Baseado nas experiências da vida real do ex-Seal da Marinha Ray Mendoza durante a Guerra do Iraque.Baseado nas experiências da vida real do ex-Seal da Marinha Ray Mendoza durante a Guerra do Iraque.Baseado nas experiências da vida real do ex-Seal da Marinha Ray Mendoza durante a Guerra do Iraque.
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- 3 indicações no total
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Avaliações em destaque
Went into this expecting a military movie like those that get rolled out on Netflix periodically, however this is a huge step above. The fact it's a true story too also adds so much to the events shown. The filmmakers go out to put you in the middle of the action. It's a very intense movie that does an amazing job of making you feel the tension in the situation. Performances keep you locked in but the real star of the show is the sound. From the gunfire to explosions you feel every hit. The 'Show of force' they use NEEDS to be heard to be believed. I came out of the movie shaken tbh but really entertained and the time flew by.
As the invaded family ask of the US military. Why? Why did you do this? What was all this about? And it's a good question and not a criticism of the film in anyway. Maybe that was part of the point of it all. Although the congratulatory credits footage confuses that angle as we get to meet the real perpetrators of the events of the film.
I was on board with the who futility of war, the meaningless nature of the soldiers taking over a random house, smashing down walls and taking captive the innocent families that live there and then having to defend themselves from attacks caused by the act of taking over a random house, hey how about just don't take the house, right?
That seemed like a poignant message and if left at that then we've got ourselves a film with a solid message, but then we get the actual soldiers taking photos on the set with the actors and smiling, and the message about thanks for always answering the call" and well maybe we're all just imagining there's a lesson learned here at all. You can't have a sobering film on the brutal insensitivity of the US Military and the pointless damage it inflicts on the innocent around the world and then go all hugs for the military bros as the credits roll, can you? It was a confusing message.
It was a well made movie, fantastic sound design. I just don't know what I'm supposed to take away from it, and maybe that's part of the point, the world is full of contradictions.
But I really did feel embarrassed and ashamed for the cruelty inflicted on the families we hardly saw in this film.
I was on board with the who futility of war, the meaningless nature of the soldiers taking over a random house, smashing down walls and taking captive the innocent families that live there and then having to defend themselves from attacks caused by the act of taking over a random house, hey how about just don't take the house, right?
That seemed like a poignant message and if left at that then we've got ourselves a film with a solid message, but then we get the actual soldiers taking photos on the set with the actors and smiling, and the message about thanks for always answering the call" and well maybe we're all just imagining there's a lesson learned here at all. You can't have a sobering film on the brutal insensitivity of the US Military and the pointless damage it inflicts on the innocent around the world and then go all hugs for the military bros as the credits roll, can you? It was a confusing message.
It was a well made movie, fantastic sound design. I just don't know what I'm supposed to take away from it, and maybe that's part of the point, the world is full of contradictions.
But I really did feel embarrassed and ashamed for the cruelty inflicted on the families we hardly saw in this film.
For someone like me, who has even the faintest and smallest experience of war, watching war films is the scariest thing I can imagine-especially when the story is set in the Middle East.
Warfare felt so real with its visuals, sounds, and atmosphere that it was as if I was right there in the middle of the battlefield.
On the giant cinema screen, every explosion hit me like a punch in the face, and the loud Dolby sound shook my heartbeat with every gunshot and scream.
From the first third of the film to the very end, I sat on my seat with my knees pulled up-frozen, motionless-like I was truly trapped inside those scenes.
When the film ended, it took me a few minutes to pull myself together. It felt like the war was still going on in my head.
Damn every war-seeker-of any kind, for any reason, under any pretext, with any intention.
Warfare felt so real with its visuals, sounds, and atmosphere that it was as if I was right there in the middle of the battlefield.
On the giant cinema screen, every explosion hit me like a punch in the face, and the loud Dolby sound shook my heartbeat with every gunshot and scream.
From the first third of the film to the very end, I sat on my seat with my knees pulled up-frozen, motionless-like I was truly trapped inside those scenes.
When the film ended, it took me a few minutes to pull myself together. It felt like the war was still going on in my head.
Damn every war-seeker-of any kind, for any reason, under any pretext, with any intention.
A masterclass in tension and sound design. A visceral, gut wrenching, unrelenting war film experience.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
True "edge of your seat." Think of the tension of the first 15 minutes of "Saving Private Ryan," but over an hour and a half. No spoilers, but I love the fact that the movie immediately drops you into the situation. We don't need to know why the soldiers are there, or what their objective/mission is, because that's irrelevant when the bullets start to fly. These are just soldiers going on a mission. Finally, as a patriotic American, I feel that before Congress & the President deploy any of our U. S. Service people into harms way, they and the CEOs of Raytheon, Blackrock, Vanguard, and Halliburton should be forced to watch this movie, as well as the first 15 minutes of Saving Private Ryan, before anyone is deployed. Also, the law should be passed that all of their children should be the first deployed, call it the "No Fortunate Son" law. I think we would have less wars if that happened.
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Você sabia?
- CuriosidadesNames of the real SEAL team members' were changed in the film to protect their identities as some are still serving in the military or preferred to remain anonymous. The only names that weren't changed in the film are: Ray Mendoza and Elliott Miller.
- Erros de gravaçãoThe sniper is positioned about 1.5 m from the hole in the wall, which is barely 20 cm across. His viewing field is no more than 10 degrees. In the movie, they show the sniper doing panoramic sweeps at least five times wider.
- Cenas durante ou pós-créditosBefore the end credits, photos are displayed showing the cast on the right and the true-life servicemen they portrayed on the left. Many of the left-hand photos are blurred to protect identities, including the last photo showing the Iraqi family whose home the Navy SEALs occupied.
- Trilhas sonorasCall on Me
Written by Will Jennings, Eric Prydz, Steve Winwood
Performed by Eric Prydz
C/O Data Records/Ministry of Sound Recordings Limited/Wincraft Music Limited
Licensed by Sony Music Entertainment UK Limited
Published by Sony Music Publishing
Hipgnosis SFH I Limited
Administered by Kobalt Music Publishing Limited
Universal Music Publishing Ltd.
On behalf of Blue Sky Rider Songs
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Warfare
- Locações de filme
- Iraque(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 26.000.309
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.317.989
- 13 de abr. de 2025
- Faturamento bruto mundial
- US$ 32.909.931
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 2.00 : 1
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