A Noviça Rebelde Ao Vivo!

On Thursday night, NBC attempted to do a challenging task by putting one of the most beloved musicals of all time and adapting it into a stage production. For the most part, NBC did it well and it turned into a very entertaining adaptation of the classic Rodger's and Hammerstein's musical, The Sound of Music.

The production, done completely like a Broadway play with stage sets, worked well, keeping the mood of the scenes just good enough and displaying the settings nicely. The songs: Yeah, they were all there, and a few others that were not in the classic Julie Andrews movie, but rather are in the original Broadway production. Those songs would be "How Can Love Survive" and "No Way To Stop It", and they were a welcome addition indeed.

Besides putting on a Broadway television type show, NBC also decided to take another chance by giving the lead role of the musical of Maria to none other than country superstar Carrie Underwood. Underwood, who won American Idol many years ago has made herself into a big name and had a chance to do something that she rarely has ever done, and that's act. Did it work? Well... a little bit. Her singing was solid. I was wondering if her country sound might come into her voice, and it didn't. Her acting though, was just average. Now, we knew coming into watching this that she would not be a great actress. After all, as I said, she did not have much experience, but for that I do appreciate her stepping into a different medium. As a singer though, she did a good enough job, and for a musical, what else do you really want?

The other lead of the movie, Captain Von Trapp, was played by Stephen Moyer. Moyer, like Underwood was solid in the role, but did not impress me the way I had hoped with his singing. What did impress me however was the supporting cast of this adaptation. The Von Trapp children all were good and as sweet as ever. The Baroness, played by Laura Benanti and Max Detweiler, played by Christian Borle were both excellent and had wonderful chemistry together whenever they were put on stage at the same time. And the Mother Abbess, played by Audra McDonald was tremendous, nailing her big song, Climb Every Mountain with every note and was a performance that would have brought a house to his feet.

Now, was it as good as the original movie? No. But, all in all, despite its flaws and perhaps somewhat poor casting choices, this NBC adaptation was a good watch, and I applaud NBC for putting it on for all of us to see for an evening. It was interesting to not only see some of the differences from the movie that I had grown up watching, but to also see a Broadway stage production of a musical that I rarely see period.

Rating: 7/10

I have to be honest here, I originally had no intention of watching this special, but when I found out it would be performed live, as they used to do in decades past, it piqued my curiosity. I also happened to turn on the TV just about the time it started, so decided to check it out.

In no way was I expecting it to compare to the 1965 film. This was obviously supposed to be more akin to the stage production. Having said that, I was far more impressed than I anticipated. The music was fantastic and I loved the live acting quality to it. I only have a couple criticisms.

I understand that Carrie Underwood was probably selected because they wanted to get a name to draw in viewers. Her singing was actually quite good, but her acting was sub-par, especially to the rest of the cast. I understand she is not an actress, so I give her kudos for putting herself on the line.

As for the rest of the cast, I was happy that they decided to use mostly unknown actors, who appeared to be trained for stage productions. It definitely added to the credibility of the show. I thought the kids were all great, except Gretel, who was definitely a star in the film version. This one did not seem especially gifted in acting or singing and even lacked charisma. I wondered if she might be the daughter of a producer or something. That was a shame because its another stand out role that suffered.

I was pretty pleased with everything else. The sets were gorgeous! The transitions were seamless. The music overall was very fun and enjoyable, hearing those great Rogers & Hammerstein songs never gets old! Was also nice that they included some songs that were not in the film version. I definitely don't feel I wasted my evening when there is so much other rubbish on TV. I hope people were open-minded and supportive, so perhaps we'll see another live musical special next year!

Many posters here have done an adequate job of reviewing all the facets of NBC's ambitious December 5th production of "The Sound of Music;" I'd like therefore to focus on only one. Several trade and daily newspapers have pointed out the deficiencies of Miss Underwood's acting. I cannot quibble with the fact that it was not great, but I thought her performance was magnificent for a first effort, and her pipes were perfectly up to the task.

I enjoyed this musical very much, and even found myself shedding a few tears here and there. What I think we have to understand is that it's quite likely that it could not have been staged at all without Carrie Underwood's participation. It takes that much star power to get the backing for a venture of this magnitude. If not she, then who?

So I'd beg others to give her well-earned plaudits for putting herself on the line in a LIVE performance like this. It must have been terrifying for someone who'd never done it before in her life. It would also be wise to remember that if this were a production prepared for the NY stage, it would have opened in Hartford or somewhere like that to get the kinks worked out before the curtain ever went up on Broadway. In this instance, though, there was NO way to polish it further -- i.e., THIS was opening night, and as such, I think it was a magnificent effort. For anyone who'd care to compare this to the movie version, just try to imagine how much better each and every scene could be with the benefit of the ten or twenty takes and months of editing that the Robert Wise/Julie Andrews version received.

Rather than decry Carrie Underwood's efforts, I'd like to propose that we may have been privileged to see a new stage-musical star being born. I simply cannot give her enough credit for her monumental first effort in this medium. She'll get better, and she may become great.

You GO, Carrie Underwood!

I've read most of the reviews coming out and am surprised: why, and how, do you compare a live performance on television to a carefully filmed and edited movie? I don't think you can, nor do I think it's fair. Be closer to compare this to the live Broadway production of The Sound of Music with Mary Martin, but that ran for many performances, allowing ample time to work out the rough edges.

I thought it was fantastic. I haven't seen a live production on TV like this in decades. Kudos to everyone who produced it, I thought Carrie Underwood was fantastic, if slightly out of breath early in the movie from the hectic costume changes and dance/singing routines. Mother Superior was fabulous in both acting and singing. I love the sets. I'd like to see a WHOLE lot more TV like this.

I have been reading the other postings with great interest and what I have taken from the collective comments is the lack of understanding that this admirable (Yes, Ms. Underwood needs more acting lessons, though her singing was a pure enjoyable Broadway belt) television broadcast is closely based on the original 1959 stage version written by Lindsey and Crouse (book) and Rodgers and Hammerstein (score) for Mary Martin, with Theodore Bikel co-starring as the Captain, a fact that all of the publicity for this TV version has stated.

One poster on this thread stated he was sorry the TV got the scenes out of order; I beg to differ. The film got the scenes out of order. It was the film version that substituted "My Favorite Things" for "The Lonely Goatherd" in the storm scene, regulating the latter song to some strange interpolated puppet sequence and depriving the Mother Abbess of her part in a duet with Maria.

This version didn't add the two songs for the Elsa and Max. It was the film version that deleted them from the score while adding "Confidence in Me", a 'travelling' song that was justified in a cinematic sense but not needed in the stage version, as the TV broadcast clearly vindicated.

In fact, speaking of the songs, I was sorry to see that one mediocre song ("Something Good") was substituted for another mediocre song ("An Ordinary Couple"). At least that deleted song had a lyric by Hammerstein; Rodgers himself wrote the lyric to "Something Good".

"The Sound of Music" isn't a great show, but it is an audience favorite. It shared the Tony Award for Best Musical with "Fiorello!" and Ms. Martin beat out the likes of Ethel Merman for Best Actress in a Musical. The TV version was an honorable attempt (and broadcast live was a great idea--anyone else notice how the train in the Baroness's dress was stepped on by another actor?). I hope network television experiments further with this idea (though keeping the commercials down might be a good idea--a bunch at the beginning, a clump in the middle, and another cluster at the end would keep the audiences involved.). So, congrats to all involved. Keep singing.