporção
      • 4:3

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