Cinco anos após Jurassic World: Domínio (2022), uma expedição desbrava regiões equatoriais isoladas para extrair DNA de três enormes criaturas pré-históricas para um avanço médico inovador.Cinco anos após Jurassic World: Domínio (2022), uma expedição desbrava regiões equatoriais isoladas para extrair DNA de três enormes criaturas pré-históricas para um avanço médico inovador.Cinco anos após Jurassic World: Domínio (2022), uma expedição desbrava regiões equatoriais isoladas para extrair DNA de três enormes criaturas pré-históricas para um avanço médico inovador.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Dylan Bickel
- Brooklyn Pedestrian
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Five years after the mess that was Jurassic World: Dominion (2022), we're back in the land of toothy nostalgia. This time, an expedition heads into remote equatorial regions to extract DNA from three colossal prehistoric creatures in the name of a "groundbreaking medical breakthrough."
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
PROS:
-The Cinematography is Spectacular!!!
-The T-Rex sequence is TERRIFYING!!!
-Heavy "Jaws" influence during the Mosasaur sequence.
-The Dinosaur effects are great.
CONS: -I'm really tired of mutants/hybrids in my Dinosaur Movies.
-Script tries to undo the fallout of "Fallen Kingdom/Dominion".
-All the characters feel like caricatures.
-The inclusion of an annoying family and a baby dino.
This was a frustrating experience. For every positive in the film, there was a corresponding negative. Gareth Edwards is always on point with cinematography and shot composition. The fact that this was shot on film was noticeable in a positive way. The visuals looked bright during the day, avoiding that blue-tinted filter most blockbusters use these days.
The Mosasaur and T-Rex sequences are actually thrilling, with the T-Rex being legitimately terrifying for the first time since "The Lost World". The effects for the dinosaurs were great, though I do miss the use of practical effects. What I don't miss is the inclusion of mutants and hybrids. I go to these movies to see dinosaurs, not monsters. There are plenty of other franchises for that. The Mutadons and D-Rex serve the same narrative purpose as the raptors (who got completely sidelined here) and the T-Rex. If they had simply swapped them out for those two in the third act, I'd have been much happier.
Also not helping were the characters. The family subplot could-and should-have been removed entirely. They add nothing to the story and waste screentime. The expedition team are all stereotypes, but Mahershala Ali at least stands out. Honestly, I think he would've been fantastic as the lead here instead of Scarlett Johansson.
All that said, I went in with no expectations and still found myself mildly entertained. I can't help but smile when the John Williams "Jurassic Park" score plays and it made a few welcome appearances here. This is definitely a 'paint-by-numbers' Jurassic movie, but I wouldn't be upset if Gareth Edwards got another chance to direct one. 7/10.
-The T-Rex sequence is TERRIFYING!!!
-Heavy "Jaws" influence during the Mosasaur sequence.
-The Dinosaur effects are great.
CONS: -I'm really tired of mutants/hybrids in my Dinosaur Movies.
-Script tries to undo the fallout of "Fallen Kingdom/Dominion".
-All the characters feel like caricatures.
-The inclusion of an annoying family and a baby dino.
This was a frustrating experience. For every positive in the film, there was a corresponding negative. Gareth Edwards is always on point with cinematography and shot composition. The fact that this was shot on film was noticeable in a positive way. The visuals looked bright during the day, avoiding that blue-tinted filter most blockbusters use these days.
The Mosasaur and T-Rex sequences are actually thrilling, with the T-Rex being legitimately terrifying for the first time since "The Lost World". The effects for the dinosaurs were great, though I do miss the use of practical effects. What I don't miss is the inclusion of mutants and hybrids. I go to these movies to see dinosaurs, not monsters. There are plenty of other franchises for that. The Mutadons and D-Rex serve the same narrative purpose as the raptors (who got completely sidelined here) and the T-Rex. If they had simply swapped them out for those two in the third act, I'd have been much happier.
Also not helping were the characters. The family subplot could-and should-have been removed entirely. They add nothing to the story and waste screentime. The expedition team are all stereotypes, but Mahershala Ali at least stands out. Honestly, I think he would've been fantastic as the lead here instead of Scarlett Johansson.
All that said, I went in with no expectations and still found myself mildly entertained. I can't help but smile when the John Williams "Jurassic Park" score plays and it made a few welcome appearances here. This is definitely a 'paint-by-numbers' Jurassic movie, but I wouldn't be upset if Gareth Edwards got another chance to direct one. 7/10.
It's rare I see films on their opening day, opening weekend is relatively common but - as I'm otherwise engaged this weekend, I decided to see "Jurassic World Rebirth" on a Wednesday evening. I wish I could say it was because of enthusiasm for the series, but that has largely been beaten out of me at this point. I wish I could say that Rebirth was a film that reignited my love of the franchise but, whilst it's fine, it's largely another retread.
Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.
To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.
The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.
Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.
Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.
To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.
The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.
Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.
Honestly, the first half felt all over the place - too much talking, too many introductions, and pacing that dragged. But once they hit the island, it got better: dinosaur action scenes were intense and visual effects impressive, especially that river chase and cliff sequence.
Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.
It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.
Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.
It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.
I didn't go in with very high expectations, but this still should have been better considering David Koepp was returning as a writer and Gareth Edwards is a good choice for director. I even liked his 2014 Godzilla movie more than most people, so I am far from a hater.
I'll break this down into three pros and cons to keep this short.
Pros:
1) There are dinosaurs.
2) Some great location photography, especially in Thailand.
3) There are a couple of great moments of grandeur, although the best one for me (revealing a herd in a valley) relies on a lot of nostalgia farming. Still, it's effective. There's also a sequence with a raft that feels like Spielberg could have directed it, in a good way.
Cons:
1) The script is bad. Lots of exposition, despite the fact that the plot is very simplistic. Some of the characters are annoying. Everything is very predictable, to the point that there's really not a single surprise. There's little tension or sense of danger or even mystery.
2) The cast. Most of them seem to be here to collect a paycheck. Scarlett Johansson seems a little miscast for the character she's playing, though I'd still primarily blame the writing rather than her performance. Jonathan Bailey is a non-entity. Mahershala Ali is wasted. None of these characters are memorable. The best character is probably a tiny dinosaur they meet along the way that gets a few easy "aww" moments. It's cheap, but it works.
3) The special effects. As far as I could tell, the dinosaurs are 100% CGI (or close to it). Dominion was far from good but the mix of practical and CGI effects was nice to see, and a step in the right direction. I was hoping for more of that here, especially since there are several opportunities for practical effects once they get on the island. Everything looks artificial. It's also one of those movies where despite the great location photography, some of the environments still look really fake.
Anyway... the last three movies in this franchise have all been pretty bad. I don't expect something on par with the first Jurassic Park, but I think we could do a little better than this!
5/10.
I'll break this down into three pros and cons to keep this short.
Pros:
1) There are dinosaurs.
2) Some great location photography, especially in Thailand.
3) There are a couple of great moments of grandeur, although the best one for me (revealing a herd in a valley) relies on a lot of nostalgia farming. Still, it's effective. There's also a sequence with a raft that feels like Spielberg could have directed it, in a good way.
Cons:
1) The script is bad. Lots of exposition, despite the fact that the plot is very simplistic. Some of the characters are annoying. Everything is very predictable, to the point that there's really not a single surprise. There's little tension or sense of danger or even mystery.
2) The cast. Most of them seem to be here to collect a paycheck. Scarlett Johansson seems a little miscast for the character she's playing, though I'd still primarily blame the writing rather than her performance. Jonathan Bailey is a non-entity. Mahershala Ali is wasted. None of these characters are memorable. The best character is probably a tiny dinosaur they meet along the way that gets a few easy "aww" moments. It's cheap, but it works.
3) The special effects. As far as I could tell, the dinosaurs are 100% CGI (or close to it). Dominion was far from good but the mix of practical and CGI effects was nice to see, and a step in the right direction. I was hoping for more of that here, especially since there are several opportunities for practical effects once they get on the island. Everything looks artificial. It's also one of those movies where despite the great location photography, some of the environments still look really fake.
Anyway... the last three movies in this franchise have all been pretty bad. I don't expect something on par with the first Jurassic Park, but I think we could do a little better than this!
5/10.
New and Upcoming Sequels, Prequels, and Spin-Offs
New and Upcoming Sequels, Prequels, and Spin-Offs
Discover some of the most anticipated sequels, prequels, and spin-offs coming to theaters and streaming.
Você sabia?
- CuriosidadesJonathan Bailey not only stars as Dr. Henry Loomis, but also contributes to the film score. He plays clarinet in several orchestral tracks and performs the solo heard during the scene when his character touches a dinosaur for the first time.
- Erros de gravaçãoReubens injured leg magically heals and he is able to walk and run fine after losing the stick he uses as a crutch.
- Citações
Dr. Henry Loomis: Survival is a long shot.
- Cenas durante ou pós-créditosAt the very end of the credits, nature sounds from the island are heard.
- Trilhas sonorasMovin' On Up
Written by Bobby Gillespie, Andrew Innes, Robert Young
Performed by Primal Scream
Courtesy of Reprise Records/Creation Records
Licensed by Warner Music Group Film & TV Licensing/Sony Music Entertainment UK Limited
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Jurassic World: El Renacer
- Locações de filme
- Tailândia(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 180.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 326.800.075
- Fim de semana de estreia nos EUA e Canadá
- US$ 92.016.065
- 6 de jul. de 2025
- Faturamento bruto mundial
- US$ 799.984.075
- Tempo de duração
- 2 h 13 min(133 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente