Apresenta duas gerações de gângsteres, seus negócios, os relacionamentos que estabelecem e o homem que chamam para resolver seus problemas.Apresenta duas gerações de gângsteres, seus negócios, os relacionamentos que estabelecem e o homem que chamam para resolver seus problemas.Apresenta duas gerações de gângsteres, seus negócios, os relacionamentos que estabelecem e o homem que chamam para resolver seus problemas.
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The last 2 or 3 episodes are quite ridiculous in how effortless the casual killing sprees are, and how fictional and convenient certain plot devices are.
I was hoping for something a bit more intelligent and cunning, but this series falls victim to laziness and convenience. It wants to be smart, but wanders into cheesy cliches on occasion.
Many unanswered questions by the end, but even if you had the answers they'd be implausible and impossible. Just accept it. This isn't sophisticated storytelling, it's blunt force rounded edges.
Yes yes, the Hardy character is good, up until he performs a miracle one-man operation against a gang on their turf, and comes out without a scratch. Okay, cool.
The final unravelling is all a bit messy, almost like the writers were in hurry to wrap things up. Maybe they got word there wouldn't be a second season. Honestly I don't think it deserves a second season.
I was hoping for something a bit more intelligent and cunning, but this series falls victim to laziness and convenience. It wants to be smart, but wanders into cheesy cliches on occasion.
Many unanswered questions by the end, but even if you had the answers they'd be implausible and impossible. Just accept it. This isn't sophisticated storytelling, it's blunt force rounded edges.
Yes yes, the Hardy character is good, up until he performs a miracle one-man operation against a gang on their turf, and comes out without a scratch. Okay, cool.
The final unravelling is all a bit messy, almost like the writers were in hurry to wrap things up. Maybe they got word there wouldn't be a second season. Honestly I don't think it deserves a second season.
This show is one of those shows, that if never existed, people would still feel as if they have seen it. That is how many times a thing such as this has already been seen, and truth to be told, previously done in quite better ways and versions of itself..
Not an awful show, other than dreadful irish accents and some quite lousy, convenient writing, especially near and by the end, it is not bad, only issue, that is becoming bigger and bigger issue lately, is that it is generic, in instances painfully, borderline slop.
Pierce Brosnan more and more looks and sounds, shortly said resembles, that hypothetical "thing" where good old Jean-Luc Picard, in his old days 'Picard' starts a gangster organisation in his vineyard back in France, while also pretending to be Irish (most funny part is that Pierce was born in Ireland), and Tom Hardy is way better "Data" than that (maybe Taboo should be renewed)..
Shows like this are the product of those who don't know when the time to stop has come, we have seen this pattern past decade over and over again with creators who peaked in their creativity and skill a long time ago, now attempting to reach those peaks again, while continuing Faded Creativity Circus..
Not an awful show, other than dreadful irish accents and some quite lousy, convenient writing, especially near and by the end, it is not bad, only issue, that is becoming bigger and bigger issue lately, is that it is generic, in instances painfully, borderline slop.
Pierce Brosnan more and more looks and sounds, shortly said resembles, that hypothetical "thing" where good old Jean-Luc Picard, in his old days 'Picard' starts a gangster organisation in his vineyard back in France, while also pretending to be Irish (most funny part is that Pierce was born in Ireland), and Tom Hardy is way better "Data" than that (maybe Taboo should be renewed)..
Shows like this are the product of those who don't know when the time to stop has come, we have seen this pattern past decade over and over again with creators who peaked in their creativity and skill a long time ago, now attempting to reach those peaks again, while continuing Faded Creativity Circus..
MobLand is a sort of Roman history-like / Shakespearean over the top crime show that brings Miller's Crossing together with a Guy Ritchie-type universe.
Our "hero" is Tom Hardy, fixer guy for The Harringon Family, led by the diabolical and insane Pierce Brosnan and Helen Mirren. They want to expand into the fentanyl business, but their son may have been involved in a homicide with a rival crime lord's son...and now it's "nuclear war." Tom Hardy has to protect both his crime family and his real family - and win the war.
This show is a lot of fun. The acting is great and the production value is superb. The theme some / credits intro for this show might be the best of any show since Game of Thrones, and it really jazzes you up and gets you excited for the story.
The writing is mostly really good, but it ranges from over the top to kind of underwhelming. For example, there is a scene with a chainsaw that is bloodshed and madness, but what should have been a game-changer turned into something where then there is never really much of an emotional resonance from anyone. Characters kind of just "go on." Also, it introduces this crime lord to be the main antagonist, and I think by the end it's unclear what made him such a threat in the first place.
Lastly, this world is full of backstabbing and chaos, it's so over-the-top that nobody who existed in this world could be real, and that is both part of the fun and also the challenge of MobLand. It's in no way shape or form a real look at mob life - it's more like a Roman-era bloody tale of madness and revenge.
But, whatever.
The show is a total binge-worthy blast and I'd absolutely watch a second season.
Our "hero" is Tom Hardy, fixer guy for The Harringon Family, led by the diabolical and insane Pierce Brosnan and Helen Mirren. They want to expand into the fentanyl business, but their son may have been involved in a homicide with a rival crime lord's son...and now it's "nuclear war." Tom Hardy has to protect both his crime family and his real family - and win the war.
This show is a lot of fun. The acting is great and the production value is superb. The theme some / credits intro for this show might be the best of any show since Game of Thrones, and it really jazzes you up and gets you excited for the story.
The writing is mostly really good, but it ranges from over the top to kind of underwhelming. For example, there is a scene with a chainsaw that is bloodshed and madness, but what should have been a game-changer turned into something where then there is never really much of an emotional resonance from anyone. Characters kind of just "go on." Also, it introduces this crime lord to be the main antagonist, and I think by the end it's unclear what made him such a threat in the first place.
Lastly, this world is full of backstabbing and chaos, it's so over-the-top that nobody who existed in this world could be real, and that is both part of the fun and also the challenge of MobLand. It's in no way shape or form a real look at mob life - it's more like a Roman-era bloody tale of madness and revenge.
But, whatever.
The show is a total binge-worthy blast and I'd absolutely watch a second season.
The performances of Tom Hardy and Geoff Bell are exemplary. The characters portrayed by both Brosnan and Mirren seem to envisage a stereotypical Irish brutish gangster family in a somewhat comical yet condescending way.
The recent BBC production of This city is ours set in Liverpool mirrors plot wise the themes of Macbeth once again.
Both though are very watchable even though they don't convey the true nature's of OCGs in Britain today.
The horrors and consequences of gangland action upon not just local but national society is not adequately explored.
Maybe we could be in danger of romanticising Hardys character to the detriment of overlooking his crimes.
The recent BBC production of This city is ours set in Liverpool mirrors plot wise the themes of Macbeth once again.
Both though are very watchable even though they don't convey the true nature's of OCGs in Britain today.
The horrors and consequences of gangland action upon not just local but national society is not adequately explored.
Maybe we could be in danger of romanticising Hardys character to the detriment of overlooking his crimes.
Most people I've spoken to regards this drama have always said to me, ''oh it's brilliant, 10/10." Now don't get me wrong I did enjoy it and it is rather good, but perfect? No, not at all, and here is for why. I feel Pierce Brosnan is over acting. It feels like he's trying too hard to be the scary 'Godfather.' Less is more I say. To a lesser degree ditto goes to Helen Mirren also. And finally, there are certain scenes where Tom Hardy is mumbling his lines, in order to come across as sinister as possible. All well and good, but it's bloody annoying, because when he does deliver his lines like that, I can't tell what he's saying! In my opinion, GEOFF BELL, is the standout actor in this. He is on top form and probably this is the best role he's ever played. Oh and if you do want perfection, I suggest you watch THIS CITY IS OURS, trust me on this.
Top-Rated TV Shows of 2025 So Far
Top-Rated TV Shows of 2025 So Far
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- CuriosidadesThe series was originally intended to be a prequel to Ray Donovan. In February 2024, Paramount+ released the premise of the series, which was to be titled the Donovans, stating, "With the most powerful clients in Europe, The Donovans will see family fortunes and reputations at risk. Odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow." The story was believed to be centered around Ray Donovan's character, which would explore the rise and formation of his criminal enterprise. Guy Ritchie was named as the director and executive producer. In October 2024, Paramount+ announced that the spinoff idea was called off and the show was rewritten to become its own standalone series with no narrative connection to Ray Donovan. Guy Ritchie remained on the creative team.
- ConexõesReferenced in Línea de Cal: Casar, matar o foll*r y los mayores cornudos de San Fermín (2025)
- Trilhas sonorasStarburster
Written by Carlos O'Connell, Conor Curley, Conor Deegan III, Grian Chatten, Tom Coll
Performed by Fontaines D.C.
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- MobLand
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- Tempo de duração50 minutos
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