Dois espiões desonestos saem da rede, casam-se e são atacados em sua cabana remota por várias agências de inteligência que buscam um disco rígido roubado.Dois espiões desonestos saem da rede, casam-se e são atacados em sua cabana remota por várias agências de inteligência que buscam um disco rígido roubado.Dois espiões desonestos saem da rede, casam-se e são atacados em sua cabana remota por várias agências de inteligência que buscam um disco rígido roubado.
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Avaliações em destaque
Despite having Scott Eastwood and Stallone, this film is ponderous. Eastwood hardly seems enthusiastic, and really doesn't give the impression of having once been a top agent. Stallone is beginning to creak, and he struggles physically with this action picture, which should have been much tighter.
Mike Colter deserves a shout out. His villain is cold, calculating and murderousy believable, but he is wasted in this calamity. The shootouts are just not believable, Eastwood seems to be missable at every opportunity and during his first gunfight, he has a machine gun that never needs reloading!
Willa Fitzgerald holds it together rather well, but isn't able to rescue this mess.
Mike Colter deserves a shout out. His villain is cold, calculating and murderousy believable, but he is wasted in this calamity. The shootouts are just not believable, Eastwood seems to be missable at every opportunity and during his first gunfight, he has a machine gun that never needs reloading!
Willa Fitzgerald holds it together rather well, but isn't able to rescue this mess.
This movie is soooo bad, it felt like watching a high school project. Acting is an absolute amateur hour, and the dialogs are top of the line cringe material. I watched 30 minutes of this garbage and i feel intelectualy violated and insulted. For someone to peddle this mess as a "movie worthy of an audience", makes me realise that they don't really care about creating quality entertainment or even about what audience thinks, they just need to put new trash in our face from time to time to keep the streaming platform memberships going. The recipe is this: 1-2 big hollywood names for top dollar, other actors for cheap, and locations you can get for a few bucks, and a trash script with a newbie director. Total budget 1-2 mil. Max. And just keep pumping that garbage out month after month.
Dreadful film, terrible script, editing and whats worse a waste of two otherwise fine actors in Eastwood and Stallone..
Would a directors cut save it, I doubt it unless it was a complete reshoot. What a shame.
Special effects were dreadful, storyline which it claims to have is full of holes and Scott's acting was terrible, when you think that two hollywood stars with with a list of successful films behind them couldn't save it it says a lot. If you go to the cinema to watch this I'd suggest watching the on screen advertisements and then leaving before it comes on.. the Add's would definitely be better.
Would a directors cut save it, I doubt it unless it was a complete reshoot. What a shame.
Special effects were dreadful, storyline which it claims to have is full of holes and Scott's acting was terrible, when you think that two hollywood stars with with a list of successful films behind them couldn't save it it says a lot. If you go to the cinema to watch this I'd suggest watching the on screen advertisements and then leaving before it comes on.. the Add's would definitely be better.
Alarum, a 2025 action crime thriller, unfortunately fell far short of my expectations. The most significant flaw lies in its weak script. The plot development lacks logic and coherence; the plot points are simplistic and poorly constructed. Many scenes feel jarring and abrupt, lacking necessary context and explanation. This makes it difficult to understand the characters' motivations and actions, ultimately hindering audience engagement.
Furthermore, I was surprised by Sylvester Stallone's limited screen time. Advertised as a key draw, his presence and contribution to the narrative were far less substantial than anticipated, diminishing a major potential highlight of the film. While Scott Eastwood delivered an acceptable performance, it couldn't compensate for the deficiencies in the script and overall plot.
While the action sequences were technically well-executed, the sluggish pace and lack of tension rendered them underwhelming. They failed to elevate the viewing experience. In summary, Alarum is a disappointing film. It squandered a talented cast and production resources, resulting in a mediocre, even poor, cinematic experience. I doubt even a director's cut could salvage this film. The special effects also disappointed, appearing rough and dated compared to current standards. The film lacked any memorable or impactful moments.
Furthermore, I was surprised by Sylvester Stallone's limited screen time. Advertised as a key draw, his presence and contribution to the narrative were far less substantial than anticipated, diminishing a major potential highlight of the film. While Scott Eastwood delivered an acceptable performance, it couldn't compensate for the deficiencies in the script and overall plot.
While the action sequences were technically well-executed, the sluggish pace and lack of tension rendered them underwhelming. They failed to elevate the viewing experience. In summary, Alarum is a disappointing film. It squandered a talented cast and production resources, resulting in a mediocre, even poor, cinematic experience. I doubt even a director's cut could salvage this film. The special effects also disappointed, appearing rough and dated compared to current standards. The film lacked any memorable or impactful moments.
The first primary action scene the main character is surrounded by 20 generic henchmen. He hits one and steals an AR15 then proceeds to fire 200 rounds from one magazine. Hip firing and coming out on top of course.
CGI blood and bullet wounds are absurd and the lowest tier effects. This is a painful slog of bad acting and terrible writing. The mercenaries can't hit the broad side of a barn. A guy fleeing at 10 paces can run away and take them out in packs of 3, because the story calls for the absurdity.
I am truly stunned something like this gets made or even funded. How on Earth does this make its money back? Its absolutely dreadful. This is like an art school pipe dream production idea that actually came to life.
The armorer on the movie must be a teenager that has played too many video games. The weapons used are laughable. AA-12 shotguns and all kinds of outlandish rare expensive guns. They got out some of their toys for the movie and wanted to showcase many of their favorites.
Stallone phones this one in and collects a Bruce Willis paycheck for phoning one in. This is a complete bomb.
CGI blood and bullet wounds are absurd and the lowest tier effects. This is a painful slog of bad acting and terrible writing. The mercenaries can't hit the broad side of a barn. A guy fleeing at 10 paces can run away and take them out in packs of 3, because the story calls for the absurdity.
I am truly stunned something like this gets made or even funded. How on Earth does this make its money back? Its absolutely dreadful. This is like an art school pipe dream production idea that actually came to life.
The armorer on the movie must be a teenager that has played too many video games. The weapons used are laughable. AA-12 shotguns and all kinds of outlandish rare expensive guns. They got out some of their toys for the movie and wanted to showcase many of their favorites.
Stallone phones this one in and collects a Bruce Willis paycheck for phoning one in. This is a complete bomb.
Você sabia?
- CuriosidadesThe film was awarded $5,863,392 from the Ohio Motion Picture Tax Credit Program on February 13, 2024.
- Erros de gravaçãoThey keep mentioning a chopper and the chopper pilot, but it was a Cessna with two pilots. Apparantly this was changed during filming and they didn't fix it in ADR.
- Trilhas sonorasSymphony No. 38 in D major, Prague, K. 504
Performed by Prague Philharmonia - Jiri Belohlavek
Written by Wolfgang Amadeus Mozart
Courtesy of SUPRAPHON a.s.
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- Idioma
- Também conhecido como
- Alarum: Código letal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 220.529
- Tempo de duração1 hora 35 minutos
- Cor
- Proporção
- 2.39:1
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