A Arma de Lizzie Borden

You probably know the "Lizzie Borden took an axe" children's rhyme and wondered where it came from. This movie tells the story of the real crime that formed the basis of the rhyme.

I was quite surprised that the actual case took place as recently as 1892. The rhyme had always seemed very traditional to me; I thought it must have been based on something a very long time ago.

Thankfully, the sound track was used at only half a dozen places in the film, because it was so inappropriate that it could easily have ruined everything. While the story took place in a sedate New England town, where people lived genteel lives, sipping tea and wearing frock coats (think Anne of Green Gables), the sound track was screaming rock. Unbelievably jarring. Even in a party scene where people were dancing whatever they danced in those days of long gowns--waltzes, I suppose--it was portrayed minus the sounds of the party, minus the music that would have been played there, all replaced with a nerve-jangling sound track of rock music. Whoever made that decision should find another field to work in. Horrible.

"Lizzie Borden took an axe, Gave her mother forty whacks. When she saw what she had done, She gave her father forty-one."

I'm just going to get this off my chest right away.

What was with that abhorrent soundtrack? This would've been a much better movie if it weren't for that awful music. Seriously. Rock & Roll? Stuff that sounds like grunge metal? In a movie that's set in the late 1800s? That makes *awesome* sense! Not.

If you can get past the soundtrack and give it a chance, it's a decent movie. I didn't really care for Christina Ricci, she just didn't seem that believable to me, but Billy Campbell was pretty good; though I've seen him in better things.

I just can't get over that soundtrack though. Yuck. It made an OK movie nearly unwatchable. My advice: Don't waste your time on this one.

My wife and I both enjoyed this movie, and she had just recently read a book on the case. The story was well-told and left open for interpretation, for most of the movie, to whether she was guilty or not. The acting was excellent and the period costumes were as well. However, whoever allowed this soundtrack to be used tried their best to ruin the whole experience. I don't think a thriller/mystery set in 1892 should have 21st-century electric/amplified rock music inserted, especially in the first half of the movie. To have a scene or a transition of a movie set in the 1890's interrupted by an amplified guitar and keyboards with the nauseating "Oooooo, boy!" was not only ridiculous, after a while we started laughing and wondering when the next inappropriate music would come bursting in. Overall, however, it's a very good TV movie.

The true story of Lizzie Borden (Christina Ricci), a young woman tried and acquitted in the 1892 murders of her father and stepmother.

My rating on this film is a bit lower than it possibly should be. Honestly, the only reason it is not better than it is stems from the limitations of being a made-for-TV movie. The budget is limited and other matters may be truncated or simplified. But you have to give them credit, because despite the limits everyone gave 100% and we even get decent gore.

Most interesting, at least to me, is how the writer tried to stick to the historical record. Maybe not perfect (what is?), but where the film could have been sensational, it instead follows the more or less true story of the murders and trial. The "whacks" are not 40, and even the death locations match the known photographs.

I think this movie could have been a truly good film. Unfortunately, the mixture of this period film with rock and roll music and synthesizer music makes this almost unbearable. The acting is good and the scenery is well done. Costumes are perfect for the period. Christina Ricci plays the part well as she does with most of the roles she takes on. I also like Clea Duvall as Emma. She does a great job opposite Ricci. I only wish that Nick Gomez would have hired someone to do the music that would have put the scenes with music that fit the period. I think some piano, violin, and other strings would have been much more suitable to this film. Occasionally there is some nice creepy music over some scenes, but in the transitions between scenes we are forced to hear Sons Of Jezebel's song "Whoo Boy". It just doesn't fit. Overall this movie was a let down.