Uma Salva de Palmas

A magnificent work of Berkun Oya. What scares me the most is whether the translations in other languages will kill the spirit of the work, since the language in which this work was written is Turkish.

Because whether it's New York or Tokyo, Mecca or the Vatican, I want people who consume this work to have the same pleasure I do.

Criticism of daily life? Criticism of society? Political criticism? Self-criticism? Reproach criticism? Criticism of religions that deny God?

Oya held her pen both harshly against everyone and everything and equal to everyone and everything.

The cast and the behind-the-scenes team, who are at least as successful as Berkun Oya, have worked hard to make this work leave a unique taste in people's minds.

This is why I love Netflix ... If Oya had continued making films, he would not have been this free and he would not have been able to reach so many people.

I think the same thing after every Berkun Oya work; I wonder what his next project will be like...

Thank you Berkun... again and again.

It addresses both the life we live and the feeling of being trapped in life itself, but it does so in a very unconventional way. The acting is superb and it's a marvelous work. Another interesting point is that, considering the total duration of the series (approximately 6x25 minutes), it manages to achieve this in a way that feels like poetry. It's a separate achievement that it prompts so much thought in such a short amount of time. The music at the end of the episodes is also very fitting. Don't rush to move on to the next episode. I recommend the original language with subtitles. Unfortunately, dubbing doesn't convey the same emotion." 10/10.

This series is quite strange and unconventional, offering the viewer a disturbing yet thought-provoking experience. From start to finish, the show presents unexpected storytelling styles that not only surprise the audience but also push them into a spiritual journey by forcing them to ask deep existential questions. The messages, often delivered through absurd, surreal, and extreme narrative techniques, are presented in such a way that they often shake the viewer. This method creates both curiosity and an unsettling effect.

One of the central themes of the series is the burden of existence. Existence, often felt as a heavy burden in each of our lives, sometimes without us even realizing it, is explored in this show. It delves into the psychological impact of the burden of existence and the individual's struggle to survive, prompting the viewer to question deeply. The pain of being, the fight for survival, and the loneliness that accompanies this struggle are some of the most powerful narrative elements of the show. While many people search for the meaning of life, the series approaches this inquiry from a much more thoughtful and challenging perspective. At times, the viewer feels the intense pain experienced by a character, and other times, they find themselves caught within this pain.

Survival and the struggle to live are also significant themes in this series. Each episode surrounds the viewer with deep reflections on the meaning of life. However, these reflections are not only theoretical but are also explored on an emotional and psychological level. The viewer, while observing the internal conflict of a character in every scene, begins to recognize their own internal struggles as well. This suggests that the series offers more than just a story - it attempts to touch the viewer's inner world.

The show forces the audience to continually question the meaning of life, existence, and survival. While many people try to find the meaning of survival, this series goes a step further and reveals that life carries much deeper meanings than simply surviving. A person's life, which often passes by in a seemingly ordinary way, is seen in a completely different light through the deep pain and existential questions faced by the characters. The viewer is often disturbed while identifying with the characters, yet they also feel a deep discomfort as they observe them.

Some episodes bring up much darker and more absurd questions about the meaning of life. These questions include the reason for human existence, the true purpose of life, and what role a person plays in this world. These questions resonate so deeply with the viewer that sometimes they seriously begin to question whether coming into this world was the right decision. The series, in this way, takes the audience not only on a journey through a story but also on a profound philosophical journey.

Amidst all the intense emotional and philosophical experiences, the series also deeply examines human existential loneliness and the struggle to cope with it. As we watch a character's pain in search of the meaning of their existence, this pain sometimes envelops the viewer as well. Each episode echoes the human quest for meaning in life, and this quest becomes a journey within the viewer's own mind. The show thus becomes not just a series but an experience of life itself.

Ultimately, the series invites the viewer to not only witness the dramas experienced by the characters but also to engage in the process of questioning their own life and existence. With every scene, more questions are raised about the meaning of life, and the viewer attempts to answer these questions within their own inner world. This transforms the series into much more than a simple storytelling experience. The viewer is not merely watching a narrative; they are also discovering important and profound questions about their own life.

I started watching the first episode without any intention of binging it. However, I finished the six episodes in a few sittings. So, it was not a bore for me. However, it might not be everyone's cup of tea, especially if they seek linearity in fiction.

There are laughing moments, there are quasi-substantial moments etc.

I liked the 4 year old kids' take on love and life.

I did not like playing with the fourth wall moments all that much.

Berkun Oya seems to have found more familiar waters to swin in this time though, in terms of socio-economic class familiarity with the characters, events, life-styles etc.

The series is as good as this review: It deserves a chance in the desert of Turkish culture.

It describes the traumas experienced by the anxious-avoidant son of a codependent mother and an emotionally unavailable father.

The mother got married and had a kid in order not to be alone. Even though he is extremely unhappy, she cannot leave the marriage. She is too fond of his son. All of these facts make her codependent.

The mother cannot express her feelings to her husband because her husband is emotionally unavailable. That is probably why she created an identical partner in her mind with whom she can talk about her feelings easily making her feel relieved. The father's reaction to his son's song and bad skills in Math classes, etc. Also proves his emotional unavailability.

The boy develops an avoidant attachment style due to his parents' quarrels and the lack of a father-son relationship, and an anxious attachment style due to his mother's overly attached attitude towards him. His judgmental and patronizing attitude that led to his first breakup shows his avoidance side, his post-breakup regret and the fact that he fell apart in 8 hours after the breakup shows his anxious side. He exhibits a similar attitude in the encounter with his ex years later. Ultimately, he matures at a very early age as someone who can't belong anywhere.

I find it one of the greatest work in Turkish TV history. Although it is a dramatic story itself, they balanced it by adding absurd comedy elements. I laughed out loud from time to time, some scenes had cartoon-like characteristics.