Em maio de 2020, um impasse entre um xerife e um prefeito de uma pequena cidade gera um barril de pólvora quando um vizinho se depara com um vizinho em Eddington, Novo México.Em maio de 2020, um impasse entre um xerife e um prefeito de uma pequena cidade gera um barril de pólvora quando um vizinho se depara com um vizinho em Eddington, Novo México.Em maio de 2020, um impasse entre um xerife e um prefeito de uma pequena cidade gera um barril de pólvora quando um vizinho se depara com um vizinho em Eddington, Novo México.
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Avaliações em destaque
This Movie is many things but not a good movie. Yes, that's how i will start my review. This movie has no specific genre, first it's a drama, then it became some dark comedy, then it's a crime thriller, then it's a effing war movie and at the last it's an unfinished revenge thriller. What the eff is this about! I don't know, i have no idea after watching this horrible thing.
This movie reminds me of a real story of self awareness in light of the worlds ills. In the early 1900s, a newspaper reportedly asked a group of notable writers and thinkers to respond to the question, "What is wrong with the world today?" To which the famous theologian and thinker G. K. Chesterton is said to have replied with a characteristically witty and humble response "Dear Sirs, I am. Yours sincerely, G. K. Chesterton."
Ari Aster has made another horror film. This one is disguised as a modern day Western, Dark Comedy, but this is deep diving stuff that inserts us into a small New Mexico town in 2020 that is at the beginning stages of the COVID pandemic. Joaquin Phoenix is the tour guide - and the ride - who shows us something of what is wrong with the world.
Eddington took me back to feelings of despair that play on in our world. This is a most excellent tragic tale and definitely not a comedy, although the audience will probably laugh in the discomfort of seeing the true reflection of ourselves somewhere in this mirror of blame, conspiracy, narcissism, and social rage.
Somehow Aster keeps this from being preachy while giving us a scare at our own reflections. What wrong with Eddington? It's us.
Ari Aster has made another horror film. This one is disguised as a modern day Western, Dark Comedy, but this is deep diving stuff that inserts us into a small New Mexico town in 2020 that is at the beginning stages of the COVID pandemic. Joaquin Phoenix is the tour guide - and the ride - who shows us something of what is wrong with the world.
Eddington took me back to feelings of despair that play on in our world. This is a most excellent tragic tale and definitely not a comedy, although the audience will probably laugh in the discomfort of seeing the true reflection of ourselves somewhere in this mirror of blame, conspiracy, narcissism, and social rage.
Somehow Aster keeps this from being preachy while giving us a scare at our own reflections. What wrong with Eddington? It's us.
Eddington feels like being locked in a room with your own thoughts...while those thoughts are armed and slightly unhinged. The pacing is tight, the plot twists keep you leaning forward, and just when your anxiety peaks, it throws in a gut-punch of humor that somehow makes it all feel human again.
It's a rare film that can make you laugh and feel like you need to sit quietly in a dark room afterward just to process what you watched. This is that film. Smart, offbeat, unsettling, and genuinely entertaining. Eddington doesn't just keep you intrigued, it lingers long after the credits roll.
It's a rare film that can make you laugh and feel like you need to sit quietly in a dark room afterward just to process what you watched. This is that film. Smart, offbeat, unsettling, and genuinely entertaining. Eddington doesn't just keep you intrigued, it lingers long after the credits roll.
In 2019, Ari Aster struck many film fans as the new face of horror and quickly attached him to the genre. In 2025, Ari Aster has departed from that stereotype and is now seen (at least in my opinion) as a director who makes very polarizing and ambitious films that he wants to make. I gotta respect the guy for going out and doing that. Eddington, much like his 2023 film "Beau is Afraid" is that kind of film. It's ridiculously ambitious, busy, and absolutely bonkers. It's something that I feel only Aster could make. I'll agree with the critics when they say Aster covers a lot of subjects but doesn't really commit to most of them. He seems to kind of get lost in the moment of trying to satirize and summarize too many subjects of the COVID pandemic to the point of exhaustion. It's not his most successful film and it's certainly not going to please everyone, but I greatly admire the drive he put into it.
I can only tell this is gonna be a very polarising film, people are going to love the ambition from Aster or call it a convoluted mess.
Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.
Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.
I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.
The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.
Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.
I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.
The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
Você sabia?
- CuriosidadesAri Aster wrote a contemporary Western script long before the COVID-19 pandemic began and was initially planning to make it his directorial debut. He tried for quite a few years to get it made, but he ultimately decided to shelve it and make Hereditário (2018) his debut. He confirmed during Beau tem Medo (2023)'s press tour that this script would more than likely be his fourth feature, and it was updated to fit a post-2020 lens.
- Erros de gravaçãoAt the beginning of the film when Joe is watching a YouTube video on his phone, the dislike count is missing and the Shorts Remix button is visible. Dislike counts were removed. Both features weren't globally launched until 2021, a full year after this movie is set.
- ConexõesFeatures A Mocidade de Lincoln (1939)
- Trilhas sonorasI Feel Alive
Written by David Carriere, Jane Penny, Riley Tripp Fleck and Jackson MacIntosh (as Jackson Edwin Macintosh)
Performed by Tops
Courtesy of Tops Musique
By arrangement with Terrorbird Media
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Еддінгтон
- Locações de filme
- Truth or Consequences, Novo México, EUA(as Eddington)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.109.484
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.404.742
- 20 de jul. de 2025
- Faturamento bruto mundial
- US$ 11.822.089
- Tempo de duração
- 2 h 28 min(148 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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