Apresenta duas gerações de gângsteres, seus negócios, os relacionamentos que estabelecem e o homem que chamam para resolver seus problemas.Apresenta duas gerações de gângsteres, seus negócios, os relacionamentos que estabelecem e o homem que chamam para resolver seus problemas.Apresenta duas gerações de gângsteres, seus negócios, os relacionamentos que estabelecem e o homem que chamam para resolver seus problemas.
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There's way too much of these types of shows now. In an ideal world they would take the best elements of all these and put them together to make a brilliant series.
There's so many holes in the plot and so many unbelievable things happening considering the prestige of the family and their enterprise. If it wasn't for Tom Hardy I may have switched off before the end.
I was stunned to find out the Pierce Brosnan was Irish, that accent is wild. Same as Helen Mirren and her ridiculous character.
Too much of this stuff is designed for the yanks, the Cotswolds isn't around the corner from London.
There's so many holes in the plot and so many unbelievable things happening considering the prestige of the family and their enterprise. If it wasn't for Tom Hardy I may have switched off before the end.
I was stunned to find out the Pierce Brosnan was Irish, that accent is wild. Same as Helen Mirren and her ridiculous character.
Too much of this stuff is designed for the yanks, the Cotswolds isn't around the corner from London.
The series Mobland starts off strong and is carried by Tom Hardy. The other actors range from decent to completely over-the-top - especially Pierce Brosnan and Helen Mirren, who are genuinely hard to watch.
The show lacks an overarching storyline, instead stringing together one narrative fragment after another, often feeling more like a soap opera than an actual mafia series. Many scenes are marked by illogical decisions. All in all, it's nowhere near masterpieces like The Sopranos.
It's a show you can easily binge in one or two days, have a good time with, and completely forget about four weeks later. Without Tom Hardy, it would be a 5 out of 10.
The show lacks an overarching storyline, instead stringing together one narrative fragment after another, often feeling more like a soap opera than an actual mafia series. Many scenes are marked by illogical decisions. All in all, it's nowhere near masterpieces like The Sopranos.
It's a show you can easily binge in one or two days, have a good time with, and completely forget about four weeks later. Without Tom Hardy, it would be a 5 out of 10.
This show is one of those shows, that if never existed, people would still feel as if they have seen it. That is how many times a thing such as this has already been seen, and truth to be told, previously done in quite better ways and versions of itself..
Not an awful show, other than dreadful irish accents and some quite lousy, convenient writing, especially near and by the end, it is not bad, only issue, that is becoming bigger and bigger issue lately, is that it is generic, in instances painfully, borderline slop.
Pierce Brosnan more and more looks and sounds, shortly said resembles, that hypothetical "thing" where good old Jean-Luc Picard, in his old days 'Picard' starts a gangster organisation in his vineyard back in France, while also pretending to be Irish (most funny part is that Pierce was born in Ireland), and Tom Hardy is way better "Data" than that (maybe Taboo should be renewed)..
Shows like this are the product of those who don't know when the time to stop has come, we have seen this pattern past decade over and over again with creators who peaked in their creativity and skill a long time ago, now attempting to reach those peaks again, while continuing Faded Creativity Circus..
Not an awful show, other than dreadful irish accents and some quite lousy, convenient writing, especially near and by the end, it is not bad, only issue, that is becoming bigger and bigger issue lately, is that it is generic, in instances painfully, borderline slop.
Pierce Brosnan more and more looks and sounds, shortly said resembles, that hypothetical "thing" where good old Jean-Luc Picard, in his old days 'Picard' starts a gangster organisation in his vineyard back in France, while also pretending to be Irish (most funny part is that Pierce was born in Ireland), and Tom Hardy is way better "Data" than that (maybe Taboo should be renewed)..
Shows like this are the product of those who don't know when the time to stop has come, we have seen this pattern past decade over and over again with creators who peaked in their creativity and skill a long time ago, now attempting to reach those peaks again, while continuing Faded Creativity Circus..
MobLand is a sort of Roman history-like / Shakespearean over the top crime show that brings Miller's Crossing together with a Guy Ritchie-type universe.
Our "hero" is Tom Hardy, fixer guy for The Harringon Family, led by the diabolical and insane Pierce Brosnan and Helen Mirren. They want to expand into the fentanyl business, but their son may have been involved in a homicide with a rival crime lord's son...and now it's "nuclear war." Tom Hardy has to protect both his crime family and his real family - and win the war.
This show is a lot of fun. The acting is great and the production value is superb. The theme some / credits intro for this show might be the best of any show since Game of Thrones, and it really jazzes you up and gets you excited for the story.
The writing is mostly really good, but it ranges from over the top to kind of underwhelming. For example, there is a scene with a chainsaw that is bloodshed and madness, but what should have been a game-changer turned into something where then there is never really much of an emotional resonance from anyone. Characters kind of just "go on." Also, it introduces this crime lord to be the main antagonist, and I think by the end it's unclear what made him such a threat in the first place.
Lastly, this world is full of backstabbing and chaos, it's so over-the-top that nobody who existed in this world could be real, and that is both part of the fun and also the challenge of MobLand. It's in no way shape or form a real look at mob life - it's more like a Roman-era bloody tale of madness and revenge.
But, whatever.
The show is a total binge-worthy blast and I'd absolutely watch a second season.
Our "hero" is Tom Hardy, fixer guy for The Harringon Family, led by the diabolical and insane Pierce Brosnan and Helen Mirren. They want to expand into the fentanyl business, but their son may have been involved in a homicide with a rival crime lord's son...and now it's "nuclear war." Tom Hardy has to protect both his crime family and his real family - and win the war.
This show is a lot of fun. The acting is great and the production value is superb. The theme some / credits intro for this show might be the best of any show since Game of Thrones, and it really jazzes you up and gets you excited for the story.
The writing is mostly really good, but it ranges from over the top to kind of underwhelming. For example, there is a scene with a chainsaw that is bloodshed and madness, but what should have been a game-changer turned into something where then there is never really much of an emotional resonance from anyone. Characters kind of just "go on." Also, it introduces this crime lord to be the main antagonist, and I think by the end it's unclear what made him such a threat in the first place.
Lastly, this world is full of backstabbing and chaos, it's so over-the-top that nobody who existed in this world could be real, and that is both part of the fun and also the challenge of MobLand. It's in no way shape or form a real look at mob life - it's more like a Roman-era bloody tale of madness and revenge.
But, whatever.
The show is a total binge-worthy blast and I'd absolutely watch a second season.
Show did an excellent job of establishing characters and what their individual idiosyncrasies are. A mob story but character driven. It reminded me of the Sopranos that way. The characters are just as interesting as the plot lines. What happened in the last few episodes was what happens to a lot of shows that start strong, the writers just start throwing too much on top of the characters. They become inconsistent with the exception of Harry. The writers amp up the brutality to wear the violence becomes disproportionately too much. It is not lost on me that a mob story will have violence. What sometimes happens and I think what happened with this show, is that the characters become more erratic and more violent but at the same time they're asked to plot and think and connive their way towards their own ends. In a 10 episode season, some characters are not even recognizable from where they were built to where they wind up. That's not necessarily character evolution. It felt like a lot of the characters were lobotomized. Plot devices are inserted in a heavy-handed way to make this one a good guy and this one a bad guy. I don't feel like we were treated very intelligently as the season moved along. There was a lot of potential here, and as some reviewers have written, the show really lost its way.
Pierce Brosnan Through the Years
Pierce Brosnan Through the Years
From iconic moments in the James Bond franchise to roles in Mamma Mia! and "MobLand," look back at Pierce Brosnan's impressive career.
Você sabia?
- CuriosidadesThe series was originally intended to be a prequel to Ray Donovan. In February 2024, Paramount+ released the premise of the series, which was to be titled the Donovans, stating, "With the most powerful clients in Europe, The Donovans will see family fortunes and reputations at risk. Odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow." The story was believed to be centered around Ray Donovan's character, which would explore the rise and formation of his criminal enterprise. Guy Ritchie was named as the director and executive producer. In October 2024, Paramount+ announced that the spinoff idea was called off and the show was rewritten to become its own standalone series with no narrative connection to Ray Donovan. Guy Ritchie remained on the creative team.
- ConexõesReferenced in Línea de Cal: Casar, matar o foll*r y los mayores cornudos de San Fermín (2025)
- Trilhas sonorasStarburster
Written by Carlos O'Connell, Conor Curley, Conor Deegan III, Grian Chatten, Tom Coll
Performed by Fontaines D.C.
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- MobLand
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração50 minutos
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- 2.39:1
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